Hostname: page-component-848d4c4894-hfldf Total loading time: 0 Render date: 2024-05-21T12:57:59.503Z Has data issue: false hasContentIssue false
  • English
  • Français

Creating Global Music in Turkey. By Koray Değirmenci. Lanham, MD: Lexington Books, 2013. xii + 140 pp. ISBN 978-0-7391-7545-3

Published online by Cambridge University Press:  08 April 2014

Thomas Solomon
Thomas Solomon*
Affiliation:
University of Bergen, Norway
*
thomas.solomon@grieg.uib.no
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Popular Music , Volume 33 , Issue 2 , May 2014 , pp. 365 - 367
Copyright
Copyright © Cambridge University Press 2014 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Bates, E. 2008. ‘Social interactions, musical arrangement, and the production of digital audio in Istanbul recording studios’, PhD dissertation (Berkeley, CA, University of California)Google Scholar
Bates, E. 2010. ‘Mixing for parlak and bowing for a büyük ses: the aesthetics of arranged traditional music in Turkey’, Ethnomusicology, 54/1, pp. 81–205CrossRefGoogle Scholar
Shannon, J. 2005. ‘Sultans of spin: Syrian sacred music on the world stage’, American Anthropologist, 105/2, pp. 266–77Google Scholar
Stokes, M. 2004. ‘Music and the global order’, Annual Review of Anthropology, 33, pp. 47–72Google Scholar