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- Contains open access
- ISSN: 0261-1430 (Print), 1474-0095 (Online)
- Editors: Martin Cloonan Turku Institute for Advanced Studies|Turun yliopisto / University of Turku|Room 112|Historicum (1. krs / 1st floor,)|20014 TY|Suomi-Finland and Sarah Hill School of Music|Cardiff University|31 Corbett Road|Cardiff CF10 3EB|UK
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Popular Music is an international multi-disciplinary journal covering all aspects of the subject - from the formation of social group identities through popular music, to the workings of the global music industry, to how particular pieces of music are put together. The journal includes all kinds of popular music, whether rap or rai, jazz or rock, from any historical era and any geographical location. Popular Music carries articles by scholars from a variety of disciplines and theoretical perspectives. Each issue contains substantial, authoritative and influential articles, shorter topical pieces, and reviews of a wide range of books.
Music and Drama – Cambridge Core Blog
- Celebrating Anne Hathaway during International Women’s Month
- 17 March 2018,
- In honour of Women's History Month 2018, we are sharing highlights throughout March, written by and about inspirational women. In the following blog post, Katherine...
- Putting the Spotlight on Female Playwrights in America
- 09 March 2018,
- This International Women's Month, we are putting the spotlight on female playwrights in America. Read the following blog by Cambridge University Press author...
- Discovering a ‘new’ Tudor ballad by John Heywood
- 24 May 2017,
- Read Jane Flynn’s full article published in the journal British Catholic History. A few years ago, I did an internet search involving the name ‘John Heywood’, the Tudor court entertainer, poet, and musician. One of the hits was from the catalogue of manuscripts of the Durham Cathedral Library, in a description of a book of accounts dating from 1561–75. It mentioned that the account book contains a 38-stanza poem that ‘begins “When all that is to was ys brought / As all that hath byn is” and ends “Maye rest in rest aye restyngly / Amen quoth John Heywood” [John Heywood ?1497-?1580]’, with the name ‘Thomas Good at the end’. I was intrigued: was the poem by Good or Heywood?…...
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