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Chris Gosden , Sally Crawford & Katharina Ulmschneider (ed.). Celtic art in Europe: making connections. Essays in honour of Vincent Megaw on his 80th birthday. 2014. x+372 pages, numerous colour and b&w illustrations. Oxford & Philadelphia (PA): Oxbow; 978-1-78297-655-4 hardback £60.

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Chris Gosden , Sally Crawford & Katharina Ulmschneider (ed.). Celtic art in Europe: making connections. Essays in honour of Vincent Megaw on his 80th birthday. 2014. x+372 pages, numerous colour and b&w illustrations. Oxford & Philadelphia (PA): Oxbow; 978-1-78297-655-4 hardback £60.

Published online by Cambridge University Press:  19 July 2016

Manuel Fernández-Götz
Manuel Fernández-Götz*
Affiliation:
School of History, Classics and Archaeology, University of Edinburgh, UK (Email: m.fernandez-gotz@ed.ac.uk)
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Type
Book Review
Information
Antiquity , Volume 90 , Issue 352 , August 2016 , pp. 1124 - 1126
Copyright
Copyright © Antiquity Publications Ltd, 2016 

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References

Fernández-Götz, M. 2016. ‘Celts: art and identity’ exhibition: ‘New Celticism’ at the British Museum. Antiquity 90: 237–44. http://dx.doi.org/10.15184/aqy.2015.193 Google Scholar
Garrow, D. & Gosden, C.. 2012. A technology of enchantment? Exploring Celtic art 400 BC–AD 100. Oxford: Oxford University Press. http://dx.doi.org/10.1093/acprof:osobl/9780199548064.001.0001 Google Scholar
Jacobsthal, P. 1944. Early Celtic art. Oxford: Clarendon.Google Scholar
Megaw, J.V.S. 2012. The Flying Dutchman reaches port. Antiquity 86: 546–57. http://dx.doi.org/10.1017/S0003598X00062943 Google Scholar
Megaw, R. & Megaw, J.V.S.. 1989. Celtic art: from its beginnings to the Book of Kells. London: Thames & Hudson.Google Scholar
Wells, P.S. 2012. How ancient Europeans saw the world: vision, patterns, and the shaping of the mind in prehistoric times. Princeton (NJ): Princeton University Press. http://dx.doi.org/10.1515/9781400844777 Google Scholar