The complete exemplars:

• • Augsburg, Staats- und Stadtbibliothek (complete): Tonk Schl 420–424

• • Bologna, Museo internazionale e biblioteca della musica di Bologna (complete; online): R146

• • Munich, Bayerische Staatsbibliothek (complete; online): Mus.pr. 48

• • Verona, Accademia Filarmonica, Biblioteca e Archivio – Fondo musicale antico (complete): b. 206

The incomplete exemplars:

• • Berlin, Staatsbibliothek zu Berlin – Preußischer Kulturbesitz, Musikabteilung (Q only): Mus.ant. pract. S 670

• • Heilbronn, Stadtbücherei, Musiksammlung (Q T; online): L003M-IV_V-1

• • Jena, Thüringer Universitäts- und Landesbibliothek (D A T B; online): 4 Mus.5a(2); 4 Mus.5b(2); 4 Mus.5c(2); 4 Mus.5d(2)

• • Tübingen, Eberhard-Karls-Universität, Universitätsbibliothek (T only): De 17.4-OR

B: Table of Concordances

The following online and print sources were used to compile the table:

• • The CMME Project (www.cmme.org)

• • DIAMM (www.diamm.ac.uk)

• • The RISM online catalogue (opac.rism.info)

• • RISM A/I, RISM B/I, and RISM B/IV/5 (printed volumes)

• • Universal Short Title Catalogue (www.ustc.ac.uk)

• • Bohn, Die musikalischen Handschriften des XVI. und XVII. Jahrhunderts in der Stadtbibliothek zu Breslau

• • Böker-Heil, ‘Die Motetten von Philippe Verdelot’

• • Bussi, Piacenza Archivio del Duomo

• • Ferer, Music and Ceremony at the Court of Charles V

• • Haberkamp, ed., Bischöfliche Zentralbibliothek Regensburg Thematischer Katalog der Musikhandschriften: 1 – Sammlung Proske: A.R., B, C, AN

• • Hulková, ‘Hudobný konvolút z Lyceálnej knižnice v Kežmarku: Príspevok k problematike renesančnej hudby na Slovensku v 16. Storoč’

• • Kidger, Willaert: A Guide to Research

• • Llorens, Capellae Sixtinae codices musicis notis instructi sive manu scripti sive praelo excussi

• • Lowinsky, ‘A Newly Discovered Sixteenth-Century Motet Manuscript’

• • Maýrová, Schlagel, and Hrachová, The Rokycany Music Collection: www.nm.cz/file/8d521a6de8bda99389dd10a75211af4d/25961/ Rokycanska–hudebni–sbirka.pdf

• • Nugent, ‘The Jacquet Motets and their Authors’

• • Pogue, Jacques Moderne

• • Schmidt-Görg, Nicolas Gombert

• • Youens, ‘Music for the Lutheran Mass in Leipzig’

Wherever possible I have verified the presence of the motets in the sources shown in the table. I was able to consult the vast majority of them (either the physical original or digital images thereof); nevertheless, there is no claim here to absolute completeness. Sources that were unconsultable, for whatever reason, are preceded in the list underneath the table with the symbol †; partially consultable sources are marked (†). Any additional sources that are cited in any of the printed literature listed above but that are not listed in this appendix should be deemed erroneous.

Voice parts correspond to those of Schöffer's anthology, unless otherwise stated.