Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-ndmmz Total loading time: 0 Render date: 2024-06-02T23:49:40.954Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  30 July 2018

Ashley Miller
Affiliation:
Albion College, Michigan
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Poetry, Media, and the Material Body
Autopoetics in Nineteenth-Century Britain
, pp. 181 - 193
Publisher: Cambridge University Press
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Abercrombie, John. Inquiries Concerning the Intellectual Powers, and the Investigation of Truth. 1830. Rev. ed., New York: Robert B. Collins, 1853.Google Scholar
Ablow, Rachel. The Marriage of Minds: Reading Sympathy in the Victorian Marriage Plot. Stanford University Press, 2007.Google Scholar
Alderson, John. An Essay on Apparitions: In Which Their Appearance Is Accounted for by Causes Wholly Independent of Preternatural Agency. Rev. ed., London: Longman, Hurst, Rees, Orme, Brown, and Green, 1823.Google Scholar
Alison, William Pulteney. “Observations on the Physiological Principle of Sympathy.” Transactions of the Medico-Chirurgical Society of Edinburgh, vol. 2, 1826, pp. 165228.Google ScholarPubMed
Allan, David. Commonplace Books and Reading in Georgian England. Cambridge University Press, 2010.CrossRefGoogle Scholar
Armstrong, Tim. Modernism, Technology and the Body: A Cultural Study. Cambridge University Press, 1998.Google Scholar
Arnold, Matthew. “Obermann Once More.” The Poems of Matthew Arnold. Edited by Alcott, Kenneth, Longman, 1979, pp. 559576.Google Scholar
Austin, Alfred. “The Vice of Reading.” Temple Bar Magazine, 42, September 1874, pp. 251257.Google Scholar
Austin, Linda M. Nostalgia in Transition, 1780–1917. University of Virginia Press, 2007.Google Scholar
Bain, Alexander. The Emotions and the Will. 1859. 3rd American ed., New York: D. Appleton and Company, 1886.Google Scholar
Bain, AlexanderThe Senses and the Intellect. 1855. 3rd ed., London: Longmans, Green, and Co., 1868.Google Scholar
Balfour, Gerald. “A Study of the Psychological Aspects of Mrs. Willett’s Mediumship.” Proceedings of the Society for Psychical Research, vol. 43, 1935, pp. 43318.Google Scholar
Balfour, Jean. “The ‘Palm Sunday’ Case: New Light on an Old Love Story.” Proceedings of the Society for Psychical Research, vol. 52, 1960, pp. 79267.Google Scholar
Banfield, Ann. Unspeakable Sentences: Narration and Representation in the Language of Fiction. Routledge & Kegan Paul, 1982.Google Scholar
[Barnett, E. S., and Gifford, William.] Review of Lectures on the English Poets, by William, Hazlitt. Quarterly Review, vol. xix, July 1818, pp. 424434.Google Scholar
Barrett Browning, Elizabeth. “I Thought Once How Theocritus Had Sung.” Selected Writings. Edited by Billington, Josie and Davis, Philip, Oxford University Press, 2014, p. 117.Google Scholar
Beer, Gillian. “Rhyming as Resurrection.” Memory and Memorials, 1789–1914: Literary and Cultural Perspectives. Edited by Campbell, Matthew, Labbe, Jacqueline M., and Shuttleworth, Sally, Routledge, 2000, pp. 189207.Google Scholar
Beer, John. Post-Romantic Consciousness: Dickens to Plath. Palgrave, 2003.CrossRefGoogle Scholar
Beer, JohnProvidence and Love: Studies in Wordsworth, Channing, Myers, George Eliot, and Ruskin. Clarendon Press, 1998.CrossRefGoogle Scholar
Bell, Alexander Melville. Elocutionary Manual: The Principles of Elocution. 7th ed., Washington, DC: Volta Bureau, 1887.Google Scholar
Benedict, Barbara. “The ‘Beauties’ of Literature, 1750–1820: Tasteful Prose and Fine Rhyme for Private Consumption.” 1650–1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era, vol. 1, 1994, pp. 317346.Google Scholar
Benedict, BarbaraThe Paradox of the Anthology: Collecting and Différence in Eighteenth-Century Britain.” New Literary History, vol. 34, no. 2, 2003, pp. 231256.CrossRefGoogle Scholar
Best, Stephen, and Marcus, Sharon. “Surface Reading: An Introduction.” Representations, vol. 108, no. 1, 2009, pp. 121.CrossRefGoogle Scholar
Blair, Kirstie. Victorian Poetry and the Culture of the Heart. Oxford University Press, 2006.CrossRefGoogle Scholar
Bostock, John. An Elementary System of Physiology. 4th ed., London: Henry G. Bohn, 1844.Google Scholar
Brewer, John. “Sentiment and Sensibility.” Cambridge History, pp. 2144.Google Scholar
Brewster, David. Letters on Natural Magic: Addressed to Sir Walter Scott, Bart. 6th ed., London: John Murray, 1851.Google Scholar
The Broadview Anthology of Victorian Poetry and Poetic Theory. Edited by Collins, Thomas J. and Rundle, Vivienne J., Broadview, 1999.Google Scholar
Brown, Theodore M.From Mechanism to Vitalism in Eighteenth-Century English Physiology.” Journal of the History of Biology, vol. 7, no. 2, 1974, pp. 179216.CrossRefGoogle ScholarPubMed
Browning, Robert. “Mr. Sludge, ‘The Medium.’Dramatis Personae. London: Chapman and Hall, 1864. pp. 171236.Google Scholar
The Cambridge History of English Romantic Literature. Edited by Chandler, James, Cambridge University Press, 2009.CrossRefGoogle Scholar
Carpenter, William B. The Doctrine of Human Automatism. London: Sunday Leisure Society, 1875.Google Scholar
Carpenter, William B.Principles of Human Physiology. 3rd American ed., Philadelphia: Lea and Blanchard, 1847.Google Scholar
Carpenter, William B.Principles of Mental Physiology. New York: D. Appleton & Company, 1874.Google Scholar
Castle, Terry. “Phantasmagoria: Spectral Technology and the Metaphysics of Modern Reverie.” Critical Inquiry, vol. 15, Autumn 1988, pp. 2661.CrossRefGoogle Scholar
Chambers, William, and Chambers, Robert, editors. Chambers’s Information for the People. London: Orr and Smith, 1835.Google Scholar
Chandler, James. “Hallam, Tennyson, and the Poetry of Sensation: Aestheticist Allegories of a Counter-Public Sphere.” Studies in Romanticism, vol. 33, no. 4, 1994, pp. 527537.CrossRefGoogle Scholar
Chandler, JamesThe Languages of Sentiment.” Textual Practice, vol. 22, no. 1, 2008, pp. 2139.CrossRefGoogle Scholar
Chartier, Roger. “Leisure and Sociability: Reading Aloud in Early Modern Europe.” Urban Life in the Renaissance. Edited by Zimmerman, Susan and Weissman, Ronald F. E., University of Delaware Press, 1989, pp. 103120.Google Scholar
Christensen, Jerome. Coleridge’s Blessed Machine of Language. Cornell University Press, 1981.CrossRefGoogle Scholar
Clarke, Edwin and Jacyna, L. S.. Nineteenth-Century Origins of Neuroscientific Concepts. University of California Press, 1987.Google Scholar
Cohn, Elisha. Still Life: Suspended Development in the Victorian Novel. Oxford University Press, 2016.CrossRefGoogle Scholar
Coleridge, Samuel Taylor. Biographia Literaria. The Collected Works of Samuel Taylor Coleridge. Edited by Engell, James and Jackson Bate, W., vol. 7, Princeton University Press, 1983.Google Scholar
Coleridge, Samuel TaylorChristabel.” Romanticism: An Anthology. 2nd ed. Edited by Duncan, Wu, Blackwell, 2004, pp. 475490.Google Scholar
Coleridge, Samuel TaylorThe Collected Letters of Samuel Taylor Coleridge. Edited by Griggs, Earl Leslie, Clarendon Press, 1959. 6 vols.Google Scholar
Coleridge, Samuel TaylorThe Complete Poetical Works of Samuel Taylor Coleridge. Edited by Coleridge, Ernest Hartley, vol. I: Poems, Clarendon Press, 1912.Google Scholar
Coleridge, Samuel TaylorThe Eolian Harp.The Complete Poetical Works of Samuel Taylor Coleridge. Vol. I. Edited by Coleridge, Ernest Hartley, Clarendon Press, 1912, pp. 100102.Google Scholar
Coleridge, Samuel TaylorKubla Khan: A Vision in a Dream.Romanticism: An Anthology. 2nd ed., Edited by Duncan, Wu, Blackwell, 2004, pp. 522524.Google Scholar
Coleridge, Samuel TaylorLectures and Notes on Shakspere and Other English Poets. George Bell and Sons, 1904.Google Scholar
Coleridge, Samuel TaylorLetter to Thomas Boosey, Jr., May 20, 1817. Collected Letters of Samuel Taylor Coleridge, vol. IV. Edited by Griggs, Earl Leslie, Clarendon Press, 2002, pp. 730731.Google Scholar
Coleridge, Samuel TaylorThe Rime of the Ancyent Marinere.” In Lyrical Ballads and Related Writings. Edited by Richey, William and Robinson, Daniel, Houghton Mifflin, 2002, pp. 2343.Google Scholar
Collins, John Churton. Illustrations of Tennyson. London: Chatto & Windus, 1891.Google Scholar
Collins, Philip. Reading Aloud: A Victorian Métier. Tennyson Research Centre, 1972.Google Scholar
Conder, Josiah. Review of “Christabel,” by Samuel Taylor Coleridge. Eclectic Review 2nd series, V, June 1816, pp. 565–572. Reprinted in Reiman, vol. I, pp. 373376.Google Scholar
Connor, Steven. Dumbstruck: A Cultural History of Ventriloquism. Oxford University Press, 2000.CrossRefGoogle Scholar
Connor, StevenThe Machine in the Ghost: Spiritualism, Technology and the ‘Direct Voice’.Ghosts: Deconstruction, Psychoanalysis, History. Edited by Buse, Peter and Stott, Andrew, Macmillan, 1999, pp. 203225.CrossRefGoogle Scholar
Conrad, Joseph. Heart of Darkness. Edited by Kimbrough, Robert, Norton, 1988.Google Scholar
Crary, Jonathan. Suspensions of Perception. MIT Press, 2000.Google Scholar
Crawford, Rachel. “Thieves of Language: Coleridge, Wordsworth, Scott, and the Contexts of ‘Alice du Clos’.” European Romantic Review, vol. 7, no. 1, 1996, pp. 125.CrossRefGoogle Scholar
Cummins, Geraldine. Unseen Adventures: An Autobiography Covering Thirty-Four Years of Work in Psychical Research. Rider and Company, 1951.Google Scholar
Dallas, E[neas] S[weetland]. The Gay Science. London: Chapman and Hall, 1866. 2 vols.Google Scholar
Dames, Nicholas. The Physiology of the Novel: Reading, Neural Science, and the Form of Victorian Fiction. Oxford University Press, 2007.CrossRefGoogle Scholar
Darwin, Erasmus. Zoönomia; or, The Laws of Organic Life. 1796. 2nd American ed., Boston: Thomas and Andrews, 1803.CrossRefGoogle Scholar
De Quincey, Thomas. Recollections of the Lakes and the Lake Poets. Edited by Wright, David, Penguin, 1985.Google Scholar
Derrida, Jacques. The Ear of the Other: Otobiography, Transference, Translation. Translated by Peggy, Kamuf, edited by McDonald, Christie V., Schocken Books, 1985.Google Scholar
D’Orsey, A. J. D.The Art of Reading Aloud.” Victoria Magazine, vol. 18, 1871, pp. 146160.Google Scholar
Eilenberg, Susan. Strange Power of Speech: Wordsworth, Coleridge, and Literary Possession. Oxford University Press, 1992.CrossRefGoogle Scholar
Elfenbein, Andrew. Byron and the Victorians. Cambridge University Press, 1995.Google Scholar
Elfenbein, AndrewCognitive Science and the History of Reading.” PMLA, vol. 121, no. 2, 2006, pp. 484502.Google Scholar
Elfenbein, AndrewRomanticism and the Rise of English. Stanford University Press, 2009.CrossRefGoogle Scholar
Eliot, T. S.Tradition and the Individual Talent.” 1919. Selected Prose. Edited by Hayward, John, Penguin, 1953, pp. 2131.Google Scholar
Elliotson, John. Human Physiology. London: Longman, Rees, Orme, Brown, Green, and Longman, 1835.CrossRefGoogle Scholar
Ferriar, John. An Essay Towards a Theory of Apparitions. London: Cadell and Davies, 1819.Google Scholar
Fleming, Alice Macdonald (Kipling). A Pinchbeck Goddess. New York: D. Appleton and Company, 1897.Google Scholar
Flesch, William. “Quoting Poetry.” Critical Inquiry, vol. 18, no. 1, 1991, pp. 4263.CrossRefGoogle Scholar
Flint, Kate. The Woman Reader, 1837–1914. Clarendon Press, 1993.Google Scholar
Ford, Jennifer. Coleridge on Dreaming: Romanticism, Dreams and the Medical Imagination. Cambridge University Press, 1998.Google Scholar
Fox, William Johnson. Review of Poems, Chiefly Lyrical, by Alfred Tennyson. Westminster Review, vol. xiv, Jan. 1831, pp. 210–224.Google Scholar
Freud, Sigmund. Beyond the Pleasure Principle. Translated from 2nd German ed. by Hubback, C. J. M., Hogarth Press, 1948.Google Scholar
Gallagher, Catherine. “The History of Literary Criticism.” American Academic Culture in Transformation: Fifty Years, Four Disciplines. Edited by Bender, Thomas and Schorske, Carl E., Princeton University Press, 1998, pp. 151171.CrossRefGoogle Scholar
Gallop, Jane. “The Historicization of Literary Studies and the Fate of Close Reading.” Profession, 2007, pp. 181186.Google Scholar
Galvan, Jill. The Sympathetic Medium: Feminine Channeling, the Occult, and Communication Technologies, 1859–1919. Cornell University Press, 2010.Google Scholar
Galvan, JillTennyson’s Ghosts: The Psychical Research Case of the Cross-Correspondences, 1901–c.1936.” BRANCH: Britain, Representation and Nineteenth-Century History. Edited by Felluga, Dino Franco, Extension of Romanticism and Victorianism on the Net. www.branchcollective.org. Accessed March 31, 2014.Google Scholar
Galvan, JillThe Victorian Post-Human: Transmission, Information and the Séance.” The Ashgate Research Companion to Nineteenth-Century Spiritualism and the Occult. Edited by Kontou, Tatiana and Willburn, Sarah, Ashgate, 2012, pp. 5578.Google Scholar
Gigante, Denise. Taste: A Literary History. Yale University Press, 2005.CrossRefGoogle Scholar
Gitelman, Lisa. Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era. Stanford University Press, 1999.Google Scholar
Gitelman, LisaSouvenir Foils: On the Status of Print at the Origin of Recorded Sound.” New Media, 1740–1914. Edited by Gitelman, Lisa and Pingree, Geoffrey B., MIT Press, 2003, pp. 157174.Google Scholar
Goodman, Kevis. Georgic Modernity and British Romanticism: Poetry and the Mediation of History. Cambridge University Press, 2004.Google Scholar
Goodman, Kevis‘Uncertain Disease’: Nostalgia, Pathologies of Motion, Practices of Reading.” Studies in Romanticism, vol. 49, Summer 2010, pp. 197227.CrossRefGoogle Scholar
Greiner, Rae. Sympathetic Realism in Nineteenth-Century British Fiction. Johns Hopkins University Press, 2012.Google Scholar
Greiner, RaeSympathy Time: Adam Smith, George Eliot, and the Realist Novel.” Narrative, vol. 17, no. 3, Oct. 2009, pp. 291311.CrossRefGoogle Scholar
Griffiths, Eric. The Printed Voice of Victorian Poetry. Clarendon Press, 1989.Google Scholar
Groth, Helen. “Subliminal Histories: Psychological Experimentation in the Poetry and Poetics of Frederic W. H. Myers.” 19: Interdisciplinary Studies in the Long Nineteenth Century, vol. 12, 2011, www.19bbk.ac.uk. Accessed September 28, 2011.Google Scholar
Halcombe, J. J., and Stone, W. H.. The Speaker at Home: Chapters on Public Speaking and Reading Aloud. 3rd ed., London: George Bell & Sons, 1874.Google Scholar
Hallam, Arthur Henry. “On Some of the Characteristics of Modern Poetry, and on the Lyrical Poems of Alfred Tennyson.” Englishman’s Magazine, vol. 1, no. 5, Aug. 1831, pp. 616628.Google Scholar
Hallam, Arthur HenryOn Sympathy.” The Writings of Arthur Hallam. Edited by Vail Motter, T. H., MLA, 1943, pp. 133142.Google Scholar
Halliday, Sam. Science and Technology in the Age of Hawthorne, Melville, Twain, and James: Thinking and Writing Electricity. Palgrave Macmillan, 2007.CrossRefGoogle Scholar
Hamilton, Paul. “Romanticism and Poetic Autonomy.” The Cambridge History of English Romantic Literature. Edited by Chandler, James, Cambridge University Press, 2009, pp. 427450.CrossRefGoogle Scholar
Hamilton, William. Lectures on Metaphysics. Given at University of Edinburgh, 1836–1837. New York: Sheldon and Company, 1860. 2 vols.Google Scholar
Hartley, David. Observations on Man, His Frame, His Duty, and His Expectations. 6th ed., London: Thomas Tegg and Son, 1834.Google Scholar
Hazlitt, William. The Complete Works of William Hazlitt. Edited by Howe, P. P., J. M. Dent and Sons, 1930. 21 vols.Google Scholar
Hazlitt, WilliamReview of “Kubla Khan,” by Samuel Taylor Coleridge. Examiner, 2 Jun. 1816, pp. 348–349. Reprinted in Reiman, vol. II, pp. 530531.Google Scholar
Hertz, Neil. “Two Extravagant Teachings.” The End of the Line: Essays on Psychoanalysis and the Sublime. Columbia University Press, 1985, pp. 144159.Google Scholar
Hibbert, Samuel. Sketches of the Philosophy of Apparitions; or, an Attempt to Trace such Illusions to Their Physical Causes. 2nd ed., Edinburgh, 1825.Google Scholar
Hodgson, Richard. “A Further Record of Observations of Certain Phenomena of Trance.” Proceedings of the Society for Psychical Research, vol. 13, 1897–1898.Google Scholar
Holland, Henry. Medical Notes and Reflections. London: Longman, Orme, Brown, Green, and Longmans, 1839.CrossRefGoogle Scholar
Holmes, Richard. Coleridge: Darker Reflections, 1804–1834. Pantheon, 1999.Google Scholar
Hood, Thomas. “The Death-bed.” Selected Poems of Thomas Hood. Edited by Clubbe, John, Harvard University Press, 1970, p. 64.Google Scholar
Hughes, Winifred. “E. S. Dallas: Victorian Poetics in Transition.” Victorian Poetry, vol. 23, no. 1, 1985, pp. 121.Google Scholar
Hutton, R. H.Tennyson.” Literary Essays. 3rd ed., rev. and enlarged. London: Macmillan and Co, 1888, pp. 361468.Google Scholar
Jackson, Noel. Science and Sensation in Romantic Poetry. Cambridge University Press, 2008.CrossRefGoogle Scholar
Jaffe, Audrey. Scenes of Sympathy: Identity and Representation in Victorian Fiction. Cornell University Press, 2000.Google Scholar
Johns, Adrian. “Changes in the World of Publishing.” Cambridge History, pp. 377402.CrossRefGoogle Scholar
Johnson, Alice. “On the Automatic Writing of Mrs. Holland.” Proceedings of the Society for Psychical Research, vol. 21, 1908, pp. 166391.Google Scholar
Johnson, AliceThird Report on Mrs. Holland’s Script.” Proceedings of the Society for Psychical Research, vol. 25, 1911, pp. 218303.Google Scholar
Jones, Richard. The Growth of the Idylls of the King. Philadelphia: J. B. Lippincott Company, 1895.Google Scholar
Keats, John. “The Eve of St Agnes.” Romanticism: An Anthology. 2nd ed. Edited by Duncan, Wu, Blackwell, 2004, pp. 10431053.Google Scholar
Keats, JohnLetter to Richard Woodhouse. October 27, 1818. Romanticism: An Anthology. 2nd ed., Edited by Duncan, Wu, Blackwell, 2004, p. 1042.Google Scholar
Kipling, Rudyard. “The Uses of Reading.” Writings on Writing. Edited by Kemp, Sandra and Lewis, Lisa, Cambridge University Press, 1996, pp. 5667.Google Scholar
Kipling, Rudyard‘Wireless.’Traffics and Discoveries. 1904. Penguin, 1987, pp. 180199.Google Scholar
Kittler, Friedrich. Discourse Networks 1800/1900. Translated by Michael Metteer with Chris Cullens, Stanford University Press, 1990.CrossRefGoogle Scholar
Kittler, FriedrichGramophone, Film, Typewriter. Translated by Geoffrey, Winthrop-Young and Michael, Wutz, Stanford University Press, 1999.Google Scholar
Kreilkamp, Ivan. Voice and the Victorian Storyteller. Cambridge University Press, 2005.CrossRefGoogle Scholar
Kroll, , Alison, Adler. “Tennyson and the Metaphysics of Material Culture: The Early Poetry.” Victorian Poetry, vol. 47, no. 3, 2009, pp. 461480.CrossRefGoogle Scholar
L. M.” “On the Phantasms produced by Disordered Sensation. In a Letter from a Correspondent.” Journal of Natural Philosophy, Chemistry, and the Arts, vol. 15, Sept./Dec. 1806, pp. 288296.Google Scholar
La Mettrie, Julian Offray de. Machine Man and Other Writings. Translated and edited by Thomson, Ann, Cambridge University Press, 1996.CrossRefGoogle Scholar
Langan, Celeste. “Pathologies of Communication from Coleridge to Schreber.” South Atlantic Quarterly, vol. 102, no. 1, 2003, pp. 118152.CrossRefGoogle Scholar
Langan, CelesteUnderstanding Media in 1805: Audiovisual Hallucination in The Lay of the Last Minstrel.” Studies in Romanticism, vol. 40, Spring 2001, pp. 4970.CrossRefGoogle Scholar
Langan, Celeste, and McLane, Maureen N.. “The Medium of Romantic Poetry.” The Cambridge Companion to British Romantic Poetry. Edited by Chandler, James, Cambridge University Press, 2008, pp. 239262.CrossRefGoogle Scholar
Laqueur, Thomas. “Bodies, Details, and the Humanitarian Narrative.” The New Cultural History. Edited by Hunt, Lynn, University of California Press, 1989.Google Scholar
Laycock, Thomas. “On the Reflex Functions of the Brain.” British and Foreign Medical Review, no. 19, 1845, pp. 298311.Google Scholar
Lee, Lorna. Trix, Kipling’s Forgotten Sister: Unpublished Writings of Trix Kipling. Oxford: Hawthorns, 2003.Google Scholar
Levinson, Marjorie. The Romantic Fragment Poem: A Critique of a Form. University of North Carolina Press, 1986.Google Scholar
Linley, Margaret. “Conjuring the Spirit: Victorian Poetry, Culture, and Technology.” Victorian Poetry, vol. 41, no. 4, 2003, pp. 536544.CrossRefGoogle Scholar
London, Bette. Writing Double: Women’s Literary Partnerships. Cornell University Press, 1999.Google Scholar
Luckhurst, Roger. The Invention of Telepathy, 1870–1901. Oxford University Press, 2002.CrossRefGoogle Scholar
MacFarlane, Robert. Original Copy: Plagiarism and Originality in Nineteenth-Century Literature. Oxford University Press, 2007.CrossRefGoogle Scholar
Magendie, Francois. An Elementary Compendium of Physiology. Translated by Milligan, E., 4th ed., Edinburgh: John Carfrae & Son, 1831.Google Scholar
Martin, Meredith. The Rise and Fall of Meter: Poetry and English National Culture, 1860–1930. Princeton University Press, 2012.Google Scholar
Maudsley, Henry. Body and Mind. London: Macmillan and Co., 1870.Google Scholar
Mays, Kelly J.The Disease of Reading and Victorian Periodicals.” Literature in the Marketplace: Nineteenth-Century British Publishing and Reading Practices. Edited by Jordan, John O. and Patten, Robert L., Cambridge University Press, 1995, pp. 165194.Google Scholar
Mazzeo, Tilar J. Plagiarism and Literary Property in the Romantic Period. University of Pennsylvania Press, 2007.CrossRefGoogle Scholar
McGann, Jerome J.The Meaning of the Ancient Mariner.” Critical Inquiry, vol. 8, no. 1, 1981, pp. 3567.CrossRefGoogle Scholar
McGann, Jerome J.The Poetics of Sensibility: A Revolution in Literary Style. Clarendon Press, 1996.CrossRefGoogle Scholar
McGivering, John H.‘Wireless’: Some Reflections on a Story by Kipling, a Poem by Keats, and the Early Days of Wireless Telegraphy.” Kipling Journal, vol. 68, Sept. 1994, p. 33.Google Scholar
McLane, Maureen. “Ballads and Bards: British Romantic Orality.” Modern Philology, vol. 98, no. 3, 2001, pp. 423443.CrossRefGoogle Scholar
McLuhan, Marshall. Understanding Media: The Extensions of Man. Reprint. MIT Press, 1994.Google Scholar
Menke, Richard. Telegraphic Realism: Victorian Fiction and Other Information Systems. Stanford University Press, 2008.Google Scholar
[Merivale, John Herman.] Unsigned obituary for Samuel Taylor Coleridge in The Edinburgh Review. Reprinted in Jackson, J. R. de J., editor, Coleridge: The Critical Heritage, vol. II: 1834–1900, Routledge, 1991, p. 47.Google Scholar
Meynell, Alice. “A Letter from a Girl to Her Own Old Age.” Broadview, pp. 10871088.Google Scholar
Moore, Dafydd. “Tennyson, Malory and the Ossianic Mode: The Poems of Ossian and ‘The Death of Arthur’.” Review of English Studies, vol. 57, no. 230, 2006, pp. 374391.CrossRefGoogle Scholar
Moretti, Franco. “Conjectures on World Literature.” New Left Review, vol. 1, 2000, pp. 5468.Google Scholar
Morgan, Benjamin. The Outward Mind: Materialist Aesthetics in Victorian Science and Literature. University of Chicago Press, 2017.CrossRefGoogle Scholar
Müller, Johannes. The Physiology of the Senses, Voice, and Muscular Motion, with the Mental Faculties. Translated by Baly, William, London: Taylor, Walton, and Maberly, 1848.Google Scholar
Muri, Allison. The Enlightenment Cyborg: A History of Communications and Control in the Human Machine, 1660–1830. University of Toronto Press, 2006.Google Scholar
Myers, Frederic W. H.Automatic Writing II.” Proceedings of the Society for Psychical Research, vol. 3, 1885, pp. 164.Google Scholar
Myers, Frederic W. H.Automatic Writing III.” Proceedings of the Society for Psychical Research, vol. 4, 1886–1887, pp. 209261.Google Scholar
Myers, Frederic W. H.Human Personality and Its Survival of Bodily Death. 1903. Longmans, Green, and Co., 1904. 2 vols.Google Scholar
Myers, Frederic W. H.On a Telepathic Explanation of Some So-called Spiritualistic Phenomena.” Proceedings of the Society for Psychical Research, vol. 2, 1884, pp. 217237.Google Scholar
Myers, Frederic W. H.Tennyson as Prophet.” 1889. Science and a Future Life, with Other Essays. London: Macmillan and Co., 1893.Google Scholar
Myers, Frederic W. H.On the Trance-Phenomena of Mrs. Thompson.” Proceedings of the Society for Psychical Research, vol. 17, June 1902, pp. 6774.Google Scholar
Myers, Frederic W. H., Gurney, Edward, and Podmore, Frank. Phantasms of the Living. 1886. Edited by Sigwick, Eleanor Mildred, University Books, 1962.Google Scholar
Nicolai, . “A Memoir on the Appearance of Spectres or Phantoms occasioned by Disease, with Psychological Remarks. Read by NICOLAI to the Royal Society of Berlin, on the 28th of February, 1799.” Journal of Natural Philosophy, Chemistry, and the Arts, vol. 6, Sept./Dec. 1803, pp. 161179.Google Scholar
Nussbaum, Martha. Poetic Justice: The Literary Imagination and Public Life. Beacon, 1995.Google Scholar
Ong, Walter J. Orality and Literacy: The Technologizing of the Word. Edited by Hawkes, Terence, Methuen, 1988.Google Scholar
Oppenheim, Janet. The Other World: Spiritualism and Psychical Research in England, 1850–1914. Cambridge University Press, 1985.Google Scholar
Parry, Caleb Hillier. Elements of Pathology and Therapeutics. Vol. 1: General Pathology. 2nd ed., Edinburgh: Crutwell, 1825.Google Scholar
Paterson, Robert. “On Spectral Illusions.” Edinburgh Medical and Surgical Journal, vol. 59, 1843, pp. 77102.Google ScholarPubMed
Peters, John Durham. Speaking into the Air: A History of the Idea of Communication. University of Chicago Press, 1999.CrossRefGoogle Scholar
Pfordresher, John. A Variorum Edition of Tennyson’s Idylls of the King. Columbia University Press, 1973.Google Scholar
Picker, John. Victorian Soundscapes. Oxford University Press, 2003.CrossRefGoogle Scholar
Piddington, J. D.Supplementary Notes on ‘A Series of Concordant Automatisms’.” Proceedings of the Society for Psychical Research, vol. 24, Mar. 1910, pp. 1130.Google Scholar
Pinch, Adela. Strange Fits of Passion: Epistemologies of Emotion, Hume to Austen. Stanford University Press, 1996.Google Scholar
Price, Leah. The Anthology and the Rise of the Novel from Richardson to George Eliot. Cambridge University Press, 2000.CrossRefGoogle Scholar
Prins, Yopie. “Historical Poetics, Dysprosody, and The Science of English Verse.” PMLA, vol. 123, no. 1, 2008, pp. 229234.Google Scholar
Prins, YopieVoice Inverse.” Victorian Poetry, vol. 42, no. 1, 2004, pp. 4359.CrossRefGoogle Scholar
Psomiades, Kathy Alexis. “She Has a Lovely Face: The Feminine and the Aesthetic.” Beauty’s Body: Femininity and Representation in British Aestheticism. Stanford University Press, 1997, pp. 2357.Google Scholar
Rainey, Lawrence. “Taking Dictation: Collage Poetics, Pathology, and Politics.” Modernism/Modernity, vol. 5, no. 2, 1998, pp. 123153.CrossRefGoogle Scholar
Rauber, D. F.The Fragment as Romantic Form.” Modern Language Quarterly, vol. 30, 1969, pp. 212221.CrossRefGoogle Scholar
Reade, Charles. Trade Malice: A Personal Narrative. London: Samuel French, 1875.Google Scholar
Reading Aloud.” Chambers’s Edinburgh Journal, vol. 42, Oct. 19, 1844, pp. 248249.Google Scholar
Rée, Jonathan. I See a Voice: A Philosophical History of Language, Deafness and the Senses. HarperCollins, 1999.Google Scholar
Reed, Edward S. From Soul to Mind: The Emergence of Psychology from Erasmus Darwin to William James. Yale University Press, 1997.Google Scholar
Reiman, Donald R., ed. The Romantics Reviewed: Contemporary Reviews of British Romantic Writers. Part A: The Lake Poets. Garland, 1972. 2 vols.Google Scholar
Review of “Christabel,” by Samuel Taylor Coleridge. Academic, Sept. 15, 1821, pp. 339–341. Reprinted in Reiman, vol. I, pp. 1–2.Google Scholar
Review of “Christabel,” by Samuel Taylor Coleridge. Augustan Review III, July 1816, pp. 14–24. Reprinted in Reiman, vol. I, pp. 33–38.Google Scholar
Review of “Christabel,” by Samuel Taylor Coleridge. The Times 20 May 1816, n.p. Reprinted in Reiman, vol. II, pp. 890–891.Google Scholar
Review of Poems (3rd ed.), by Samuel Taylor Coleridge. Annual Review 2, 1804, p. 556. Reprinted in Reiman, vol. I, p. 12.Google Scholar
Richards, I. A. Practical Criticism: A Study of Literary Judgment. Harcourt, 1929.Google Scholar
Richards, I. A.Principles of Literary Criticism. New Harcourt, Brace, and Co., 1947.Google Scholar
Richardson, Alan. British Romanticism and the Science of the Mind. Cambridge University Press, 2001.CrossRefGoogle Scholar
Roberts, William. Review of “Christabel,” by Samuel Taylor Coleridge. British Review, vol. VIII, Aug. 1816, pp. 64–81. Reprinted in Reiman, vol. I, pp. 238–247.Google Scholar
Robson, Catherine. Heart Beats: Everyday Life and the Memorized Poem. Princeton University Press, 2012.Google Scholar
Robson, CatherineStanding on the Burning Deck: Poetry, Performance, History.” PMLA, vol. 120, no. 1, 2005, pp. 148162.Google Scholar
Rossetti, Christina. “Song: When I Am Dead.” Broadview, pp. 857858.Google Scholar
Rossetti, Dante Gabriel. “The Blessed Damozel.” Broadview, pp. 806808.Google Scholar
Rossetti, Dante Gabriel“My Sister’s Sleep.” Broadview, pp. 808809.Google Scholar
Rossetti, Dante Gabriel“The Portrait.” Broadview, pp. 815817.Google Scholar
Rudy, Jason R. Electric Meters: Victorian Physiological Poetics. Ohio University Press, 2009.Google Scholar
Russett, Margaret. Fictions and Fakes: Forging Romantic Authenticity, 1760–1845. Cambridge University Press, 2006.Google Scholar
Saint-Amour, Paul. The Copywrights: Intellectual Property and the Literary Imagination. Cornell University Press, 2003.Google Scholar
Schwenger, Peter. “The Obbligato Effect.” New Literary History, vol. 42, no. 1, 2011, pp. 115128.CrossRefGoogle Scholar
Sconce, Jeffrey. Haunted Media: Electronic Presence from Telegraphy to Television. Duke University Press, 2000.Google Scholar
Scott, Walter. Letters on Demonology and Witchcraft. 2nd ed., John Murray, 1831.Google Scholar
William, Shakespeare. “Sonnet 111.” The Riverside Shakespeare. 2nd ed., Houghton Mifflin, 1997, p. 1863.Google Scholar
William, ShakespeareThe Tragedy of Romeo and Juliet. The Riverside Shakespeare. 2nd ed., Houghton Mifflin, 1997, pp. 11011145.Google Scholar
Shelley, Percy Bysshe. A Defence of Poetry. Essays on Poetry: Peacock, Shelley, Browning. Edited by Brett-Smith, H. F. B., Houghton Mifflin, 1921, pp. 2160.Google Scholar
Shelley, Percy ByssheRemembrance.” The Complete Poems of Percy Bysshe Shelley. Modern Library, 1994, pp. 681682.Google Scholar
Shelley, Percy ByssheThe Sensitive-Plant.” The Complete Poems of Percy Bysshe Shelley. Modern Library, 1994, pp. 627633.Google Scholar
Siskin, Clifford, and Warner, William. “This Is Enlightenment: An Invitation in the Form of an Argument.” This Is Enlightenment. Edited by Siskin, and Warner, , University of Chicago Press, 2010, pp. 136.CrossRefGoogle Scholar
Small, Helen. “A Pulse of 124: Charles Dickens and a Pathology of the Mid-Victorian Reading Public.” The Practice and Representation of Reading in England. Edited by Raven, James, Small, Helen, and Tadmor, Naomi, Cambridge University Press, 1996, pp. 263290.Google Scholar
Smith, Adam. The Theory of Moral Sentiments. Vol. 1, London: J. Richardson and Co., 1822.Google Scholar
Stainton, Moses [M. A. (“Oxon”)]. Spirit-Identity. London: W. H. Harrison, 1879.Google Scholar
Stead, W. T.The Mystery of Automatic Handwriting.” Review of Reviews, vol. 6, no. 31, 1892, p. 44.Google Scholar
Stewart, Dugald. Elements of the Philosophy of the Human Mind. London: A. Strahan, 1792.Google Scholar
Stewart, Garrett. Dear Reader: The Conscripted Audience in Nineteenth-Century British Fiction. Johns Hopkins University Press, 1996.CrossRefGoogle Scholar
Stewart, GarrettReading Voices: Literature and the Phonotext. University of California Press, 1990.CrossRefGoogle Scholar
Stewart, Susan. “Notes on Distressed Genres.” Journal of American Folklore, vol. 104, no. 411, 1991, pp. 531.CrossRefGoogle Scholar
Sword, Helen. Ghostwriting Modernism. Cornell University Press, 2002.CrossRefGoogle Scholar
Tate, Gregory. The Poet’s Mind: The Psychology of Victorian Poetry 1830–1870. Oxford University Press, 2012.CrossRefGoogle Scholar
Taylor, Jenny. “The Gay Science: The ‘Hidden Soul’ of Victorian Criticism.” Literature and History, vol. 10, no. 2, 1984, pp. 189202.Google Scholar
Tennyson, Alfred. “The Coming of Arthur.” Idylls of the King. 1873. Edited by Gray, J. M., Penguin, 1996, pp. 2135.Google Scholar
Tennyson, AlfredEdward Gray.” The Poems of Tennyson. Vol. II. Edited by Ricks, Christopher, University of California Press, 1987, pp. 165166.Google Scholar
Tennyson, AlfredThe Epic” and “Morte d’Arthur.” Broadview pp. 189194.Google Scholar
Tennyson, Alfred“The Higher Pantheism.” Broadview, p. 279.Google Scholar
Tennyson, AlfredIn Memoriam A. H. H. Broadview, pp. 204–252.Google Scholar
Tennyson, AlfredThe Last Tournament.” Idylls of the King. 1873. Edited by Gray, J. M., Penguin, 1996, pp. 248268.Google Scholar
Tennyson, AlfredOde on the Death of the Duke of Wellington.” The Poems of Tennyson. Vol. II. Edited by Ricks, Christopher. University of California Press, 1987, pp. 480492.Google Scholar
Tennyson, AlfredThe Passing of Arthur” [1869]. The Holy Grail and Other Poems. London: Strahan and Co., 1870.Google Scholar
Tennyson, AlfredThe Passing of Arthur” [1873]. Idylls of the King. 1873. Edited by Gray, J. M.. Penguin, 1996, pp. 288300.Google Scholar
Tennyson, Hallam. Alfred Lord Tennyson: A Memoir. Greenwood Press, 1969.Google Scholar
Terada, Rei. “Phenomenality and Dissatisfaction in Coleridge’s Notebooks.” Studies in Romanticism, vol. 43, no. 2, 2004, pp. 257282.CrossRefGoogle Scholar
Thurschwell, Pamela. Literature, Technology and Magical Thinking, 1880–1920. Cambridge University Press, 2001.CrossRefGoogle Scholar
Tod, David. The Anatomy and Physiology of the Organ of Hearing. London: Longman, Rees, Orme, Brown, Green, and Longman, 1832.Google Scholar
Travers Smith, Hester. Psychic Messages from Oscar Wilde [excerpts]. Gender and Modernism: New Geographies, Complex Intersections. Edited by Scott, Bonnie Kime, University of Illinois Press, 2007, pp. 633647.Google Scholar
Travers Smith, HesterVoices from the Void: Six Years’ Experience in Automatic Communications. E. P. Dutton & Company, 1919.Google Scholar
Trumpener, Katie. Bardic Nationalism: The Romantic Novel and the British Empire. Princeton University Press, 1997.CrossRefGoogle Scholar
Tucker, Herbert F.Dramatic Monologue and the Overhearing of Lyric.” Lyric Poetry: Beyond New Criticism. Edited by Hosek, Chaviva and Parker, Patricia, Cornell University Press, 1985, pp. 226243.Google Scholar
Tucker, Herbert F.Tennyson and the Doom of Romanticism. Harvard University Press, 1988.CrossRefGoogle Scholar
Verrall, Mrs. A. WNotes on Mrs. Willett’s Scripts on February, 1910.” Proceedings of the Society for Psychical Research, vol. 25, 1911, pp. 176217.Google Scholar
Vincent, David. Literacy and Popular Culture: England 1750–1914. Cambridge University Press, 1989.CrossRefGoogle Scholar
Warren, Samuel. Passages from the Diary of a Late Physician. Paris: Baudry’s European Library, 1838.Google Scholar
Wilde, Oscar. “The Burden of Itys.” The Complete Works of Oscar Wilde, Vol. I. Edited by Fong, Bobby and Beckson, Karl, Oxford University Press, 2000, pp. 5767.Google Scholar
Wilson, John [Christopher North]. Essays Critical and Imaginative: Christopher at the Lakes. Vol. II. London: Blackwood, 1856, pp. 109152.Google Scholar
Wilson, Leigh. “The Cross-Correspondences, the Nature of Evidence and the Matter of Writing.” The Ashgate Research Companion to Nineteenth-Century Spiritualism and the Occult. Edited by Kontou, Tatiana and Willburn, Sarah, Ashgate, 2012, pp. 97119.Google Scholar
Wolfson, Susan. Formal Charges: The Shaping of Poetry in British Romanticism. Stanford University Press, 1997.CrossRefGoogle Scholar
Wordsworth, Dorothy, and Wordsworth, William. The Letters of William and Dorothy Wordsworth. Vol. I: The Early Years, 1787–1805. Edited by de Selincourt, Ernest, Clarendon Press, 1967.Google Scholar
Wordsworth, William. “Essay, Supplementary to the Preface.” Poems. London: Longman, Hurst, Rees, Orme and Brown, 1815. 2 vols.Google Scholar
Wordsworth, WilliamLines Composed a Few Miles Above Tintern Abbey.” Romanticism: An Anthology. 2nd ed., Edited by Duncan, Wu, Blackwell, 2004, pp. 265270.Google Scholar
Wordsworth, WilliamNote to ‘The Ancient Mariner’.1800. Lyrical Ballads and Related Writings. Edited by Richey, William and Robinson, Daniel, Houghton Mifflin, 2002, pp. 389390.Google Scholar
Wordsworth, WilliamThe Poetical Works of William Wordsworth. Edited by de Selincourt, Ernest and Darbishire, Helen, Clarendon Press, pp. 19401949. 5 vols.Google Scholar
Wordsworth, WilliamPreface [to Lyrical Ballads].” 1802. Lyrical Ballads and Related Writings. Edited by Richey, William and Robinson, Daniel, Houghton Mifflin, 2002, pp. 390411.Google Scholar
Wordsworth, WilliamA slumber did my spirit seal.” Romanticism: An Anthology. 2nd ed., Edited by Duncan, Wu, Blackwell, 2004, p. 327.Google Scholar
Wright, Edward. “The Art of Plagiarism.” Contemporary Review, vol. 85, January 1904, pp. 514518.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Ashley Miller, Albion College, Michigan
  • Book: Poetry, Media, and the Material Body
  • Online publication: 30 July 2018
  • Chapter DOI: https://doi.org/10.1017/9781108292474.007
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Ashley Miller, Albion College, Michigan
  • Book: Poetry, Media, and the Material Body
  • Online publication: 30 July 2018
  • Chapter DOI: https://doi.org/10.1017/9781108292474.007
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Ashley Miller, Albion College, Michigan
  • Book: Poetry, Media, and the Material Body
  • Online publication: 30 July 2018
  • Chapter DOI: https://doi.org/10.1017/9781108292474.007
Available formats
×