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  • Cited by 3
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    This article has been cited by the following publications. This list is generated based on data provided by CrossRef.

    Ronfard, Remi Encelle, Benoit Sauret, Nicolas Champin, P.-A. Steiner, Thomas Gandhi, Vineet Migniot, Cyrille and Thiery, Florent 2015. 2015 Digital Heritage. p. 533.

    ASTON, ELAINE 2011. Editorial: Knowing Theatre Inside Out. Theatre Research International, Vol. 36, Issue. 03, p. 193.


    McAuley, Gay 2010. Contesting Performance.


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Not Magic but Work: Rehearsal and the Production of Meaning

Abstract

Observation of the rehearsal process provides vivid insights into the dynamically shifting and contingent nature of theatrical meaning-making. Drawing on my experience as an observer of the work process involved in the 2004 production by Brink Productions of Sarah Kane's 4.48 Psychosis, I provide a detailed description of a single work session and an overview of the set design process. Influenced by Clifford Geertz's concept of ‘thick description’, I use these two differently structured aspects of the work process to provide insights into the nature of creative agency in theatre-making process and to argue for the value of ethnographic theory and practice in the emerging field of rehearsal studies.

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Theatre Research International
  • ISSN: 0307-8833
  • EISSN: 1474-0672
  • URL: /core/journals/theatre-research-international
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