Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-vfjqv Total loading time: 0 Render date: 2024-04-26T00:18:33.788Z Has data issue: false hasContentIssue false

1 - Setting the stage

Published online by Cambridge University Press:  24 October 2009

Matthew Y. Chen
Affiliation:
City University of Hong Kong
Get access

Summary

This introductory chapter is intended to provide the necessary background for our investigation of tone sandhi. After a brief description of the genetic grouping of the languages of China, from which we draw the bulk of our primary data (section 1), I give a thumbnail sketch of the tone system of Middle Chinese (circa AD 600) and its evolution into the diverse patterns we see in modern dialects (sections 2–3). Historical tonal categories furnish us with a common frame of reference as we move from one dialect to another. I then set tone sandhi in the context of various types of tonal perturbations in connected speech, including tonal coarticulation, intonational effects, and morphologically conditioned tone changes (section 4). Tone sandhi processes often strike the analyst as arbitrary and totally lacking in phonetic or functional motivation. Section 5 shows that we can make sense of, if not explain, certain puzzling synchronic facts if we look at them from a diachronic perspective. This chapter closes with some terminological clarification (section 6).

Languages and dialects of China

According to Major Statistics of the 1982 Census, published by the People's Republic of China State Statistics Bureau (Beijing, October 1982), China (including Taiwan) has a population of 1,026 million. Of these, 977.2 million or 95.2% speak one form or another of Chinese. The remaining 46.2 million are distributed over a wide variety of language families/stocks, spoken mostly on the periphery of China, with a high concentration of speakers of “minority” languages across the southwestern provinces.

Type
Chapter
Information
Tone Sandhi
Patterns across Chinese Dialects
, pp. 1 - 52
Publisher: Cambridge University Press
Print publication year: 2000

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Setting the stage
  • Matthew Y. Chen, City University of Hong Kong
  • Book: Tone Sandhi
  • Online publication: 24 October 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511486364.003
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Setting the stage
  • Matthew Y. Chen, City University of Hong Kong
  • Book: Tone Sandhi
  • Online publication: 24 October 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511486364.003
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Setting the stage
  • Matthew Y. Chen, City University of Hong Kong
  • Book: Tone Sandhi
  • Online publication: 24 October 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511486364.003
Available formats
×