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  • Cited by 6
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    This article has been cited by the following publications. This list is generated based on data provided by CrossRef.

    Metzger, Reinhard 2008. Eine geheime Botschaft in Die Meistersinger von Nürnberg und Parsifal: Jüdisches, Christliches und Antisemitisches in zwei Werken von Richard Wagner. The German Quarterly, Vol. 80, Issue. 1, p. 20.


    Rose, Paul Lawrence 2007. Richard Wagner for the New Millennium.


    Weiner, Marc 2007. Richard Wagner for the New Millennium.


    Hutcheon, Linda 2006. Interdisciplinary Opera Studies. PMLA, Vol. 121, Issue. 3, p. 802.


    Scott, Derek B. 2006. In Search of Genetically Modified Music: Race and Musical Style in the Nineteenth Century. Nineteenth-Century Music Review, Vol. 3, Issue. 01, p. 3.


    Marvin, William M. Marvin 2003. The Function of "Rules" inDie Meistersinger von Nürnberg. The Journal of Musicology, Vol. 20, Issue. 3, p. 414.


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Nuremberg Trial: Is there anti-semitism in Die Meistersinger?

Abstract

From time to time the question has been raised: ‘Is the character of Beckmesser an embodiment of Wagner's notorious anti-semitism?’ Theodor Adorno, who stated with reference to Beckmesser, Alberich and Mime that ‘all the rejects of Wagner's works are caricatures of Jews’, is frequently invoked, but the question is generally brushed aside, or answered summarily in the negative. Yet neither Adorno nor, to my knowledge, anyone else has examined the question in the depth it deserves. A fuller investigation of the evidence leads, I submit, to the conclusions that anti-semitism is woven into the ideological fabric of Die Meister-singer, and that the representation of Beckmesser incorporates unmistakable antisemitic characteristics. If this is indeed the case, then the implications for our understanding of the opera are profound.

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Cambridge Opera Journal
  • ISSN: 0954-5867
  • EISSN: 1474-0621
  • URL: /core/journals/cambridge-opera-journal
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