Shaftesbury is one of those philosophers who are usually placed more or less in the margin of the history of thought because an insufficient idea of system and a certain looseness of conception make it difficult to grasp their ideas and to classify them. Yet when you are able to break down or to dismiss the mental figures in which you have been accustomed to consider the historical succession of doctrines and are prepared to revive their words with an open mind, not only do they give you in their originality more than you had hoped, but also they help to render your representation of intellectual life as a whole more complex and more harmonious in its development. Bandini,1 an Italian scholar, in making a zealous study of Shaftesbury, has succeeded in drawing out his rich personality, and at the same time in explaining the importance of his contribution to the perennis philosophia. We could hardly succeed in understanding the modern English mind in its genesis if we concentrated our attention exclusively on those empiristic currents which, although they preponderate in Anglo-Saxon speculation, do not contain all its originality. There is a deep fount of romance in the spirit of this people which wells up from time to time, and the drier and harder the surface earth the more strongly it gushes forth. Shaftesbury is just such a fount, isolated and inexplicable to all outward appearances, but far otherwise for anyone who knows how to penetrate below the surface. In his essay Bandini, while emphasizing the contrast between the philosophy of moral enthusiasm and feeling and the contemporaneous doctrines of Hobbes and Locke, examines with equal penetration the way in which the former becomes reattached to English speculative tradition and by what means it contributes in its turn to furnishing new trends in philosophy.