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Muxfeldt Kristina, Vanishing Sensibilities: Schubert, Beethoven, Schumann (New York: Oxford University Press, 2012). $39.95.

Published online by Cambridge University Press:  17 June 2013

Laura Tunbridge*
Affiliation:
University of Manchesterlaura.tunbridge@manchester.ac.uk

Abstract

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Type
Book Reviews
Copyright
Copyright © Cambridge University Press 2013 

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References

1 Darnton, Robert, The Great Cat Massacre and Other Episodes in French Cultural History (New York: Vintage, 1985)Google Scholar

2 Berry, Paul, ‘Johannes Brahms, Clara Schumann, and the Poetics of Musical Memory’, Journal of Musicology 24/1 (2007). 72–111Google Scholar

Taylor, Benedict, Mendelssohn, Time and Memory: The Romantic Conception of Cyclic Form (Cambridge: Cambridge University Press, 2011)CrossRefGoogle Scholar

3 Muxfeldt, Kristina, ‘Schubert, Platen, and the Myth of Narcissus’, Journal of the American Musicological Society 49 (1996), 480–527Google Scholar

4 Solie, Ruth A., ‘Whose Life? The Gendered Self in Schumann's Frauenliebe Songs’, in Music and Text: Critical Inquiries, ed. Steven Paul Scher (Cambridge: Cambridge University Press, 1992)Google Scholar

5 Suzannah Clark's Analyzing Schubert (Cambridge: Cambridge University Press, 2011)Google Scholar

6 Kristina Muxfeldt was awarded a subvention for Vanishing Sensibilities: Schubert, Beethoven, Schumann from the John Daverio Fund by the American Musicological Society's Publications Committee.

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