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An Intellectual Entertainment: Thought and Thinking

Published online by Cambridge University Press:  02 November 2016

Abstract

This dialogue is on the nature of thought and thinking. The five disputants are Socrates, an imaginary neuroscientist from California (whose opinions reflect those of contemporary cognitive neuroscientists), an Oxford don from the 1950s (who employs the linguistic analytic techniques of his times), a Scottish post-doctoral student, and John Locke (who speaks for himself). The discussion takes place in Elysium in the late afternoon. They examine the idea that thinking is an activity of the mind or the brain, whether the medium of thought consists of words or ideas, whether thoughtful speech is speech accompanied by thought, whether thinking, i.e. reasoning and inferring, is a process, and what is meant by the claim that ‘thinking is the last interpretation’. The dialogue ends when the protagonists go to dinner, but will be resumed after the meal.

Type
Research Article
Copyright
Copyright © The Royal Institute of Philosophy 2016 

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References

1 Susan Greenfield, in one of her television broadcasts, pointing at a brain image on a fMRI scanner, remarked, ‘Here, for the first time, we can actually see thinking.’

2 Leibniz, Principles of Nature and Grace, §4.

3 Sir Matthew Hale, The Primitive Origination of Mankind (1677).

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5 A view briefly adopted by Wittgenstein in the early 1930s but later abandoned.

6 Plato, Theaetetus 189e.

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8 Sophocles, Ajax, ll. 365–8.

9 Locke, An Essay Concerning Human Understanding, III-i-2, III-ii-1.

10 Hobbes, Leviathan, chap. iv.

11 Hobbes, Human Nature, chap. 5, §14.

12 Arnauld, The Art of Thinking, Part II, chap. i.

13 Locke, Essay, III-ii-1 (abbreviated).

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22 James, Principles of Psychology, I, 185.

23 I am indebted to Hanoch Ben-Yami, Parashkev Nachev, Hans Oberdiek, Herman Philipse, Dan Robinson, Amit Saad, and David Wiggins for their encouragement and kind comments on earlier drafts. I am grateful to Keith Thomas for his corrections to my seventeenth century English, and to my son Jonathan Hacker for his excellent advice on the dialogue form.