Skip to main content Accessibility help
×
Home
Hostname: page-component-55597f9d44-54vk6 Total loading time: 0.236 Render date: 2022-08-07T19:11:16.249Z Has data issue: true Feature Flags: { "shouldUseShareProductTool": true, "shouldUseHypothesis": true, "isUnsiloEnabled": true, "useRatesEcommerce": false, "useNewApi": true } hasContentIssue true

Article contents

‘A SILENT AND INVISIBLE PRESSURE’: A PANEL DISCUSSION WITH EIGHT JAPANESE WOMEN COMPOSERS

Published online by Cambridge University Press:  12 September 2019

Abstract

On 27 August 2018, the first Women Composers Meeting (中堅女性作曲家サミット vol. 1) was held at the Social Business Lab in Tokyo as part of the Project PPP Summer Composition Academy. Eight Japanese women composers in their mid-thirties to early forties were invited to speak: Noriko Koide, Yu Kuwabara, Tomoko Momiyama, Chikako Morishita (moderator), Akiko Ushijima, Ai Watanabe, Yukiko Watanabe, and Akiko Yamane. This article is a compilation drawn from their three-hour discussion as well as from the opening and closing dialogues. All conversations were held in Japanese and are here translated for publication by the author with the aid of Michiko Saiki.

Type
RESEARCH ARTICLES
Copyright
Copyright © Cambridge University Press 2019 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Noriko Hirataka, ‘Nobu Kōda's Investigation into the State of Affairs of Music in Europe’ (in Japanese), Studies in Art 7, Bulletin of Tamagawa University, College of Arts (2015), pp. 13–17.

2 Santone, Jessica, ‘Archiving Fluxus Performances in Mieko Shiomi's “Spatial Poem”’, in Across the Great Divide: Modernism's Intermedialities from Futurism to Fluxus, ed. Townsend, Christopher, Trott, Alex and Davies, Rhys (Newcastle upon Tyne: Cambridge Scholars Publishing, 2014), pp. 120–36Google Scholar.

3 Barrett, G. Douglas, The Silent Network: The Music of Wandelweiser (NY: Bloomsbury Academic, 2016), p. 40Google Scholar.

6 ‘con:temporaries’ on 4 March 2017: https://zkm.de/en/event/2017/03/contemporaries.

7 11 July 2018: https://note.mu/ailuybkub/n/nffbd54ecef88 (in Japanese).

8 Taken from Suntory official website (in Japanese), www.suntory.co.jp/sfa/music/akutagawa/winner.html.

9 A regional city in the middle of Japan's main island.

10 See Keychange, at https://keychange.eu/.

Save article to Kindle

To save this article to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

‘A SILENT AND INVISIBLE PRESSURE’: A PANEL DISCUSSION WITH EIGHT JAPANESE WOMEN COMPOSERS
Available formats
×

Save article to Dropbox

To save this article to your Dropbox account, please select one or more formats and confirm that you agree to abide by our usage policies. If this is the first time you used this feature, you will be asked to authorise Cambridge Core to connect with your Dropbox account. Find out more about saving content to Dropbox.

‘A SILENT AND INVISIBLE PRESSURE’: A PANEL DISCUSSION WITH EIGHT JAPANESE WOMEN COMPOSERS
Available formats
×

Save article to Google Drive

To save this article to your Google Drive account, please select one or more formats and confirm that you agree to abide by our usage policies. If this is the first time you used this feature, you will be asked to authorise Cambridge Core to connect with your Google Drive account. Find out more about saving content to Google Drive.

‘A SILENT AND INVISIBLE PRESSURE’: A PANEL DISCUSSION WITH EIGHT JAPANESE WOMEN COMPOSERS
Available formats
×
×

Reply to: Submit a response

Please enter your response.

Your details

Please enter a valid email address.

Conflicting interests

Do you have any conflicting interests? *