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The Avenging Angel of Creation/Destruction: Black Music and the Afro-technological in the Science Fiction of Henry Dumas and Samuel R. Delany

Published online by Cambridge University Press:  01 May 2008

SALIM WASHINGTON
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Abstract

This essay explores the thematic use of music in the science-fiction writings of two African American authors, Henry Dumas and Samuel R. Delany. Each author visited this theme in more than one work, and in at least one work centered the Afro-technological focus upon a special musical instrument: the “afro horn” in Dumas's story “Will the Circle Be Unbroken?” and a machete/flute in Samuel R. Delany's novel The Einstein Intersection. Both writers treat music itself, without regard to a material instrument, as a technology. Dumas depicted black music as a tool that enabled black people to kill their enemies, and Delany represented music as a technology capable of avenging the wrongs committed against the politically and socially marginalized. Whereas Dumas's protagonists were more likely to be social pariahs because of their class or their sexual orientation than because of race, his descriptions specifically reference black music and its attendant rituals. Both writers portray music as a technology capable of creating and healing as well as avenging and destroying.

Type
Research Article
Information
Journal of the Society for American Music , Volume 2 , Issue 2: Special issue on Technology and Black Music in the Americas , May 2008 , pp. 235 - 253
Copyright
Copyright © The Society for American Music 2008

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