Renaissance Quarterly: Volume 48 -

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Renaissance Quarterly
ISSN: 0034-4338

EISSN: 1935-0236

URL: /core/journals/renaissance-quarterly
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Renaissance Quarterly

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Volume 48 - Summer 1995

Reviews

Desiderius Erasmus. Poems. (The Collected Works of Erasmus, 85 and 86.) Trans, by Clarence H. Miller; ed. and annot. Harry Vredeveld. Toronto, Buffalo, and London: University of Toronto Press, 1993. lix + 835 pp. $120 set.

Christopher Braider. Refiguring the Real: Picture and Modernity in Word and Image 1400-1700. Princeton: Princeton University Press, 1993. 8 color pis. + 80 illus. + xiv + 314 pp. $39.50.

John W. O'Malley. The First Jesuits. Cambridge and London: Harvard University Press, 1993. xi + 457 pp. $35.

Peter Humfrey. The Altarpiece in Renaissance Venice. New Haven and London: Yale University Press, 1993. 304 pls. + ix + 382 pp. $60.

Robert Munman. Sienese Renaissance Tomb Monuments. (Memoirs of the American Philosophical Society, 205.) Philadelphia: American Philosophical Society, 1993. 60 pis. + xii + 180 pp. $25.

Massimo Firpo. Riforma protestante ed eresie nell'Italia del Cinquecento. Rome: Laterza, 1993. 206 pp. L. 25,000.

Martin Warnke. The Court Artist: On the Ancestry of the Modern Artist. Trans. David McLintock. (Ideas in Context.) New York and Cambridge: Cambridge University Press, 1993. xx + 299 pp. $54-95.

Marie Tanner. The Last Descendant of Aeneas. New Haven: Yale University Press, 1993. xi + 333 pp. $45.

David Howarth, ed. Art and Patronage in the Caroline Courts: Essays in Honour of Sir Oliver Millar. New York and Cambridge: Cambridge University Press, 1993. 77 pls + xviii + 303 pp. $64.95.

Marcia B. Hall. Color and Meaning: Practice and Theory in Renaissance Painting. Cambridge and New York: Cambridge University Press, 1992. 48 col. pls. + 83 b&w pls. + xiii + 273 pp. $60.

Francis Haskell. History and Its Images: Art and the Interpretation of the Past. New Haven and London: Yale University Press, 1993. 240 b/w illus. + 20 color pl. + x + 558 pp. $50.

Konrad Eisenbichler, ed. Crossing the Boundaries: Christian Piety and the Arts in Italian Medieval and Renaissance Confraternities. (Early Drama, Art, and Music Monograph Series, 15.) Kalamazoo, MI: Medieval Institute Publications, 1991. 41 pls. + ix + 274 pp. $26.95 hardcover; $16.95 paper.

Arnold Nesselrath. Das Fossombroner Skizzenbuch. (Studies of the Warburg Institute, 41.) London, 1993. xliii + 240 pp. + 253 b&w ills. £60.

Michael Bath, John Manning, and Alan R. Young, eds. The Art of the Emblem: Essays in Honor of Karl Josef Höltgen. (AMS Studies in the Emblem, 10.) New York: AMS Press, 1993. 57 pls. + xiii + 272 pp. $62.50.

Jeffrey M. Muller. Rubens: The Artist as Collector. Princeton: Princeton University Press, 1989. 139 pls. + 8 color + xiv + 185 pp. $75 hardcover; $24.95 paper.

Warren Kirkendale. The Court Musicians in Florence during the Principle of the Medici, With a Reconstruction of the Artistic Establishment. Florence: Leo S. Olschki, 1993. 13 pls. + 752 pp. L140,000.

Janet Cox-Rearick. Bronzino's Chapel of Eleonora in the Palazzo Vecchio. Berkeley: University of California Press, 1993. 33 pls. + 187 figs. + xxix + 445 pp. $75.

Philip Rylands. Palma Vecchio. Ed. Francis Haskell and Nicholas Penny. (Cambridge Studies in the History of Art.) Cambridge, New York and Melbourne: Cambridge University Press, 1992. 16 col. pls. + 91 b&w pls. + xvi + 388 pp. $125.

Renaissance Quarterly

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Volume 48 - Summer 1995

Reviews