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Published online by Cambridge University Press: 23 December 2013
Perhaps an apology is due to the readers of the Journal of Hellenic Studies for venturing to call their attention to so fragmentary a vase as the one depicted in the accompanying illustrations, Figs. 1, 2; the excuse must be that the design offers certain points of interest which make one regret its mutilated state.
All that are preserved are the stem and part of the interior design, cm. 5·5 × 4·8, of a r.-f. kylix which was purchased at Orvieto and purports to have been found there. The clay is fine and well worked, the black varnish of the stem of a brilliant lustre. Of the exterior design there remains only a small section of the ring indicating the ground, and one long, slender foot.
1 Cf. Zeus of the Boston Kantharos (Tarbell, F. B., The Decennial Public. [of the Univ. of Chicago], vi. 1902, Pls. II., III.)Google Scholar.
2 Cf. E. Pottier, Douris, Figs. 6, 10, 11, and 21.
3 Beazley, J. D., J.H.S. xxx. 1910, p. 42, Fig. 1.Google Scholar
4 Hartwig, , Meisterschalen, Pl. 34.Google ScholarFurtwängler-Reichhold, , Griech. Vasenmalerei, Pl. 50.Google Scholar Cf. also the seated man of the Vienna skyphos, F.-R. Pl. 84.
5 Perrot, G., Hist. de l' Art, x. 1914, p. 556 and Fig. 201, No. 25.Google Scholar
6 Hartwig, op. cit. p. 318, Fig. 42, and p. 349.
7 Hartwig, op. cit. p. 328. A.-E. M. 1893, pp. 120 ff.
8 Hartwig, op. cit. Pl. 36, 1–3.
9 Klein, , Euphronios, 2nd ed., p. 52, Fig. in text.Google Scholar
