Hostname: page-component-848d4c4894-p2v8j Total loading time: 0.001 Render date: 2024-06-04T05:27:30.623Z Has data issue: false hasContentIssue false
  • English
  • Français

TANDEM DANCES: CHOREOGRAPHING IMMERSIVE PERFORMANCE by Julia M. Ritter. 2020. New York: Oxford University Press. 288 pp. 41 Illustrations. $35.00 paperback. ISBN: 9780190051310. $125.00 hardcover. ISBN: 9780190051303.

Review products

TANDEM DANCES: CHOREOGRAPHING IMMERSIVE PERFORMANCE by Julia M. Ritter. 2020. New York: Oxford University Press. 288 pp. 41 Illustrations. $35.00 paperback. ISBN: 9780190051310. $125.00 hardcover. ISBN: 9780190051303.

Published online by Cambridge University Press:  07 February 2022

Mara Mandradjieff
Mara Mandradjieff*
Affiliation:
Emory University
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Review
Information
Dance Research Journal , Volume 53 , Issue 3 , December 2021 , pp. 94 - 97
Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press on behalf of the Dance Studies Association

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Alston, Adam. 2016. Beyond Immersive Theatre: Aesthetics, Politics and Productive Participation. London: Palgrave Macmillan.CrossRefGoogle Scholar
Barthes, Roland. 1978. Image-Music-Text. New York: Macmillan.Google Scholar
Biggin, Rose. 2017. Immersive Theatre and Audience Experience: Space, Game and Story in the Work of Punchdrunk. London: Palgrave Macmillian.CrossRefGoogle Scholar
Foster, Susan Leigh. 2011. Choreographing Empathy: Kinesthesia in Performance. London: Routledge.Google Scholar
Jenkins, Henry. 2006. Convergence Culture: Where New and Old Media Collide. New York: New York University Press.Google Scholar
Machon, Josephine. 2013. Immersive Theatres: Intimacy and Immediacy in Contemporary Performance. London: Palgrave Macmillian.CrossRefGoogle Scholar
Reynolds, Dee, and Reason, Matthew, eds. 2012. Kinesthetic Empathy in Creative and Cultural Practices. Bristol, UK: Intellect Books.Google Scholar
Sheets-Johnstone, Maxine. 2015. The Phenomenology of Dance. Fiftieth Anniversary Edition. Philadelphia: Temple University Press.CrossRefGoogle Scholar
White, Gareth. 2013. Audience Participation in Theatre: Aesthetics of the Invitation. London: Palgrave Macmillian.CrossRefGoogle Scholar