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3 - Engendering the house: Silvae 1.2 and 3.4

Published online by Cambridge University Press:  22 September 2009

Carole E. Newlands
Affiliation:
University of Wisconsin, Madison
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Summary

Her snowy neck like to a marble tower,

And all her body like a palace fair,

Ascending up, with many a stately stair,

To honor's seat and chastity's sweet bower.

Edmund Spenser, Epithalamion

Silv. 1. 1 and 4. 6 stand at opposite ends of the poetic and political spectrum in Statius' poetry book. Statius' poetry of praise, however, contains a variety of negotiatory positions. This chapter will consider two poems that once again structurally and thematically complement one another, Silv. 1. 2 and Silv. 3. 4. They are admittedly addressed to people of very different social status – in Silv. 1. 2 the aristocratic Stella and his new wife Violentilla, in Silv. 3. 4 Domitian's court eunuch Earinus. Yet both poems explore social and sexual identity through the domestic space of a grand house and palace respectively. Gender and architecture are here integral to both the reinforcement and the questioning of traditional values in the Flavian age. Indeed, the literary construction of a woman and a eunuch through their houses implicitly raises the question of what constitutes ‘Romanness’ at the end of the first century ad.

Silv. 1. 2 celebrates the marriage of a couple who were fairly prominent figures within Roman society, Arruntius Stella and his wife Violentilla. Stella is the subject of several poems by Martial. Silv. 1. 2 tells us that at the time of his marriage Stella was one of the quindecimviri (176–7), hoping, it seems, for further speedy advancement (174–81).

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Publisher: Cambridge University Press
Print publication year: 2002

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