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5 - The Polychrome-Decorated Plank-and-Muntin Screen at Marker's Cottage, Broadclyst, Devon, and its Context

from II - The Decoration of West Country Houses

Published online by Cambridge University Press:  05 May 2015

Eddie Sinclair
Affiliation:
Independent scholar and conservator
Isabel Richardson
Affiliation:
Independent scholar
John Allan
Affiliation:
Consultant Archaeologist to the Dean and Chapter of Exeter Cathedral
Nat Alcock
Affiliation:
Emeritus Reader in the Department of Chemistry, University of Warwick
David Dawson
Affiliation:
Independent archaeologist and museum and heritage consultant
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Summary

Paintings have been discovered on the screen separating the hall from the parlour of Marker's Cottage, Broadclyst, a three-room and cross-passage house of late medieval date. The character and structural history of the house are described. The paintings' early date (c. 1520–50) and their combination of religious and secular themes make them unique in a vernacular context. This paper relates them to other examples of painting on domestic West Country screens and to some contemporary work on church rood screens. Basic analysis has demonstrated that a more expensive and elaborate range of pigments was used than is apparent from visual examination.

INTRODUCTION

The plank-and-muntin screen, separating the principal ground-floor rooms, is a characteristic feature of the late medieval West Country house. Although many examples have survived, only a few preserve their painted decoration, since most have been stripped to the bare oak below, or retain only fragmentary traces of painted ornament. This paper records a remarkable addition to the small canon of decorated screens, found at Marker's Cottage, Broadclyst. The scheme dates from c. 1520–50 and displays a combination of religious and secular themes which appears to be unique in a vernacular context in the West Country.

The screen was discovered when Marker's was examined in the course of the Vernacular Buildings Survey set up by the Devon Region of the National Trust in 1985. The survey reflected a national decision to evaluate historically the small buildings held by the Trust, following criticism of the treatment of some of its cottages in which important features had not been recognized. Conducted under the auspices of the Manpower Services Commission and led by Gwynneth Guy, the scheme recorded, by survey and documentary research, every farmstead and cottage owned by the Trust in the county. In each case ground- and first-floor plans were measured and drawn; the materials used and external and internal features were noted, and photographs taken.

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Publisher: Boydell & Brewer
Print publication year: 2015

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