Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-45l2p Total loading time: 0 Render date: 2024-04-28T20:52:08.902Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

8 - Silence – Voice – Representation

Heidrun Friese
Affiliation:
University of Amsterdam
Get access

Summary

Impossible donc de l'oublier, impossible de s'en souvenir. Impossible aussi, quand on en parle, d'en parler – et finalement comme il n'y rien à dire que cet événement incompréhensible, c'est la parole seule qui doit le porter sans le dire.

Maurice Blanchot, L'entretien infini, p.200

Et comme si cette parole ne pouvait s'ériger que sur les ruines de l'autre, avec et sans elle.

Poussière. Poussière.

Le silence, nul écrivain ne l'ignore, permet l'écoute du mot. A un moment donné, le silence est si fort que les mots n'expriment plus que lui.

Ce silence, capable de faire basculer la langue a-t-il sa propre langue à laquelle on ne peut attribuer ni origine ni nom?

Passage ininterrompu du silence au silence et du mot au silence.

Edmond Jabès, La mémoire des mots, pp.13–14

‘Only one thing remained close and reachable amid all losses: Language. Yes, language. In spite of everything it remained unlost. But it had to go through its own lack of answers, through terrifying silence [Verstummen], through the thousand darknesses of murderous speech. It went through and gave no words for what happened; but it went through this event. It went through and was allowed to resurface [zutage treten], enriched [angereichert] by it all.’ So Paul Celan remarked upon receiving the literary prize of the city of Bremen in 1958.

Celan's meditation on language, memory and history, his reflections of this time, a time of radical losses, opens with the commemoration of topographical dislocations, a motion through the distant sites of a literary landscape which once seemed unreachable for him, the young poet: ‘…Bremen, brought closer to me by books and the names of those who wrote books and published books, retained the sound of the unreachable. The reachable, though far enough, which was to be reached was named Vienna. You know, what even this reachableness meant over those years.’ This construction of readings, books, names of authors and their imaginary places, this topographical history which defines what is close and reachable, is completely destroyed by what happened. This history Celan is commemorating has radically cancelled ‘any thought of destination or of homecoming’, but what has remained reachable and close, ‘in spite of everything and amid the losses’ is language: ‘Only one thing remained close and reachable amid all losses: language.’

Type
Chapter
Information
Publisher: Liverpool University Press
Print publication year: 2000

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×