Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-x5gtn Total loading time: 0 Render date: 2024-05-29T03:34:41.350Z Has data issue: false hasContentIssue false

3 - Sensory Substitution: The Plasticity of the Eye/I

Published online by Cambridge University Press:  22 December 2017

Florence Chiew
Affiliation:
Head of Higher Degree Research Learning for Social Science at Macquarie University, Sydney.
Vicki Kirby
Affiliation:
University of New South Wales
Get access

Summary

When we think of perception most of us will call to mind everyday experiences of sight, smell, sound, touch and taste. Intuitively, we may also match the sensory perceptions we experience with their modal counterparts: we see with our eyes, hear with our ears, taste with our tongue, smell with our nose, touch with our skin. This classic definition of perception as an aggregate of different sensory modalities is also used in scientific approaches to the topic. In psychology textbooks, for instance, it is not uncommon to find stand-alone chapters devoted to explaining the functions and structures of each of the different senses (Chaudhuri 2011; Mathur 2009).

Implicit in this orthodox account is a causal and linear narrative: a discrete physical stimulus triggers a particular subjective response. Psychologist, George Mathur, explains the process like so: ‘we may sense “sound” when air pressure waves enter the ear; and we may sense “light” when electromagnetic radiation enters the eye’ (2009: 17, emphasis added). In a similar vein, perceptual psychologist, Avi Chaudhuri, describes how physical stimuli, as ‘raw data’, are transmitted via nerve impulses and sensory pathways to corresponding regions in the brain, where ‘sensory inputs are biologically processed to ultimately produce the experience of perception’ (2011: 36). While intuitive, these accounts of perception rest on a key assumption, namely, that the perceiver and the object of perception are discrete entities, separated by a biological or psychological interface through which sensory information passes. In other words, the process of perception relies on the object's externality from the perceiving subject or body.

In a similar vein, localisation is a foundational principle of modern neuroscience. Localisation theories posit that discrete regions in the brain are specialised for different functions (Kandel et al. 2013). Traditionally, neuroscientific explanations of sensory processing have been based on the ‘labelled line’ hypothesis in which ‘a single neuron codes for a single pre-determined dimension’ (Fotheringham and Young 1997: 48). According to psychologist Charles Gross, this hypothesis has also been termed the ‘grandmother cell’, indicating ‘a neuron that would respond only to a specific, complex, and meaningful stimulus, that is, to a single percept or even a single concept’ (2002: 512).

Type
Chapter
Information
Publisher: Edinburgh University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×