Imagine all history written as if all people, even women, mattered. Until a couple of decades ago, that was at most an aspiration for those of us working on East European history. Since then, however, and especially with the fall of Communism, feminist scholars have made significant inroads toward achieving this goal. This review essay reflects on the contributions made by five such studies that focus on different aspects of women's lives under state socialism in Bulgaria, Czechoslovakia, the German Democratic Republic (GDR), Poland, and Romania. In one way or another, each author asks similar questions about the relationship between the Communist ideological emphasis on gender equality as a core moral value, on the one hand, and the policies and actions of these regimes with regard to women, on the other hand. Moreover, all studies focus on how women themselves participated in articulating, reacting to, and in some cases successfully challenging these policies. In short, they present us with excellent examples of how pertinent gender analysis is for understanding the most essential aspects of the history of Communism in Eastern Europe: how this authoritarian regime transformed individual identity and social relations.

This article focuses on the famous novel Koshpendiler (1976) by Ilyas Esenberlin. This literary work occupies a special place in Soviet Kazakh literature because it raises important problems such as the foundation of the state and nation, the sense of territoriality, and the struggle against Russian colonizers. The authors argue that this historical novel can be considered as an example of post-colonial discourse. The novel itself is an extrapolation of the 1970s’ Soviet reality when national Union republics, including Kazakhstan, were seeking greater independence. Kazakh cultural elites and the intelligentsia turned to the past history of nation-building to address the problems of the present day. Not having an opportunity to openly express their views, the Kazakh establishment preferred to express their national sentiments through the historical genre. In this work, the authors suggest their own vision of Soviet national literature from political science and historical perspectives.