Theatre Research International: Volume 27 - Issue 1

Published on behalf of The International Federation for Theatre Research

View selected items
Save to my bookmarks
Export citations
Download PDF (zip)
Save to Kindle
Save to Dropbox
Save to Google Drive
Save content to
To save this undefined to your undefined account, please select one or more formats and confirm that you agree to abide by our usage policies. If this is the first time you used this feature, you will be asked to authorise Cambridge Core to connect with your undefined account. Find out more about saving content to .

To save this article to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Please be advised that item(s) you selected are not available.
You are about to save
Theatre Research International
ISSN: 0307-8833

EISSN: 1474-0672

URL: /core/journals/theatre-research-international
Your Kindle email address

Please provide your Kindle email.

@free.kindle.com @kindle.com (service fees apply)

By using this service, you agree that you will only keep content for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services

< Back to all issues

Volume 27 - Issue 1 - March 2002

Contents

Page 2 of 2

First
« Prev
1
2
Next »
Last

Book Review

The Cambridge History of American Theatre, volume 1: Beginnings to 1870. Edited by Don B. Wilmeth and Christopher Bigsby. Cambridge: Cambridge University Press, 1998. Pp. xvi + 525 + illus. $69.95 Hb. The Cambridge History of American Theatre, volume 2: 1870 to 1945. Edited by Don B. Wilmeth and Christopher Bigsby. Cambridge: Cambridge University Press, 1999. Pp. xviii + 590 + illus. $95 Hb. The Cambridge History of American Theatre, volume 3: Post World War II to the 1990s. Edited by Don B. Wilmeth and Christopher Bigsby. Cambridge: Cambridge University Press, 2000.
Michael Whitlatch
Published online by Cambridge University Press:

14 February 2002, pp. 97-119
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

The Full-Room: An A-Z of Contemporary Playwriting. By Dominic Dromgoole. London: Methuen, 2000. Pp. xii + 299. £18.99 Hb.
Aleks Sierz
Published online by Cambridge University Press:

14 February 2002, pp. 97-119
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Gender and Literacy on Stage in Early Modern England. By Eve Rachele Sanders. Cambridge: Cambridge University Press, 1999. Pp. xvii + 260. £35; $54.95 Hb.
Rebecca D'Monté
Published online by Cambridge University Press:

14 February 2002, pp. 97-119
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Cultures, Communities, Identities: Cultural Strategies for Participation and Empowerment. By Marjorie Mayo. Basingstoke: Palgrave, 2000. Pp. viii + 217. £42.50 Hb.
Christine Hamilton
Published online by Cambridge University Press:

14 February 2002, pp. 97-119
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Valie Export: Inszenierung von Schmerz. By Andrea Zell. Berlin: Dietrich Reimer, 2000. Pp. 218 + illus. DM98 Pb.
Antje Diedrich
Published online by Cambridge University Press:

14 February 2002, pp. 97-119
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

The Cambridge Companion to Modern British Women Playwrights. Edited by Elaine Aston and Janelle Reinelt. Cambridge: Cambridge University Press, 2000. Pp. xx + 276 + illus. £13.95 Pb.
Jan McDonald
Published online by Cambridge University Press:

14 February 2002, pp. 97-119
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Peter Nichols: Diaries, 1969–1977. By Peter Nichols. London: Nick Hern, 2000. Pp. 440 + illus. £25 Hb.
David Greig
Published online by Cambridge University Press:

14 February 2002, pp. 97-119
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

A Literary Analysis of Charlotte Delbo's Concentration Camp Re-Presentation. By Nicole Thatcher. Lewiston: Edwin Mellen Press, 2000. Pp. xii + 208. £49.95 Hb.
Nicole Vigouroux-Frey
Published online by Cambridge University Press:

14 February 2002, pp. 97-119
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Books Received
Published online by Cambridge University Press:

14 February 2002, pp. 120-123
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Page 2 of 2

First
« Prev
1
2
Next »
Last

Theatre Research International

Refine listing

Actions for selected content:

Volume 27 - Issue 1 - March 2002

Book Review

The Full-Room: An A-Z of Contemporary Playwriting. By Dominic Dromgoole. London: Methuen, 2000. Pp. xii + 299. £18.99 Hb.

Gender and Literacy on Stage in Early Modern England. By Eve Rachele Sanders. Cambridge: Cambridge University Press, 1999. Pp. xvii + 260. £35; $54.95 Hb.

Cultures, Communities, Identities: Cultural Strategies for Participation and Empowerment. By Marjorie Mayo. Basingstoke: Palgrave, 2000. Pp. viii + 217. £42.50 Hb.

Valie Export: Inszenierung von Schmerz. By Andrea Zell. Berlin: Dietrich Reimer, 2000. Pp. 218 + illus. DM98 Pb.

The Cambridge Companion to Modern British Women Playwrights. Edited by Elaine Aston and Janelle Reinelt. Cambridge: Cambridge University Press, 2000. Pp. xx + 276 + illus. £13.95 Pb.

Peter Nichols: Diaries, 1969–1977. By Peter Nichols. London: Nick Hern, 2000. Pp. 440 + illus. £25 Hb.

A Literary Analysis of Charlotte Delbo's Concentration Camp Re-Presentation. By Nicole Thatcher. Lewiston: Edwin Mellen Press, 2000. Pp. xii + 208. £49.95 Hb.

Books Received

Theatre Research International

Refine listing

Actions for selected content:

Save Search

Volume 27 - Issue 1 - March 2002

Book Review