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The Heretic Saint: Guglielma of Bohemia, Milan, and Brunate1

Published online by Cambridge University Press:  28 July 2009

Extract

High above Lake Como in Lombardy, overlooking the cathedral city of Como and the southwestern branch of the lake, looms the tiny village of Brunate. It is a picturesque spot, beloved of mountain climbers, which enjoyed a brief heyday as a tourist mecca in the late nineteenth and early twentieth centuries. An efficient if ear-popping funicular railway, inaugurated in 1894, now scales the steep cliff in a brisk seven minutes. But in the Middle Ages, when most of our story is set, Brunate was as remote and inaccessible a site as one could hope to find. A hagiographer around 1600 described it as an “ignoble village on that mountain whose vast ridge towers above the city to the east.… The mountain is arduous and laborious to climb.” In 1578 the village had a mere 156 inhabitants, and as late as 1900 its year-round population was barely over 500.

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Copyright © American Society of Church History 2005

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References

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10. According to Giussani, a thorough cleaning of the fresco in 1905 revealed signs of repainting to remove a “third arm” once attached to the figure of the nun. This detail is hard to interpret, but may indicate that Sister Maifreda was originally making some gesture more assertive than the one we now see. La Chiesa parrocchiale, 21.

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63. “Accepimus namque, quod nonnullae personae se contra sanctam catholicam Ecclesiam erigentes, etiam sexus feminei, dogmatizant se ligandi et solvendi claves habere, paenitentias audiunt et a peccatis absolvunt, conventicula non solum diurna faciunt, sed nocturna,… et praedicare praesumunt; tonsura clericali contra ritum Ecclesiae abutentes, Spiritum Sanctum se dare per impositionem manuum mentiuntur” (emphasis added). VIII, Boniface, Saepe sanctam Ecclesiam, in Enchiridion symbolorum, definitionum et declarationum de rebus fidei et morum, 33rd ed., eds. Denzinger, Heinrich and Schonmetzer, Adolf (Freiburg: Herder, 1965), 278. The italicized clauses could describe the iconography of the painting at Brunate.Google Scholar

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