Hostname: page-component-7bb8b95d7b-5mhkq Total loading time: 0 Render date: 2024-10-04T23:19:11.992Z Has data issue: false hasContentIssue false
  • English
  • Français

David Trippett, Wagner's Melodies: Aesthetics and Materialism in German Music Identity (Cambridge: Cambridge University Press, 2013). xiv + 448. pp. £70.00.

Published online by Cambridge University Press:  17 June 2015

Michael Spitzer
Michael Spitzer*
Affiliation:
University of LiverpoolMichael.Spitzer@liverpool.ac.uk
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Information
Nineteenth-Century Music Review , Volume 12 , Issue 1 , June 2015 , pp. 161 - 165
Copyright
Copyright © Cambridge University Press 2015 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 See Kittler, Friedrich A., Discourse Networks, 1800/1900 (Stanford: Stanford University Press, 1992)Google Scholar.

2 Kittler, Friedrich A., Gramophone, Film, Typewriter (Stanford: Stanford University Press, 1999)Google Scholar: 29.

3 Tomlinson, Gary, Music in Renaissance Magic (Chicago: University of Chicago Press, 1993)Google Scholar.