Skip to main content
×
Home
    • Aa
    • Aa
  • Get access
    Check if you have access via personal or institutional login
  • Cited by 1
  • Cited by
    This article has been cited by the following publications. This list is generated based on data provided by CrossRef.

    Bauer, Amy 2012. The Cosmopolitan Absurdity of Ligeti's Late Works. Contemporary Music Review, Vol. 31, Issue. 2-3, p. 163.


    ×

Visible and Audible Structures: Spatio-Temporal Compromise in Ligeti's Magyar Etüdök

Abstract

The purpose of this article is to demonstrate, by examining György Ligeti's cycle of three pieces for double choir, what I call his compromise between temporal forms that possess their own microcosmic history and latent drama, and architectural patterns of his music that are endowed with a purely spatial coherence. I hope to demonstrate that an analysis of the aesthetic concepts at work in Ligeti's pieces might lead to a somewhat non-traditional approach in elaborating analytical strategies of modern music.

Copyright
Linked references
Hide All

This list contains references from the content that can be linked to their source. For a full set of references and notes please see the PDF or HTML where available.

Christopher F. Hasty , ‘On the Problem of Succession and Continuity in Twentieth-Century Music8, Music Theory Spectrum 8 (1986): 59

Recommend this journal

Email your librarian or administrator to recommend adding this journal to your organisation's collection.

Tempo
  • ISSN: 0040-2982
  • EISSN: 1478-2286
  • URL: /core/journals/tempo
Please enter your name
Please enter a valid email address
Who would you like to send this to? *
×