Drawing on race-centered Hamlet scholarship by Patricia Parker and Peter Erickson, and alluding to work by Scott Newstok and Ayanna Thompson, “Engendering the Fall of White Masculinity in Hamlet” offers a racially focused analysis of this rich text that centers white people watching other white people. Hamlet surveys deviations from ideal white conduct and reveals how gender expectations are violated and how white people repeatedly disrespect, only to redefine, socially constructed racialized boundaries. I offer a critique of Hamlet that directly associates white unmanliness with Denmark’s “rotten” state, its socio-political ruin. Specifically, I read the intraracial discord against the play’s structure as a decomposition process. Hamlet depicts uncouth, less-than-ideal whiteness in relationship to gender expectations: unmanliness gets coded as black so the play can suggest certain Danish figures do not epitomize ideal white masculinity.