Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-p2v8j Total loading time: 0.001 Render date: 2024-05-21T06:04:10.941Z Has data issue: false hasContentIssue false

5 - “Great” American Graphic Novels

Canon Formation and Literary Value

from Part I - History and Genre

Published online by Cambridge University Press:  10 January 2024

Jan Baetens
Affiliation:
KU Leuven, Belgium
Hugo Frey
Affiliation:
University of Chichester
Fabrice Leroy
Affiliation:
University of Louisiana at Lafayette
Get access

Summary

This chapter addresses the graphic novel as a new form of the “Great American Novel” (GAN). This possibility is seen as the result of two interacting processes: canon formation (Which are the graphic novels that can gain inclusion into the mainstream canon?), and literary validation (Can graphic novels be judged with the same criteria as literary novels?). The chapter discusses the critical debates on the recognition of comics as a form of literature and the role of academia and other institutions in the making of a graphic novel canon. It studies the progressive literarification of comics and graphic novels, before focusing on the notion of the GAN, a label that refers to works picturing the ordinary emotions and manners of American existence (J. W. DeForrest), preferably with a high degree of realism. The chapter critically discusses this notion and concludes with a close reading of four graphic novels that constitute good candidates for the title of GAN: Ghost World, Fun Home, American Born Chinese, and Asterios Polyp.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Ahmed, M., and Kwa, S. (2021). “Kill the Monster!” My Favorite Thing Is Monsters and the Big, Ambitious (Graphic) Novel. Genre 54(1), 1742.Google Scholar
Baetens, J., and Frey, H. (2015). The Graphic Novel: An Introduction. New York: Cambridge University Press.Google Scholar
Barry, L. (2002). One Hundred Demons. Seattle, WA: Sasquatch.Google Scholar
Beaty, B., and Woo, B. (2016). The Greatest Comic Book of All Time: Symbolic Capital and the Field of American Comic Books. New York: Palgrave Macmillan.Google Scholar
Bechdel, A. (2006). Fun Home: A Family Tragicomic. Boston: Houghton Mifflin.Google Scholar
Buell, L. (2014). The Dream of the Great American Novel. Cambridge, MA: Belknap Press of Harvard University Press.Google Scholar
Bui, T. (2018). The Best We Could Do. New York: Abrams.Google Scholar
Burns, C. (2005). Black Hole. New York: Pantheon.Google Scholar
Chute, H. L. (2008). Comics as Literature? Reading Graphic Narrative. PMLA 123(2), 452465.Google Scholar
Chute, H. L. (2010). Graphic Women: Life Narrative and Contemporary Comics. New York: Columbia University Press.Google Scholar
Chute, H. L. (2014). Outside the Box: Interviews with Contemporary Cartoonists. Chicago: University of Chicago Press.Google Scholar
Chute, H. L. (2017). Why Comics? From Underground to Everywhere. New York: HarperCollins.Google Scholar
Clowes, D. (2000 [1997]). Ghost World. London: Cape.Google Scholar
DeForest, J. W. (1868). The Great American Novel. The Nation, January 9, 27–29.Google Scholar
Eisner, W. (2006 [1978]). The Contract with God Trilogy: Life on Dropsie Avenue. New York: Norton.Google Scholar
Emmert, L. (2012 [2007]). The Alison Bechdel Interview. The Comics Journal no. 282. www.tcj.com/the-alison-bechdel-interview/ (accessed February 20, 2022).Google Scholar
Ferris, E. (2017). My Favorite Thing Is Monsters. Seattle, WA: Fantagraphics.Google Scholar
Flowers, E. (2019). Hot Comb. Montreal: Drawn & Quarterly.Google Scholar
Fu, B. (2007). Review of American Born Chinese, by Gene Luen Yang. MELUS no. 32, 274276.Google Scholar
Gardner, J. (2019). A Nice Neighborhood. PMLA 134(3), 595600.Google Scholar
Gloeckner, P. (2015 [2002]). The Diary of a Teenage Girl: An Account in Words and Pictures, revised ed. Berkeley, CA: North Atlantic.Google Scholar
Gloeckner, P., ed. (2018). The Best American Comics 2018. Boston: Houghton Mifflin Harcourt.Google Scholar
Gravett, P. (2011). 1001 Comics You Must Read Before You Die. London: Cassell.Google Scholar
Grossman, L. (2010). All-Time 100 Novels: Watchmen. Time, January 11. https://entertainment.time.com/2005/10/16/all-time-100-novels/slide/watchmen-1986-by-alan-moore-dave-gibbons/ (accessed February 20, 2022).Google Scholar
Hahne, S. T. (n.d.) Asterios Polyp. Good Ok Bad. http://goodokbad.com/index.php/reviews/asterios_polyp_review (accessed February 20, 2022).Google Scholar
Hall, J. (2019). Howard Cruse 1944–2019. The Comics Journal, December 2, www.tcj.com/howard-cruse-1944-2019/ (accessed February 20, 2022).Google Scholar
Hatfield, C. (2005). Alternative Comics: An Emerging Literature. Jackson: University Press of Mississippi.Google Scholar
Heer, J., and Worcester, K., eds. (2004). Arguing Comics: Literary Masters on a Popular Medium. Jackson: University Press of Mississippi.Google Scholar
Kannenberg, G. (2008). 500 Essential Graphic Novels. New York: HarperCollins.Google Scholar
Loman, A. (2010). “That Mouse’s Shadow”: The Canonization of Spiegelman’s Maus. In Williams, P. and Lyons, J., eds., The Rise of the American Comics Artist: Creators and Contexts. Jackson: University Press of Mississippi, pp. 210234.Google Scholar
Lutes, J. (2018). Berlin: The Complete Edition. Montreal: Drawn & Quarterly.Google Scholar
Mazzucchelli, D. (2009). Asterios Polyp. New York: Pantheon.Google Scholar
McGrath, C. (2004). Not Funnies. New York Times Magazine, July 11, pp. 24–33, 46, 55–56.Google Scholar
Moore, A. E. (2006). Preface. In Pekar, H., ed., The Best American Comics. Boston: Houghton Mifflin, pp. ixxiv.Google Scholar
Pekar, H. (2003). American Splendor: The Life and Times of Harvey Pekar. New York: Ballantine.Google Scholar
Pekar, H. (2006). Introduction. In Pekar, H., ed., The Best American Comics. Boston: Houghton Mifflin, pp. xvxxiii.Google Scholar
Pizzino, C. (2016). Arresting Development: Comics at the Boundaries of Literature. Austin: University of Texas Press.Google Scholar
Radway, J. (1997). A Feeling for Books: The Book-of-the-Month Club: Literary Taste and Middle-Class Desire. Chapel Hill: University of North Carolina Press.Google Scholar
Sabin, R. (1993). Adult Comics. London: Routledge.Google Scholar
Sacco, J. (2000). Safe Area Goražde: The War in Eastern Bosnia, 1992–95. Seattle, WA: Fantagraphics.Google Scholar
Singer, M. (2018). Breaking the Frames: Populism and Prestige in Comics Studies. Austin: University of Texas Press.Google Scholar
Spiegelman, A. (1986). Maus I: A Survivor’s Tale: My Father Bleeds History. New York: Pantheon.Google Scholar
Spiegelman, A. (1991). Maus II: A Survivor’s Tale: And Here My Troubles Began. New York: Pantheon.Google Scholar
Thompson, C. (2003). Blankets. Marietta, GA: Top Shelf.Google Scholar
Ware, C. (2000). Jimmy Corrigan: The Smartest Kid on Earth. New York: Pantheon.Google Scholar
Ware, C. (2007). Introduction. In Ware, C., ed., The Best American Comics. Boston: Houghton Mifflin, pp. xvii-xxiv.Google Scholar
Weiner, S. (2001). The 101 Best Graphic Novels. New York: NBM.Google Scholar
Weiner, S. (2010). How the Graphic Novel Changed American Comics. In Williams, P. and Lyons, J., eds., The Rise of the American Comics Artist: Creators and Contexts. Jackson: University Press of Mississippi, pp. 313.Google Scholar
Williams, P. (2010). “A Purely American Tale”: The Tragedy of Racism and Jimmy Corrigan: The Smartest Kid on Earth as Great American Novel. In Williams, P. and Lyons, J., eds., The Rise of the American Comics Artist: Creators and Contexts. Jackson: University Press of Mississippi, pp. 194209.Google Scholar
Williams, P. (2020). Dreaming the Graphic Novel: The Novelization of Comics. New Brunswick, NJ: Rutgers University Press.Google Scholar
Williams, P., and Lyons, J., eds. (2010). The Rise of the American Comics Artist: Creators and Contexts. Jackson: University Press of Mississippi.Google Scholar
Yang, G. L. (2009 [2006]). American Born Chinese. New York: Square Fish.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×