Chapter 4 explores how the Haskell Free Library and Opera House, a theatre and library built directly on the US-Canada border and opened in 1904, has become both an exceptional and exemplary civic institution in a time of increased securitisation. This chapter considers the Haskell as a local institution that promises to ameliorate geopolitical and geoeconomic antagonisms, but from a position within these realms rather than outside them. The Haskell’s civic promise is an is an effect of political economy and historical geography, and is the result of more than a century-long process of securitisation. Its civic appeal depends not so much on its equidistance from the state and the market but on a deeply embedded relationship with them. Seen this way, the Haskell becomes a distinctively theatrical – and distinctively social – technology of political economic governance: it localises social bonds that state-secured marketisation threatens to disperse and, in doing so, it retrieves social exchange from its wholesale appropriation by the state and the market.