Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-ndmmz Total loading time: 0 Render date: 2024-06-09T03:04:41.498Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  18 June 2021

Heather James
Affiliation:
University of Southern California
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2021

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Allott, Robert. Wits theatre of the little world. London: James Robert, 1599.Google Scholar
Ascham, Roger. English Works. 1904. Edited by Wright, William Aldis. Cambridge: Cambridge University Press, 1970.Google Scholar
Augustine, St. The City of God Against the Pagans. Translated by Henry Bettenson. Harmondsworth: Penguin, 1972.Google Scholar
Baldwin, T. W. William Shakspere’s Small Latine & Lesse Greeke. 2 vols. Urbana: University of Illinois Press, 1944.Google Scholar
Beaumont, Francis. Salmacis and Hermaphroditus. London, 1602.Google Scholar
Binns, J. W. Ovid. London: Routledge, 1973.Google Scholar
Brinsley, John. Ludus literarius: or, the grammar schoole. London, 1612.Google Scholar
Brooke, Arthur. The Tragicall Historye of Romeus and Juliet written first in Italian by Bandell, and nowe in English by Ar. Br. London, 1562.Google Scholar
Catullus, . Catullus. The Poems, edited by Quinn, Kenneth. 2nd ed. New York: St. Martins Press; Houndmills: Macmillan, 1973.Google Scholar
Churchyard, Thomas. The Three First Bookes of Ouid de Tristibus. London, 1580.Google Scholar
Cokain, Aston. A chain of golden poems embellished with wit, mirth, and eloquence. London, 1658.Google Scholar
Collet, John. Collection of Stories. Osborn Shelves b 160. Beinecke Library.Google Scholar
Colville, John. Palinode of Iohn Coluill wherein he doth penitently recant his former proud offences, specially that treasonable discourse lately made by him against the vndoubted and indeniable title of his dread soueraigne Lord, King Iames the sixt, vnto the crowne of England, after decease of her Maiesty present. Edinburgh, 1600.Google Scholar
Cooper, Thomas. Thesaurus linguae Romanae & Britannicae. London, 1565.Google Scholar
Cotton, Sir John. Arguments of Sir John Cotton – sic et non. 1675. MS. Folger Shakespeare Library.Google Scholar
Cox, Leonard. The Arte or Craft of Rhetoryke. London, ?1530.Google Scholar
Crinito, Pietro. De Poetis Latinis. Ludguni, 1583.Google Scholar
Day, Angel. The English Secretary, of Methode of writing of Epistles and Letters. London, 1599.Google Scholar
de La Primaudaye, Pierre. The French academie wherin is discoursed the institution of maners, and whatsoeuer els concerneth the good and happie life of all estates and callings, by preceptes of doctrine, and examples of the liues of ancient sages and famous men. London, 1586.Google Scholar
Dryden, John. Miscellaneous Works. London, 1760.Google Scholar
Elyot, Sir Thomas. Biblioteca Eliotae. London, 1559.Google Scholar
Elyot, Sir Thomas The Book Named the Governour. Edited by Lehmberg, S. E.. London: Dent, 1962.Google Scholar
Erasmus, Desiderius. Collected Works of Erasmus, Adages. Toronto, ON: Toronto University Press, 1989.Google Scholar
Filmer, Robert. Patriarcha, or the Natural Power of Kings. London, 1680.Google Scholar
Filmer, Robert Patriarcha and Other Writings. Edited by Sommerville, Johann P.. Cambridge: Cambridge University Press, 2008.Google Scholar
Gosson, Stephen. The Schoole of Abuse. London, 1579.Google Scholar
H., T. The fable of Ouid treting of Narcissus, tra[n]slated out of Latin into Englysh mytre, with a moral there vnto, very pleasante to rede. London, 1560.Google Scholar
Hakewell, George. An apologie of the povver and prouidence of God in the gouernment of the world. London, 1627.Google Scholar
Harington, John. Anatomie of the Metamorphosed Aiax. London, 1596.Google Scholar
Harrington, James. An Essay upon two of Virgil’s Eclogues and Two books of the Aeneis. London, 1658.Google Scholar
Hayward, John. A Treatise of the Vnion of the two Realmes of England and Scotland. London, 1604.Google Scholar
Heinsius, Daniel. Satirae duae. Leiden, 1617.Google Scholar
Heywood, Thomas. A curtaine lecture. London, 1637.Google Scholar
Horace, . Satires, Epistles, and Ars Poetica. Translated by H. Rushton Fairclough. Rev. ed. Cambridge, MA: Harvard University Press, 1966.Google Scholar
Horace, Horace on Poetry: the “Ars Poetica.” Edited by Brink, C. O.. Cambridge: Cambridge University Press, 1969.Google Scholar
James, I. The Political Works of James I. Edited by Mcilwain, Charles Howard. Cambridge, MA: Harvard University Press, 1918.Google Scholar
Jonson, Ben. The Alchemist. Edited by Sherman, William and Holland, Peter. Cambridge: Cambridge University Press, 2012.Google Scholar
Jonson, Ben Ben Jonson: Poems, Edited by Donaldson, Ian. Oxford: Oxford University Press, 1975.Google Scholar
Jonson, Ben Cambridge Edition of the Works of Ben Jonson. Edited by Bevington, David, Butler, Martin, and Donaldson, Ian. Cambridge: Cambridge University Press, 2012.Google Scholar
Jonson, Ben Poetaster. Edited by Cain, Tom. Manchester: Manchester University Press, 1995.Google Scholar
Kempe, William. The Education of Children. London, 1588.Google Scholar
Lipsius, Justus. Bookes of Politickes or Civil Doctrine. Translated by William Jones. London, 1594.Google Scholar
Lodge, Thomas. Rosalynde. Euphues golden Legacie. London, 1590.Google Scholar
Lyly, John. Euphues. In The Complete Works of John Lyly. Edited by Bond, Richard Warwick. Oxford: Clarendon Press, 1902.Google Scholar
Marlowe, Christopher. Doctor Faustus A- and B-texts (1604, 1616). Edited by Bevington, David and Rasmussen, Eric. Manchester: Manchester University Press, 1993.Google Scholar
Marlowe, Christopher Edward II. Edited by Forker, Charles R.. Manchester: Manchester University Press, 1994.Google Scholar
Marlowe, Christopher The Poems of Christopher Marlowe. Edited by MacLure, Millar. London: Methuen, 1968.Google Scholar
Marlowe, Christopher Tamburlaine the Great. Edited by Cunningham, J. S.. Manchester: Manchester University Press, 1998.Google Scholar
Martial, . M. Val. Martialis nova edition. Edited by Schrijver, Pieter. Lugduni Batavorum, 1619.Google Scholar
Meres, Francis. Palladis Tamia or Wits Treasury. London, 1598.Google Scholar
Milton, John. Paradise Lost. Edited by Fowler, Alistair. London: Longman, 1968 and 1971.Google Scholar
Morel, Guillame. Verborum Latinorum cum Graecis Anglicisqve Conivnctorum, locupletissimi Commentarij. Ad clausum Brunellum, 1583.Google Scholar
Mulcaster, Richard. Positions. London, 1581.Google Scholar
Ovid, . The Art of Love and Other Poems. Translated by J. H. Mozley. Cambridge, MA: Harvard University Press, 1979.Google Scholar
Ovid, Metamorphoseon. Edited by Pontanus, Jacobus. Antwerp, 1618.Google Scholar
Pontanus, Jacobus Metamorphoses, Edited by Sabinus, Georg. Lyons, 1518.Google Scholar
Pontanus, Jacobus Metamorphoses. Edited by Anderson, W. S.. Stuttgard: Springer, 1991.Google Scholar
Pontanus, Jacobus Ovid his Inuective against Ibis. Translated by Thomas Underdowne. London, 1577.Google Scholar
Pontanus, Jacobus Ovidii opera cum commentariis. Edited by Micyllus, Jacob. 3 vols. Basel, 1543–50.Google Scholar
Pontanus, Jacobus Ouidii opera cum commentariis. Edited by Regius, Raphael. Lyons, 1497.Google Scholar
Pontanus, Jacobus Ovid’s Fasti. Translated by Sir James George Frazer. Cambridge, MA: Harvard University Press, 1951.Google Scholar
Pontanus, Jacobus Ovid’s Metamorphoses 1–5. Edited by Anderson, W. S.. Norman: University of Oklahoma Press, 1997.Google Scholar
Pontanus, Jacobus Ovid’s Metamorphoses 6–10. Edited by Anderson, W. S.. Norman: University of Oklahoma Press, 1972.Google Scholar
Pontanus, Jacobus The Three First Bookes of Ouid de Tristibus. Translated by Thomas Marsh. London, 1580.Google Scholar
Pontanus, Jacobus Ouids Tristia containinge fiue bookes of mournfull elegies which hee sweetly composed in the midst of his aduersitie, while hee liu’d in Tomos a cittie of Pontus where hee dyed after seauen yeares banishment from Rome. Translated by Wye Saltonstall. London, 1633.Google Scholar
Pontanus, Jacobus Tristia. Ex Ponto. Translated by Arthur Leslie Wheeler. 2nd ed. Revised by Goold, G. P.. Cambridge, MA: Harvard University Press, 1988.Google Scholar
Pontanus, Jacobus De Tristibus: or Mournefull Elegies, in Five Bookes. Translated by Zachary Catlin. London, 1639.Google Scholar
Pontanus, Jacobus The XV Bookes of P. Ouidius Naso, Entytuled Metamorphosis. Translated by Arthur Golding. Edited by Rouse, W. H. D.. Carbondale: Southern Illinois University Press, 1961.Google Scholar
Proctor, Thomas. A gorgious gallery, of gallant inuentions. London, 1578.Google Scholar
Puttenham, George. The Arte of English Poesie. Edited by Willcock, Gladys Doidge and Walker, Alice. Folcroft, PA: Mason Crest, 1969.Google Scholar
Quintilian. Institutiones Oratoriae. Edited by Michael Winterbottom. Oxford: Clarendon Press, 1970.Google Scholar
Quintilian The Orator’s Education. Translated and edited by Russell, Donald A.. Cambridge, MA: Harvard University Press, 2001.Google ScholarPubMed
Rastrick, John. The life of John Rastrick. Edited by Cambers, Andrew. Cambridge: Cambridge University Press for the Royal Historical Society, 2010.Google Scholar
Rastrick, John A Narrative; or an Historical Account of the most material passages in the Life of John Rastrick. Ca. 1663. HEH, HM 6131.Google Scholar
Ritson, Joseph. Cursory Criticisms on the Edition of Shakespeare Published by Edmond Malone. New York: AMS Press, 1792.Google Scholar
Roberts, Josephine A., ed. The Poems of Lady Mary Wroth. Baton Rouge: Louisiana State University Press, 1983.Google Scholar
Salter, Thomas. A Mirrhor mete for all Mothers, Matrones, and Maidens, intituled the Mirrhor of Modestie. London, 1579.Google Scholar
Sandys, Edwin. Europae Speculum, or A View or Survey of the State of Religion in the Western Parts of the World. London, 1632.Google Scholar
Sandys, George. Ovid’s Metamorphosis Englished, Mythologiz’d, and Represented in Figures. Edited by Hulley, Karl K. and Vandersall, Stanley T.. Lincoln, NE: University of Nebraska Press, 1970.Google Scholar
Scaliger, Julius Caesar. Poetices libri septem. Lyon, 1561.Google Scholar
Selden, John. Table-talk, being the Discourses of John Selden, Esq., or his sence of various matters of weight and high consequence relating especially to religion and state. London, 1689.Google Scholar
Seneca the Elder. Declamations, Volume 1: Contraversiae. Translated by Michael Winterbottom. Cambridge, MA: Harvard University Press, 1974.Google Scholar
Seneca the Younger. Ad Lucilium Epistulae Morales. Translated by Richard M. Gummere. London: W. Heinemann and G. P. Putnam’s sons, 1917.Google Scholar
Shakespeare, William. As You Like It. Edited by Hattaway, Michael. Cambridge: Cambridge University Press, 2009.Google Scholar
Shakespeare, William As You Like It. Edited by Howard, Jean and Brown, Pamela Allen. Bedford/St Martin’s, 2013.Google Scholar
Shakespeare, William An Excellent Conceited Tragedy of Romeo and Juliet. London, 1597.Google Scholar
Shakespeare, William A Midsummer Night’s Dream. Edited by Holland, Peter. Oxford: Clarendon Press, 1995.Google Scholar
Shakespeare, William The Most Excellent and lamentable Tragedie, of Romeo and Iuliet. London, 1599.Google Scholar
Shakespeare, William The Norton Shakespeare. Edited by Greenblatt, Stephen. 3rd ed. New York: W. W. Norton & Co., 2015.Google Scholar
Shakespeare, William Romeo and Juliet. Edited by Callaghan, Dympna. Bedford/St Martin’s, 2010.Google Scholar
Smith, Gregory, ed. Elizabethan Critical Essays. Oxford: Clarendon Press, 1904.Google Scholar
Smith, Thomas. Sir Thomas Smithes voiage and entertainment in Rushia. London, 1605.Google Scholar
Smith, Wentworth. The Hector of Germany. London, 1615.Google Scholar
Spenser, Edmund. The Faerie Queene. Edited by Hamilton, A. C.. New York: Longman Publishing Group, 2011.Google Scholar
Spenser, Edmund The Shorter Poems. Edited by McCabe, Richard. Harmondsworth: Penguin, 1999.Google Scholar
Spenser, Edmund The Works of Edmund Spenser: A Variorum Edition. Edited by Greenlaw, Edwin A., Osgood, Charles Grosvenor, Padelford, Frederick Morgan, and Heffner, Ray. Baltimore, MD: Johns Hopkins University Press, 1933.Google Scholar
Suetonius, . The History of the Twelve Cæsars. Translated by Philemon Holland, edited by Whibley, Charles. London: D. Nutt, 1899.Google Scholar
Suetonius, The Lives of the Caesars. Translated by Philemon Holland with an introduction by Charles Whibley. New York: AMS, 1957.Google Scholar
Tacitus, . Annales of Cornelius Tacitus. Translated by Richard Greneway. London, 1598.Google Scholar
Tacitus, Annales. Translated by Henry Savile. London, 1591.Google Scholar
Textor, Ioannes Ravisius. Epitheti. London, 1634.Google Scholar
Vaughan, William. The Spirit of Detraction. London, 1611.Google Scholar
Webbe, William. A Discourse of English Poetrie. London, 1586.Google Scholar
Wharton, Anne. Loue’s Martyr, or Wit Above Crowns. MS. British Library.Google Scholar
Wharton, Anne The Surviving Works of Anne Wharton. Edited by Greer, Germaine and Hastings, Selina. Halifax: Stump Cross Books, 1997.Google Scholar
Wilson, Thomas. The Art of Rhetorique. London, 1553.Google Scholar

Secondary Sources

Adelman, Janet. Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, Hamlet to the Tempest. New York: Routledge, 1992.Google Scholar
Adorno, Theodor W.On Lyric Poetry and Society.” In Notes to Literature, translated by Shierry Weber Nicholsen, pp. 3754. New York: Columbia University Press, 1991.Google Scholar
Ahl, Frederick. “The Art of Safe Criticism in Greece and Rome.” American Journal of Philology 105 (1984): 174208.Google Scholar
Ahl, Frederick Metaformations: Soundplay and Wordplay in Ovid and Other Classical Poets. Ithaca, NY: Cornell University Press, 1985.Google Scholar
Ahmed, Sara. “Orientations: Towards a Queer Phenomenology.” GLQ 12, no. 4 (2006): 543–74.Google Scholar
Allen, Archibald W. “‘Sincerity’ and the Roman Elegists.” Classical Philology 45, no. 3 (1950): 145–60.Google Scholar
Allen, Don Cameron. Image and Meaning: Metaphoric Traditions in Renaissance Poetry. Baltimore, MD: Johns Hopkins University Press, 1960.Google Scholar
Allen, Don Cameron Mysteriously Meant: The Rediscovery of Pagan Symbolism and Allegorical Interpretation in the Renaissance. Baltimore, MD: Johns Hopkins University Press, 1970.Google Scholar
Allen, Don CameronOn Spenser’s Muiopotmos.” Studies in Philology 53 (1956): 141–58.Google Scholar
Altman, Joel B. The Tudor Play of Mind: Rhetorical Inquiry and the Development of Elizabethan Drama. Berkeley: University of California Press, 1978.Google Scholar
Andersen, Holly. “The Hodgsonian Account of Temporal Experience.” In The Routledge Handbook of Philosophy of Temporal Experience, edited by Phillips, Ian. London: Routledge, 2017.Google Scholar
Anderson, Judith H.Acrasian Fantasies: Outsides, Insides, Upsides, Downsides in the Bower of Bliss.” In A Touch More Rare: Harry Berger Jr., and the Arts of Interpretation, edited by Levine, Nina and Miller, David Lee, pp. 224238. New York: Fordham University Press, 2009.Google Scholar
Anderson, Judith H. Reading the Allegorical Intertext: Chaucer, Spenser, Shakespeare, Milton. New York: Fordham University Press, 2008.Google Scholar
Ando, Clifford. Imperial Ideology and Provincial Loyalty in the Roman Empire. Berkeley: University of California Press: 2000.Google Scholar
Barber, C. L. Shakespeare’s Festive Comedy: A Study of Dramatic Form and Its Relation to Social Custom. Princeton, NJ: Princeton University Press, 1961.Google Scholar
Barchiesi, Alessandro. “Insegnare Ad Augusto: Orazio, Epistole 2, 1 e Ovidio, Tristia II.” Materiali e Discussioni per l’analisi Dei Testi Classici 31 (1993): 149–84.Google Scholar
Barchiesi, Alessandro The Poet and the Prince: Ovid and Augustan Discourse. Berkeley: University of California Press, 1997.Google Scholar
Barkan, Leonard. “Diana and Actaeon: The Myth as Synthesis.” ELR 10, no. 3 (1980): 317–59.Google Scholar
Barkan, Leonard The Gods Made Flesh: Metamorphosis and the Pursuit of Paganism. New Haven, CT: Yale University Press, 1986.Google Scholar
Barkan, Leonard Unearthing the Past: Archeology and Aesthetics in the Making of Renaissance Culture. New Haven, CT: Yale University Press, 1999.Google Scholar
Barret, J. K. Untold Futures: Time and Literary Culture in Renaissance England. Ithaca, NY: Cornell University Press, 2016.Google Scholar
Bartels, Emily C. Spectacles of Strangeness: Imperialism, Alienation, and Marlowe. Philadelphia: University of Pennsylvania Press, 1993.Google Scholar
Barthes, Roland. “Tacitus and the Funerary Baroque.” In A Barthes Reader, edited by Sontag, Susan, pp. 162–8. New York: Hill and Wang, 1982.Google Scholar
Barton, Ann. Ben Jonson, Dramatist. Cambridge: Cambridge University Press, 1984.Google Scholar
Barton, Carlin A. The Sorrows of the Ancient Romans. Princeton, NJ: Princeton University Press, 1993.Google Scholar
Bate, Jonathan. The Genius of Shakespeare. Basingstoke: Picador, 1998.Google Scholar
Bate, Jonathan Shakespeare and Ovid. Oxford: Oxford University Press, 1993.Google Scholar
Bates, Catherine. Masculinity, Gender, and Identity in the English Renaissance Lyric. Cambridge: Cambridge University Press, 2007.Google Scholar
Baumlin, James S.Generic Contexts of Elizabeth Satire.” In Renaissance Genres: Essays on Theory, History, and Interpretation, edited by Lewalski, Barbara Kiefer, pp. 449–56. Cambridge, MA: Harvard University Press, 1986.Google Scholar
Beale, Peter. “Notions in Garrison: The Seventeenth-Century Commonplace Book.” In New Ways of Looking at Old Texts: Papers of the Renaissance English Text Society, 1985–1991, edited by Hill, W. Speed, pp. 131–47. Binghamton, NY: Medieval and Renaissance Texts and Studies, 1993.Google Scholar
Beard, Mary, and Crawford, Michael. Rome in the Late Republic. Ithaca, NY: Cornell University Press, 1985.Google Scholar
Beaurline, Lester. Jonson and Elizabethan Comedy. San Marino, CA: Huntington Library, 1978.Google Scholar
Bednarz, James P. Shakespeare and the Poets’ War. New York: Columbia University Press, 2001.Google Scholar
Bellany, Alistair. “Libel.” In The Oxford History of Popular Print Culture, edited by Raymond, Joad, pp. 6981. Oxford: Oxford University Press, 2011.Google Scholar
Bellany, AlistairRayling Rymes and Vaunting Verse.” In Culture and Politics in Early Stuart England, edited by Sharpe, Kevin and Lake, Peter, pp. 285310. Stanford: Stanford University Press, 1993.Google Scholar
Belsey, Catherine. “The Name of the Rose in Romeo and Juliet.” Yearbook of English Studies 23 (1993): 126–41.Google Scholar
Benveniste, Emile. Problems in General Linguistics. Translated by Mary Elizabeth Meek. Miami, FL: University of Miami Press, 1971.Google Scholar
Berger, Harry Jr. Caterpillage: Reflections on Seventeenth Century Dutch Still Life Painting. New York: Fordham University Press, 2011.Google Scholar
Berger, Harry Resisting Allegory: Interpretive Delirium in Spenser’s Faerie Queene9. Edited by Miller, David Lee. New York: Fordham University Press, 2020.Google Scholar
Bevington, David. Tudor Drama and Politics: A Critical Approach to Topical Meaning. Cambridge, MA: Harvard University Press, 1968.Google Scholar
Bloom, Harold. The Anxiety of Influence: A Theory of Poetry. Oxford: Oxford University Press, 1973.Google Scholar
Boehrer, B. T.Milton, Homer, and Hyacinthus: Classical Iconography and Literary Allusion in Paradise Lost 4.300–303.” International Journal of the Classical Tradition 13 (2006): 197216.Google Scholar
Bowditch, Phebe Lowell. “Hermeneutic Uncertainty and the Feminine in Ovid’s Ars Amatoria: The Procris and Cephalus Digression.” In Gendered Dynamics in Latin Love Poetry, edited by Ancona, Ronnie and Green, Ellen, pp. 271–95. Baltimore, MD: Johns Hopkins University Press, 2005.Google Scholar
Brink, J. R. The Early Spenser, 1554–80: ‘Minde on Honour Fixed’. Manchester: Manchester University Press, 2019.Google Scholar
Brinkley, Robert A.Spenser’s Muiopotmos and the Politics of Metamorphosis.” ELH 48 (1981): 668–76.Google Scholar
Brown, Carolyn E.Juliet’s Taming of Romeo.” SEL 36 (1996): 333–55.Google Scholar
Brown, Eric C.The Allegory of Small Things: Insect Eschatology in Spenser’s Muiopotmos.” Studies in Philology 99 (2002): 247–67.Google Scholar
Brown, Georgia E. Redefining Elizabethan Literature. Cambridge: Cambridge University Press, 2005.Google Scholar
Brown, Georgia ETampering with the Records: Engendering the Political Community and Marlowe’s Appropriation of the Past in Edward II.” In Marlowe’s Empery: Expanding His Critical Contexts, edited by Deats, Sara Munson and Logan, Robert A., pp. 164–87. Newark, DE: University of Delaware Press, 2002.Google Scholar
Brown, Richard Danson. “The New Poet”: Novelty and Tradition in Spenser’s Complaints. Vol. 32. Liverpool: Liverpool University Press, 1999.Google Scholar
Bryant, J. A. The Compassionate Satirist: Ben Jonson and his Imperfect World. Chicago, IL: University of Chicago Press, 1972.Google Scholar
Burrow, Colin. Shakespeare and Classical Antiquity. Oxford: Oxford University Press, 2013.Google Scholar
Burrow, ColinShakespeare and Humanistic Culture.” In Shakespeare and the Classics, edited by Martindale, Charles and Taylor, A. B., pp. 927. Cambridge: Cambridge University Press, 2004.Google Scholar
Burt, Richard. Licensed by Authority: Ben Jonson and the Discourses of Censorship. Ithaca, NY: Cornell University Press, 1993.Google Scholar
Bush, Douglas. Mythology and the Renaissance Tradition in English Poetry. Minneapolis: University of Minnesota Press, 1932.Google Scholar
Bushnell, Rebecca W. A Culture of Teaching: Early Modern Humanism in Theory and Practice. Ithaca, NY: Cornell University Press, 1996.Google Scholar
Butler, Martin. “Ben Jonson and the Limits of Courtly Panegyric.” In Culture and Politics in Early Stuart England, edited by Sharpe, Kevin and Lake, Peter, pp. 93115. Stanford, CA: Stanford University Press, 1993.Google Scholar
Butler, Martin The Stuart Court Masque and Political Culture. Cambridge: Cambridge University Press, 2008.Google Scholar
Butler, Martin, ed. Re-presenting Ben Jonson: Text, History, Performance. London: Palgrave Macmillan, 1999.Google Scholar
Cain, Tom. “‘Satyres, That Girde and Fart at the Time’: Poetaster and the Essex Rebellion.” In Refashioning Ben Jonson, edited by Sanders, Julie, Chedgzoy, Kate, and Wiseman, Susan, pp. 4870. Basingstoke: Palgrave MacMillan, 1998.Google Scholar
Callaghan, Dympna. “The Ideology of Romantic Love: The Case of Romeo and Juliet.” In The Weyward Sisters: Shakespeare and Feminist Politics, edited by Callaghan, Dympna C., Helms, Lorraine, and Singh, Jyotsna, pp. 59101. Oxford: Oxford University Press, 1994.Google Scholar
Callaghan, Dympna, ed. Romeo and Juliet: Texts and Contexts. New York: Bedford/St. Martins, 2003.Google Scholar
Campana, Joseph. “Boy Toys and Liquid Joys: Pleasure and Power in the Bower of Bliss.” Modern Philology 106, no. 3 (2009): 465–96.Google Scholar
Cartelli, Thomas. Marlowe, Shakespeare, and the Economy of Theatrical Experience. Philadelphia: University of Pennsylvania, 1991.Google Scholar
Cave, Richard. “Poetaster.” In Jonsonians: Living Traditions, edited by Woolland, Brian, pp. 1326. Burlington, VT: Ashgate Publishing, 2003.Google Scholar
Chaghafi, Elisabeth. “Spenser and Book History.” In Spenser in the Moment, edited by Hecht, Paul J. and Lethbridge, J. B., pp. 67107. Madison, NJ: Fairleigh Dickinson University Press, 2015.Google Scholar
Chartier, Roger, and Stallybrass, Peter. “Reading and Authorship.” In A Concise Companion to Shakespeare and the Text, edited by Murphy, Andrew, pp. 3556. Oxford: Blackwell, 2007.Google Scholar
Cheney, Patrick. Marlowe’s Counterfeit Profession: Ovid, Spenser, and Counter-Nationhood. Toronto, ON: University of Toronto Press, 1997.Google Scholar
Cheney, Patrick Shakespeare, National Poet-Playwright. Cambridge: Cambridge University Press, 2004.Google Scholar
Cheney, Patrick Shakespeare’s Literary Authorship. Cambridge: Cambridge University Press, 2008.Google Scholar
Clare, Janet. Art Made Tongue-Tied by Authority: Elizabethan and Jacobean Dramatic Censorship. 2nd ed. Manchester: Manchester University Press, 1999.Google Scholar
Classen, Jo-Marie. Displaced Persons: Literature of Exile from Cicero to Statius. Madison: University of Wisconsin Press, 1999.Google Scholar
Classen, Jo-Marie Ovid Revisited: The Poet in Exile. Bristol: Bristol Classical Press, 2008.Google Scholar
Clegg, Cyndia S. Press Censorship in Elizabethan England. Cambridge: Cambridge University Press, 2004.Google Scholar
Cloud, Random. “The Marriage of Good and Bad Quartos.” Shakespeare Quarterly 33, no. 4 (1982): 421–31.Google Scholar
Cogswell, Thomas. The Blessed Revolution: English Politics and the Coming of War, 1621–24. Cambridge: Cambridge University Press, 1989.Google Scholar
Colclough, David. Freedom of Speech in Early Stuart England. Cambridge: Cambridge University Press, 2005.Google Scholar
Colclough, DavidParrhesia: The Rhetoric of Free Speech in Early Modern England.” Rhetorica 17 (1999): 177212.Google Scholar
Colie, Rosalie L. The Resources of Kind: Genre-Theory in the Renaissance. Edited by Barbara K. Lewalski. Berkeley: University of California Press, 1973.Google Scholar
Colie, Rosalie L. Shakespeare’s Living Art. Princeton, NJ: Princeton University Press, 1974.Google Scholar
Collinson, Patrick. “The Elizabethan Exclusion Crisis and the Elizabethan Polity.” Proceedings of the British Academy 84 (1994): 5192.Google Scholar
Cooper, Clyde Barnes. Some Elizabethan Opinions of the Poetry and Character of Ovid. Pennsylvania, PA: Folcroft Press, 1914.Google Scholar
Conte, Gian Biago. Latin Literature: A History. Edited by Fowler, Don and Most, Glenn W., translated by Joseph B. Solodow. Baltimore, MD: Johns Hopkins University Press, 1994.Google Scholar
Cormack, Bradin. A Power to Do Justice: Jurisdiction, English Literature, and the Rise of Common Law. Chicago, IL: University of Chicago Press, 2009.Google Scholar
Crane, Mary Thomas. Framing Authority: Sayings, Self, and Society in Sixteenth-Century England. Princeton, NJ: Princeton University Press, 1993.Google Scholar
Curtius, E. R. European Literature and the Latin Middle Ages. Translated by W. R. Trask. Princeton, NJ: Princeton University Press, 1953.Google Scholar
De Grazia, Margreta. “Sanctioning Voice.” In The Construction of Authorship, edited by Woodmansee, Martha and Jaszi, Peter, pp. 281302. Durham, NC: Duke University Press, 1994.Google Scholar
Derrida, Jacques. Of Grammatology. Translated by Gayatri Chakravorty Spivak. Baltimore, MD: Johns Hopkins University Press, 1976.Google Scholar
Dessen, Alan. Jonson’s Moral Comedy. Evanston, IL: Northwestern University Press, 1971.Google Scholar
Deutsch, Helen. Loving Dr. Johnson. Chicago, IL: University of Chicago Press, 1999.Google Scholar
DiGangi, Mario. The Homoerotics of Early Modern Drama. Cambridge: Cambridge University Press, 1997.Google Scholar
DiGangi, MarioMarlowe, Queer Studies, and Renaissance Homoeroticism.” In Marlowe, History, and Sexuality, edited by White, Paul Whitfield, pp. 195212. New York: AMS Press, 1998.Google Scholar
Dolan, Frances E. Dangerous Familiars: Representations of Domestic Crime in England. Ithaca, NY: Cornell University Press, 1994.Google Scholar
Dolven, Jeff. Scenes of Instruction in Renaissance Romance. Chicago, IL: University of Chicago Press, 2007.Google Scholar
Donaldson, Ian. “Looking Sideways: Jonson, Shakespeare, and the Myths of Envy.” Ben Jonson Journal 8 (2001): 122.Google Scholar
Donato, Eugenio. “Per Selve e Boscherecci Labirinti: Desire and Narrative Structure in Ariosto’s Orlando Furioso.” In Literary Theory/Renaissance Texts, edited by Parker, Patricia A. and Quint, David, pp. 3362. Baltimore, MD: Johns Hopkins University Press, 1986.Google Scholar
Douglas, Mary. Purity and Danger: An Analysis of Concepts of Pollution and Taboo. London: Routledge, 2002.Google Scholar
DuBois, Page. Centaurs and Amazons: Women and the Pre-History of the Great Chain of Being. Ann Arbor: University of Michigan Press, 1991.Google Scholar
Duncan-Jones, Katherine. “Review: Romeo and Juliet.” RES Studies 52, no. 207 (2001): 446–8.Google Scholar
Dundas, Judith. “Muiopotmos: A World of Art.” Yearbook of English Studies 5 (1975): 32–3.Google Scholar
Durling, Robert M.Ovid as Praeceptor Amoris.” Classical Journal 53 (1958): 157–67.Google Scholar
Durling, Robert M. The Figure of the Poet in Renaissance Epic. Cambridge, MA: Harvard University Press, 1965.Google Scholar
Durling, Robert M. Petrarch’s Lyric Poems: The Rime Sparse and Other Lyrics. Cambridge, MA: Harvard University Press, 1976.Google Scholar
DuRocher, Richard J. Milton and Ovid. Ithaca, NY: Cornell University Press, 1985.Google Scholar
Dutton, Richard. Ben Jonson: To the First Folio. Cambridge: Cambridge University Press, 1983.Google Scholar
Eccles, Mark. “Jonson and the Spies.” RES 13, no. 53 (1937): 385–97.Google Scholar
Enterline, Lynn. The Rhetoric of the Body from Ovid to Shakespeare. Cambridge: Cambridge University Press, 2000.Google Scholar
Enterline, Lynn Shakespeare’s Schoolroom: Rhetoric, Discipline, Emotion. Philadelphia: University of Pennsylvania Press, 2012.Google Scholar
Erne, Lukas. Shakespeare and the Book Trade. Cambridge: Cambridge University Press, 2013.Google Scholar
Erne, Lukas Shakespeare as Literary Dramatist. 2nd ed. Cambridge: Cambridge University Press, 2013.Google Scholar
Erskine-Hill, Howard. The Augustan Idea in English Literature. London: Edward Arnold, 1983.Google Scholar
Feeney, D. C. The Gods in Epic: Poets and the Critics of the Classical Tradition. Oxford: Oxford University Press, 1991.Google Scholar
Feeney, D. C. “‘Si licet et fas est’”: Ovid’s Fasti and the Problem of Free Speech under the Principate.” In Roman Poetry and Propaganda in the Age of Augustus, edited by Powell, Anton, pp. 125. Bristol: Bristol Classical Press, 1992.Google Scholar
Feldherr, Andrew. Playing Gods: Ovid’s Metamorphoses and the Politics of Fiction. Princeton, NJ: Princeton University Press, 2010.Google Scholar
Ferguson, Gary. Queer (Re)Readings in the French Renaissance: Homosexuality, Gender, Culture. Aldershot: Ashgate, 2008.Google Scholar
Festa, Thomas A. The End of Learning: Milton and Education. New York: Routledge, 2006.Google Scholar
Fish, Stanley. There’s No Such Thing As Free Speech And It’s A Good Thing, Too. Oxford: Oxford University Press, 1994.Google Scholar
Foucault, Michel. Fearless Speech. Edited by Pearson, Joseph. Cambridge, MA: Semiotext(e), 2001.Google Scholar
Foucault, Michel The Order of Things: An Archaeology of the Human Sciences. London: Routledge, 2004.Google Scholar
Fowler, Elizabeth. “The Failure of Moral Philosophy in the Work of Edmund Spenser.” Representations 51 (1995): 4776.Google Scholar
Fox, Adam. “Ballads, Libels and Popular Ridicule in Jacobean England.” Past & Present 145, no. 1 (1994): 4783.Google Scholar
Fox, Cora. Ovid and the Politics of Emotion in Elizabethan England. London: Palgrave Macmillan, 2009.Google Scholar
Freccero, John. “The Fig Tree and the Laurel: Petrarch’s Poetics.” Diacritics 5, no. 1 (1975): 3440.Google Scholar
Garber, Marjorie. “Closure and Enclosure in Marlowe.” In Two Renaissance Mythmakers: Christopher Marlowe and Ben Jonson, edited by Kernan, Alvin, pp. 321. Baltimore, MD: Johns Hopkins University Press, 1977.Google Scholar
Goldberg, Jonathan. Endlesse Worke: Spenser and the Structures of Discourse. Baltimore: Johns Hopkins University Press, 1981.Google Scholar
Goldberg, Jonathan “‘What? In a Names That Which We Call a Rose”: The Desired Texts of Romeo and Juliet.” In Crisis in Editing: Texts of the English Renaissance, edited by McLeod, Randall, pp. 173202. New York: AMS Press, 1994.Google Scholar
Grafton, Anthony. Commerce with the Classics: Ancient Books and Renaissance Readers. Ann Arbor: University of Michigan Press, 1997.Google Scholar
Grafton, Anthony Joseph Scaliger: A Study in the History of Classical Scholarship. 2 vols. Oxford: Clarendon Press, 1983.Google Scholar
Green, Mandy. Milton’s Ovidian Eve. Farnham: Ashgate, 2009.Google Scholar
Greenblatt, Stephen. “Marlowe and Renaissance Self-Fashioning.” In Two Renaissance Mythmakers: Christopher Marlowe and Ben Jonson, edited by Kernan, Alvin, pp. 4169. Baltimore, MD: Johns Hopkins University Press, 1977.Google Scholar
Greenblatt, Stephen Renaissance Self-Fashioning: From More to Shakespeare. Chicago, IL: University of Chicago Press, 1980.Google Scholar
Greenblatt, Stephen Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England. Chicago, IL: University of Chicago Press, 1988.Google Scholar
Greene, Thomas M. The Light in Troy: Imitation and Discovery in Renaissance Poetry. New Haven, CT: Yale University Press, 1986.Google Scholar
Greene, Thomas M. Poetry, Signs, and Magic. Newark, DE: University of Delaware Press, 2005.Google Scholar
Guillory, John. “Milton, Narcissism, Gender: On the Genealogy of Male Self-Esteem.” In Critical Essays on John Milton, edited by Kendrick, Christopher, pp. 165193. New York: G. K. Hall, 1995.Google Scholar
Guillory, John Poetic Authority: Spenser, Milton, and Literary History. New York: Columbia University Press, 1983.Google Scholar
Habinek, Thomas N. The Politics of Latin Literature: Writing, Identity, and Empire in Ancient Rome. Princeton, NJ: Princeton University Press, 1998.Google Scholar
Hadfield, Andrew. “The Death of the Knight with the Scales and the Question of Justice in The Faerie Queene.” Essays in Criticism 65, no. 1 (2015): 1229.Google Scholar
Hadfield, Andrew Edmund Spenser: A Life. Oxford: Oxford University Press, 2012.Google Scholar
Hadfield, Andrew Shakespeare and Republicanism. Cambridge: Cambridge University Press, 2005.Google Scholar
Hamilton, A. C., ed. The Spenser Encyclopedia. Toronto, ON: University of Toronto Press, 1990.Google Scholar
Hamlin, Hannibal. The Bible in Shakespeare. Oxford: Oxford University Press, 2013.Google Scholar
Hammer, Paul E. J.Shakespeare’s Richard II, the Play of 7 February 1601, and the Essex Rising.” Shakespeare Quarterly 59, no. 1 (2008): 135.Google Scholar
Hanning, Robert W. Serious Play: Desires and Authority in the Poetry of Ovid, Chaucer, and Ariosto. New York: Columbia University Press, 2010.)Google Scholar
Hardie, Philip, ed. The Cambridge Companion to Ovid. Cambridge: Cambridge University Press, 2006.Google Scholar
Hardie, Philip Ovid’s Poetics of Illusion. Cambridge: Cambridge University Press, 2002.Google Scholar
Hardie, Philip Paradox and the Marvellous in Augustan Literature and Culture. Oxford: Oxford University Press, 2009.Google Scholar
Hardie, Philip Rumor and Renown: Representations of Fama in Western Literature. Cambridge: Cambridge University Press, 2010.Google Scholar
Haydn, Hiram. The Counter-Renaissance. New York: Scribner, 1950.Google Scholar
Helgerson, Richard. Self-Crowned Laureates: Spenser, Jonson, and the Literary System. Berkeley: University of California Press, 1983.Google Scholar
Henderson, Diana E. Passion Made Public: Elizabethan Lyric, Gender, and Performance. Urbana: University of Illinois Press, 1995.Google Scholar
Hendricks, Margo. “‘Obscured by Dreams’: Race, Empire, and Shakespeare’s A Midsummer Night’s Dream.” Shakespeare Quarterly 47, no. 1 (1996): 3760.Google Scholar
Herron, Thomas. “Plucking the Perrot: Muiopotmos and Irish Politics.” In Edmund Spenser: New and Renewed Directions, edited by Lethbridge, J.B., pp. 80118. Teaneck, NJ: Fairleigh Dickinson University Press, 2005.Google Scholar
Hexter, Ralph. Ovid’s Medieval Schooling. Munich: Bei der Arbeo-Gesellschaft, 1986)Google Scholar
Higginbottom, Jennifer. The Girlhood of Shakespeare’s Sisters: Gender, Transgression, Adolescence. Edinburgh, Edinburgh University Press, 2013.Google Scholar
Hinds, Stephen. Allusion and Intertext: Dynamics of Appropriation in Roman Poetry. Cambridge: Cambridge University Press, 1999.Google Scholar
Hinds, StephenBooking the Return Trip: Ovid and Tristia 1.” In Oxford Readings in Ovid, edited by Knox, Peter E.. Oxford: Oxford University Press, 2006.Google Scholar
Hinds, Stephen The Metamorphosis of Persephone: Ovid and the Self-Conscious Muse. Cambridge: Cambridge University Press, 1987.Google Scholar
Hoffman, Nancy Jo. Spenser’s Pastorals: The Shepheardes Calender and Colin Clout. Baltimore, MD: Johns Hopkins University Press, 1977.Google Scholar
Howard, Jean E. The Stage and Social Struggle in Early Modern England. London: Routledge, 1994.Google Scholar
Howard, Jean E. The Theater of a City: The Places of London Comedy, 1598–1642. Philadelphia: University of Pennsylvania Press, 2007.Google Scholar
Hulse, Clark. Metamorphic Verse: The Elizabethan Minor Epic. Princeton, NJ: Princeton University Press, 1981.Google Scholar
Hunter, G. K.The Marking of Sententiae in Elizabethan Printed Plays, Poems, and Romances.” The Library 5th series, 6, nos. 3–4 (1951): 171188.Google Scholar
Hunter, G. K.Theatrical Politics and Shakespeare’s Comedies, 1590–1600.” In Elizabethan Theater: Essays in Honor of S. Schoenbaum, edited by Parker, R. B. and Zitner, S. P., pp. 241–51. Newark, DE: University of Delaware Press, 1996.Google Scholar
Hutson, Lorna. The Invention of Suspicion: Law and Mimesis in Shakespeare and Renaissance Drama. Oxford: Oxford University Press, 2007.Google Scholar
Hutson, LornaLiking Men: Ben Jonson’s Closet Opened.” ELH 71 (2004): 1065–96.Google Scholar
Hutson, Lorna The Usurer’s Daughter: Male Friendship and Fictions of Women in Sixteenth-Century England. London: Routledge, 1994.Google Scholar
Hyman, Wendy Beth. Impossible Desire and the Limits of Knowledge in Renaissance Poetry. Oxford: Oxford University Press, 2019.Google Scholar
Hyman, Wendy BethSeizing Flowers in Spenser’s Bower and Garden.” SEL 45, no. 1 (2005): 2341.Google Scholar
Jackson, MacDonald P.Francis Meres and the Cultural Contexts of Shakespeare’s Rival Poet Sonnets.” Review of English Studies 56, no. 224 (2005): 224–46.Google Scholar
James, Heather. “Ben Jonson’s Light Reading.” In A Handbook to the Reception of Ovid, edited by Miller, John and Newlands, Carole E., pp. 246–61. Hoboken, NJ: Wiley-Blackwell, 2014.Google Scholar
James, HeatherOvid and the Question of Politics.” ELH 70 (2003): 242–73.Google Scholar
James, HeatherThe Problem of Poetry in The Faerie Queene, Book V.” Spenser Review 45, no. 1 (2015).Google Scholar
James, HeatherShakespeare’s Learned Heroines in Ovid’s Schoolroom.” In Shakespeare and the Classics, edited by Martindale, Charles and Taylor, A. B., pp. 6688. Cambridge: Cambridge University Press, 2004.Google Scholar
James, HeatherTime, Verisimilitude, and the Counter-Classical Ovid.” In Shakespeare In Our Time: A Shakespeare Association of America Collection, edited by Callaghan, Dympna and Gossett, Suzanne, pp. 272–76. London: Bloomsbury Arden Shakespeare, 2016.Google Scholar
James, Sharon L. Learned Girls and Male Persuasion: Gender and Reading in Roman Love Elegy. Berkeley: University of California Press, 2003.Google Scholar
Jardine, Lisa, and Grafton, Anthony. “Studied for Action: How Gabriel Harvey Read His Livy.” Past and Present 129 (1990): 3078.Google Scholar
Johnson, W. R. Darkness Visible: A Study of Vergil’s Aeneid. Berkeley: University of California Press, 1976.Google Scholar
Johnson, W. R.The Problem of the Counter-Classical Sensibility.” Classical Antiquity 3 (1970): 123–51.Google Scholar
Jones, William R. Satire in the Elizabethan Era: An Activist Art. New York: Routledge, 2018.Google Scholar
Junker, William. “Spenser’s Unarmed Cupid.” ELH 79, no. 1 (2012): 5983.Google Scholar
Kahn, Coppélia. Roman Shakespeare: Warriors, Wounds, and Women. London: Routledge, 1997.Google Scholar
Kallendorf, Craig. The Other Virgil: “Pessimistic” Readings of the Aeneid in Early Modern Culture. Oxford: Oxford University Press, 2007.Google Scholar
Kaplan, Lindsay. The Culture of Slander in Early Modern England. Cambridge: Cambridge University Press, 1997.Google Scholar
Keach, William. Elizabethan Erotic Narratives: Irony and Pathos in the Ovidian Poetry of Shakespeare, Marlowe and Their Contemporaries. New Brunswick, NJ: Rutgers University Press, 1977.Google Scholar
Kennedy, George A. The Art of Rhetoric in the Roman World, 300 B.C.–A.D. 300. Princeton, NJ: Princeton University Press, 1972.Google Scholar
Kenney, E. J.The Poetry of Ovid’s Exile.” Cambridge Classical Journal 11 (1965): 3749.Google Scholar
Kerrigan, William. “Ben Jonson Full of Shame and Scorn.” Ben Jonson: Studies in the Literary Imagination 6 (1973): 199218.Google Scholar
Kilgour, Maggie. Milton and the Metamorphosis of Ovid. Oxford: Oxford University Press, 2012.Google Scholar
Kingsley-Smith, Jane. Cupid in Early Modern Literature and Culture. Cambridge: Cambridge University Press, 2010.Google Scholar
Kiséry, András. “An Author and a Bookshop: Publishing Marlowe’s Remains at the Black Bear.” Philological Quarterly 91, no. 3 (2012): 361–92.Google Scholar
Klindienst, Patricia. “The Voice of the Shuttle Is Ours.” Stanford Literature Review 1 (1984): 2553.Google Scholar
Knox, Peter E., ed. A Companion to Ovid. Blackwell Companions to the Ancient World. John Wiley & Sons: Chichester, 2009.Google Scholar
Knox, Peter E. Ovid’s Metamorphoses and the Traditions of Augustan Poetry. Cambridge: Cambridge Philological Society, 1996.Google Scholar
Koslow, Julian. “Humanist Schooling and Ben Jonson’s Poetaster.” ELH 73 (2006): 119–59.Google Scholar
Lake, Peter. Bad Queen Bess? Libels, Secret Histories and the Politics of Publicity in the Reign of Queen Elizabeth I. Oxford: Oxford University Press, 2015.Google Scholar
Lake, PeterFrom Leicester His Commonwealth to Sejanus His Fall: Ben Jonson and the Politics of Roman (Catholic) Virtue.” In Catholics and the ‘Protestant Nation’: Religious Politics and Identity in Early Modern England, edited by Shagan, Ethan H., pp. 128–6. Manchester: Manchester University Press, 2005.Google Scholar
Lanham, Richard. The Motives of Eloquence: Literary Rhetoric in the Renaissance. New Haven, CT: Yale University Press, 1976.Google Scholar
Laroque, François. Shakespeare’s Festive World: Elizabethan Seasonal Entertainment and the Professional Stage. Cambridge: Cambridge University Press, 1991.Google Scholar
Leggat, Alexander. Ben Jonson: His Vision and His Art. London: Methuen. 1981.Google Scholar
Leggat, Alexander Shakespeare’s Tragedies: Violation and Identity. Cambridge: Cambridge University Press, 2005.Google Scholar
Lemon, Rebecca. Addiction and Devotion in Early Modern England. Philadelphia: University of Pennsylvania Press, 2018.Google Scholar
Lesser, Zachary. Hamlet After Q1: An Uncanny History of the Shakespearean Text. Philadelphia: University of Pennsylvania Press, 2016.Google Scholar
Loewenstein, Joseph. Ben Jonson and Possessive Authorship. Cambridge: Cambridge University Press, 2002.Google Scholar
Loewenstein, JosephMarston’s Gorge and the Question of Formalism.” In Renaissance Literature and Its Formal Engagements, edited by Rasmussen, Mark David, pp. 89114. New York: Palgrave, 2002.Google Scholar
Loewenstein, JosephPersonal Material: Jonson and Book-Burning.” In Re-Presenting Ben Jonson: Text, History, Performance, edited by Butler, Martin, pp. 93113. New York: St. Martin’s Press, 1999.Google Scholar
Luxon, Thomas H.Queering as Critical Practice in Reading Paradise Lost.” In Queer Milton, edited by Orvis, David L., pp. 4563. Cham, Switzerland: Palgrave Macmillan, 2018.Google Scholar
Lyne, Raphael. “Love and Exile After Ovid.” In The Cambridge Companion to Ovid, edited by Hardie, Philip, pp. 288300. Cambridge: Cambridge University Press, 2006.Google Scholar
Lyne, Raphael Ovid’s Changing Worlds: English Metamorphoses, 1567–1632. Oxford: Oxford University Press, 2001.Google Scholar
Maguire, Laurie E. Shakespearean Suspect Texts: The “Bad” Quartos and Their Contexts. Cambridge: Cambridge University Press, 1996.Google Scholar
Mann, Jenny C.Marlowe’s ‘Slack Muse’: All Ovids Elegies and an English Poetics of Softness.” Philological Quarterly 113, no. 1 (2015): 4965.Google Scholar
Mann, Jenny C. Outlaw Rhetoric: Figuring Vernacular Eloquence in Shakespeare’s England. Ithaca, NY: Cornell University Press, 2012.Google Scholar
Marcus, Leah. Unediting the Renaissance: Shakespeare, Marlowe, Milton. London: Routledge, 1996.Google Scholar
Marotti, Arthur F. John Donne, Coterie Poet. Madison: University of Wisconsin Press, 1986.Google Scholar
Martindale, Charles. “Paradise Metamorphosed: Ovid in Milton.” Comparative Literature 37, no. 4 (1985): 301–33.Google Scholar
Masten, Jeffrey. ‘Bound for Germany: Heresy, Sodomy, and a New Copy of Marlowe’s Edward II.’ Times Literary Supplement, December 21, 2012.Google Scholar
Masten, Jeffrey Queer Philology: Sex, Language, and Affect in Shakespeare’s Time. Philadelphia: University of Pennsylvania Press, 2016.Google Scholar
Masten, Jeffrey Textual Intercourse: Collaboration, Authorship, and Sexualities in Renaissance Drama. Cambridge: Cambridge University Press, 1997.Google Scholar
Maus, Katharine Eisaman. Ben Jonson and the Roman Frame of Mind. Princeton, NJ: Princeton University Press, 1984.Google Scholar
Mazzio, Carla. The Inarticulate Renaissance: Language Trouble in an Age of Eloquence. Philadelphia: University of Pennsylvania Press, 2009.Google Scholar
McCabe, Richard A.Edmund Spenser, Poet of Exile.” Proceedings of the British Academy 80 (1993): 73103.Google Scholar
McCabe, Richard A. Incest, Drama and Nature’s Law 1550–1700. Cambridge: Cambridge University Press, 1993.Google Scholar
McCabe, Richard A. Spenser’s Monstrous Regiment: Elizabethan Ireland and the Poetics of Difference. Oxford: Oxford University Press, 2002.Google Scholar
McCown, Gary. “‘Runnawayes Eyes’ and Juliet’s Epithalamium.” Shakespeare Quarterly 27 (1976): 150–70.Google Scholar
McCoy, Richard C. The Rites of Knighthood: The Literature and Politics of Elizabethan Chivalry. Berkeley: University of California Press, 1989.Google Scholar
McEachern, Claire. “Fathering Herself: A Source Study of Shakespeare’s Feminism.” Shakespeare Quarterly 39, no. 3 (1988): 269–90.Google Scholar
McGowan, Matthew M. Ovid in Exile: Power and Poetic Redress in the Tristia and Epistulae Ex Ponto. Leiden: Brill, 2009.Google Scholar
Meakin, H. L. The Painted Closet of Lady Anne Bacon Drury. London: Routledge, 2013.Google Scholar
Meskill, Lynn. Ben Jonson and Envy. Cambridge: Cambridge University Press, 2009.Google Scholar
Michels, Agnes Kirsopp. “Parrhesia and the Satire of Horace.” Classical Philology 39 (1944): 173–7.Google Scholar
Miller, David Lee.Temperance, Interpretation, and ‘the bodie of this death.” ELR 46, no. 3 (2016): 370400.Google Scholar
Miller, Paul Allen, ed. Latin Erotic Elegy: An Anthology and Reader. London: Routledge, 2002.Google Scholar
Momigliano, A.Freedom of Speech in Antiquity.” In Dictionary of the History of Ideas, edited by Weiner, P. P., vol. 2, pp. 252–63. New York: Scribner, 1973.Google Scholar
Momigliano, A.La Libertà Di Parola Nel Mondo Antico.” Rivisita Storica Italiana 83 (1971): 499524.Google Scholar
Montrose, Louis. “Eliza, Queene of Shepherds, and the Pastoral of Power.” ELR 10, no. 2 (1980): 153–82.Google Scholar
Montrose, Louis The Purposes of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre. Chicago, IL: University of Chicago Press, 1996.Google Scholar
Montrose, LouisShaping Fantasies: Figurations of Gender and Power in Elizabethan Culture.” Representations 2 (1983): 6194.Google Scholar
Moore, J. W. Jr. “Colin Breaks His Pipe: A Reading of the ‘January’ Eclogue.” ELR 5, no. 1 (1975): 324.Google Scholar
Moss, Ann. Ovid in Renaissance France: A Survey of the Latin Editions of Ovid and Commentaries Printed in France before 1600. London: Warburg Institute, 1982.Google Scholar
Moss, Daniel. The Ovidian Vogue: Literary Fashion and Imitative Posture in Late Elizabethan Poetry. Toronto, ON: University of Toronto Press, 2014.Google Scholar
Moul, Victoria. Jonson, Horace and the Classical Tradition. Cambridge: Cambridge University Press, 2010.Google Scholar
Moulton, Ian. “‘Printed Abroad and Uncastrated’: Marlowe’s Elegies with Davies’ Epigrams.” In Marlowe, History, and Sexuality: New Critical Essays on Christopher Marlowe, edited by White, Paul, pp. 7790. New York: AMS Press, 1998.Google Scholar
Nash, Ralph. “The Parting Scene in Jonson’s Poetaster.” Philological Quarterly 31 (1952): 5462.Google Scholar
Norbrook, David. Writing the English Republic: Poetry, Rhetoric, and Politics, 1627–1660. Cambridge: Cambridge University Press, 1999.Google Scholar
Nyquist, Mary. Arbitrary Rule: Slavery, Tyranny, and the Power of Life and Death. Chicago, IL: University of Chicago Press, 2013.Google Scholar
Nyquist, MaryGynesis, Genesis, Exegesis: The Formation of Milton’s Eve.” In Witches, Cannibals, Divorce, edited by Garber, Marjorie, pp. 147208. Baltimore, MD: Johns Hopkins University Press, 1986.Google Scholar
O’Callaghan, Michelle. “Taking Liberties: George Wither’s A Satyre, Libel and the Law.” In Literature, Politics and Law in Renaissance England, edited by Sheen, Erica and Hutson, Lorna, pp. 146–69. Houndsmills: Palgrave MacMillan, 2005.Google Scholar
Orgel, Stephen. The Authentic Shakespeare, and Other Problems of the Early Modern Stage. London: Routledge, 2013.Google Scholar
Orgel, Stephen Impersonations: The Performance of Gender in Shakespeare’s England. Cambridge: Cambridge University Press, 1996.Google Scholar
Orgel, StephenTobacco and Boys: How Queer Was Marlowe?GLQ 6, no. 4 (2000): 555–76.Google Scholar
Parker, Patricia. Literary Fat Ladies: Rhetoric, Gender, Property. London: Methuen, 1987.Google Scholar
Parker, Patricia Shakespeare from the Margins: Language, Culture, Context. Chicago, IL: University of Chicago Press, 1996.Google Scholar
Parry, Adam. “The Two Voices of Virgil’s Aeneid.” Arion 2, no. 4 (1963): 6680.Google Scholar
Paster, Gail Kern. The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England. Ithaca, NY: Cornell University Press, 1993.Google Scholar
Patterson, Annabel. Censorship and Interpretation: The Conditions of Writing and Reading in Early Modern England. Madison: University of Wisconsin Press, 1984.Google Scholar
Patterson, Annabel Shakespeare and the Popular Voice. Oxford: Basil Blackwell, 1989.Google Scholar
Pearcy, Lee T.Marlowe, Dominicus Niger, and Ovid’s Amores.” Notes and Queries 27, no. 4 (1980): 315–18.Google Scholar
Peltonen, Markku. “Citizenship and Republicanism in Elizabethan England.” In Republicanism: A Shared European Heritage, edited by Gelderen, Martin Van and Skinner, Quentin, 1: Republicanism and Constitutionalism in Early Modern Europe, pp. 85106. Cambridge: Cambridge University Press, 2005.Google Scholar
Pemberton, Caroline, ed. Queen Elizabeth’s Englishings. Vol. 113. Early English Text Society. London: Kegan Paul, Trench, Trübner & Co., 1899.Google Scholar
Peterson, Richard. Imitation and Praise in the Poems of Ben Jonson. New Haven, CT: Yale University Press, 1981.Google Scholar
Pierce, Robert B.Ben Jonson’s Horace and Horace’s Ben Jonson.” Studies in Philology 78, no. 1 (1981): 2031.Google Scholar
Platz, Norbert. “Jonson’s “Ars Poetica”: An Interpretation of Poetaster in Its Historical Context.” Salzburg Studies in English Literature 12 (1973): 142.Google Scholar
Pollard, Alfred W. Shakespeare Folios and Quartos: A Study in the Bibliography of Shakespeare’s Plays 1904–1685. London: Methuen, 1909.Google Scholar
Pollard, Tanya. Greek Tragic Women on Shakespearean Stages. Oxford: Oxford University Press, 2017.Google Scholar
Poole, Kristen. “The Devil’s in the Archive: Doctor Faustus and Ovidian Physics.” Renaissance Drama 35 (2006): 191219.Google Scholar
Poole, KristenDr. Faustus and Reformation Theology.” In Early Modern English Drama: A Critical Companion, edited by Sullivan, Garrett A. Jr., Cheney, Patrick, and Hadfield, Andrew, pp. 96107. Oxford: Oxford University Press, 2006.Google Scholar
Pugh, Syrithe. Spenser and Ovid. London: Routledge, 2018.Google Scholar
Quint, David. Epic and Empire: Politics and Generic Form from Virgil to Milton. Princeton, NJ: Princeton University Press, 1993.Google Scholar
Rackin, Phyllis. “Androgyny, Mimesis, and the Marriage of the Boy Heroine on the English Renaissance Stage.” PMLA 102, no. 1 (1987): 2941.Google Scholar
Ramachandran, Ayesha. “Clarion in the Bower of Bliss: Poetry and Politics in Spenser’s Muiopotmos.” Spenser Studies 20 (2005): 77106.Google Scholar
Raval, Shilpa. “A Lover’s Discourse: Byblis in Metamorphoses 9.” Arethusa 34, no. 3 (2001): 285311.Google Scholar
Richlin, Amy. The Garden of Priapus: Sexuality and Aggression in Roman Humor. Oxford: Oxford University Press, 1983.Google Scholar
Richlin, AmyReading Ovid’s Rapes.” In Pornography and Representation in Greece and Rome, edited by Richlin, Amy, pp. 158–79. Oxford: Oxford University Press, 1992.Google Scholar
Riggs, David. “Marlowe’s Quarrel with God.” In Marlowe, History, and Sexuality: New Critical Essays on Christopher Marlowe, edited by White, Paul Whitfield, pp. 1538. New York: AMS Press, 1998.Google Scholar
Roach, Joseph. “Joseph Roach Talks to Ned Sublette.” February 1, 2005. www.afropop.org/10424/joseph-roach-talks-to-ned-sublette/.Google Scholar
Robinson, G. W. “Joseph Scaliger’s Estimates of Greek and Latin Authors.” Harvard Studies in Classical Philology (1918): 133–76.Google Scholar
Rosenfeld, Colleen Ruth. Indecorous Thinking: Figures of Speech in Early Modern Poetry. New York: Fordham University Press, 2018.Google Scholar
Rudat, Wolfgang E. H.Ovid’s Art of Love and Augustinian Theology in Paradise Lost.” Milton Quarterly 51 (1987): 62–5.Google Scholar
Salingar, Leo. Shakespeare and the Traditions of Comedy. Cambridge: Cambridge University Press, 1974.Google Scholar
Sanchez, Melissa. “‘Use Me But as Your Spaniel’: Feminism, Queer Theory, and Early Modern Sexualities.” PMLA 127, no. 3 (2012): 493511.Google Scholar
Sanders, Julie. Jonson’s Theatrical Republics. London: Palgrave Macmillan, 1998.Google Scholar
Scullard, H. H. From the Gracchi to Nero: A History of Rome from 133 B.C. to A.D. 68. 5th ed. London: Methuen, 1982.Google Scholar
Seznec, Jean. The Survival of the Pagan Gods: The Mythological Tradition and Its Place in Renaissance Humanism and Art. New York: Harper & Row, 1953.Google Scholar
Shannon, Laurie. “Nature’s Bias: Renaissance Homonormativity and Elizabethan Comic Likeness.” Modern Philology 98, no. 2 (2000): 183210.Google Scholar
Shannon, Laurie Sovereign Amity: Figures of Friendship in Shakespearean Contexts. Chicago, IL: University of Chicago Press, 2002.Google Scholar
Shapiro, James. 1599: A Year in the Life of William Shakespeare. London: Faber & Faber, 2005.Google Scholar
Shapiro, James Rival Playwrights: Marlowe, Jonson, Shakespeare. New York: Columbia University Press, 1991.Google Scholar
Sharpe, Kevin. Reading Revolutions: The Politics of Reading in Early Modern England. New Haven, CT: Yale University Press, 2000.Google Scholar
Sharrock, Alison. “Ovid’s Metamorphoses: the Naughty Boy of Graeco-Roman Epic Tradition.” In Structures of Epic Poetry, edited by Reitz, Christiane and Finkmann, Simone, pp. 275316. Berlin: Walter de Gruyter, 2019.Google Scholar
Sharrock, Alison Seduction and Repetition in Ovid’s Ars Amatoria 2. Oxford: Clarendon Press, 1994.Google Scholar
Shuger, Debora Kuller. Censorship and Cultural Sensibility: The Regulation of Language in Tudor-Stuart England. Philadelphia: University of Pennsylvania Press, 2006.Google Scholar
Shuger, Debora Kuller Habits of Thought: Religion, Politics, and the Dominant Culture. Berkeley: University of California Press, 1990.Google Scholar
Sinfield, Alan. Faultlines: Cultural Materialism and the Politics of Dissident Reading. Berkeley: University of California Press, 1992.Google Scholar
Sinfield, AlanPoetaster, the Author, and the Perils of Cultural Materialism.” Renaissance Drama 27 (1996): 218.Google Scholar
Skinner, Quentin. Forensic Shakespeare. Oxford: Oxford University Press, 2014.Google Scholar
Smith, Bruce R. Homosexual Desire in Shakespeare’s England: A Cultural Poetics. Chicago, IL: University of Chicago Press, 1991.Google Scholar
Smith, Bruce R. The Key of Green: Passion and Perception in Renaissance Culture. Chicago, IL: University of Chicago Press, 2009.Google Scholar
Smuts, R. Malcolm. Culture and Power in England, 1585–1685. New York: St. Martin’s Press, 1999.Google Scholar
Solodow, Joseph B. The World of Ovid’s Metamorphoses. Chapel Hill: University of North Carolina Press, 1988.Google Scholar
Snow, Edward A.Marlowe’s Doctor Faustus and the Ends of Desire.” In Two Renaissance Mythmakers: Christopher Marlowe and Ben Jonson, edited by Kernan, Alvin, pp. 70110. Baltimore, MD: Johns Hopkins University Press, 1977.Google Scholar
Stahl, Hans-Peter. Propertius: “Love” and “War”: Individual and State Under Augustus. Berkeley: University of California Press, 1985.Google Scholar
Stapleton, M. L. Harmful Eloquence: Ovid’s Amores from Antiquity to Shakespeare. Ann Arbor: University of Michigan Press, 1996.Google Scholar
Stapleton, M. L. Marlowe’s Ovid: The Elegies in the Marlowe Canon. Farnham: Ashgate, 2014.Google Scholar
Stapleton, M. L. Spenser’s Ovidian Poetics. Newark, DE: University of Delaware Press, 2009.Google Scholar
Starks, Lisa. “Transforming Ovid: Violence, Vulnerability, and the Blazon in Shakespeare’s Titus Andronicus.” In Staging the Blazon in Early Modern English Theatre, edited by Morrison, Sara and Uman, Deborah, pp. 5366. Farnham: Ashgate, 2013.Google Scholar
Steggle, Matthew. Wars of the Theatres: The Poetics of Personation in the Age of Jonson. Victoria, BC: English Literary Studies, 1998.Google Scholar
Stevenson, Jane, ed. Women Latin Poets; Language, Gender, and Authority, from Antiquity to the Eighteenth Century. Oxford: Oxford University Press, 2005.Google Scholar
Stevenson, Jane, and Davidson, Peter, eds. Early Modern Women Poets: An Anthology. Oxford: Oxford University Press, 2001.Google Scholar
Stroup, Thomas B.Bottom’s Name and His Epiphany.” Shakespeare Quarterly 30, no. 3 (1978): 7982.Google Scholar
Summers, Claude P.Sex, Politics, and Self-Realization in Edward II.” In Marlowe: A Poet and a Filthy Playmaker, edited by Friedenreich, Kenneth, Gill, Roma, and Kuriyama, Constance B., pp. 221–40. New York: AMS Press, 1998.Google Scholar
Syme, Ronald. History in Ovid. Oxford: Oxford University Press, 1978.Google Scholar
Talbert, Ernest William. “The Purpose and Technique of Jonson’s Poetaster.” Studies in Philology 42 (1945): 225–52.Google Scholar
Targoff, Ramie. “Mortal Love: Shakespeare’s Romeo and Juliet and the Practice of Joint Burial.” Representations 120 (2012): 1738.Google Scholar
Taylor, A. B.Ovid’s Myths and the Unsmooth Course of Love in A Midsummer Night’s Dream.” In Shakespeare and the Classics, edited by Martindale, Charles and Taylor, A. B., pp. 4965. Cambridge: Cambridge University Press, 2004.Google Scholar
Taylor, Gary, and Warren, Michael. The Division of the Kingdoms: Shakespeare’s Two Versions of King Lear. Oxford: Oxford University Press, 1983.Google Scholar
Teskey, Gordon. Allegory and Violence. Ithaca, NY: Cornell University Press, 1996.Google Scholar
Traub, Valerie. “The (In) Significance of ‘Lesbian’ Desire in Early Modern England.” In Queering the Renaissance, edited by Goldberg, Jonathan, pp. 6283. Durham: University of North Carolina Press, 1994.Google Scholar
Traub, Valerie The Renaissance of Lesbianism in Early Modern England. Cambridge: Cambridge University Press, 2002.Google Scholar
Traub, Valerie Thinking Sex with the Early Moderns. Philadelphia: University of Pennsylvania Press, 2015.Google Scholar
Tromly, Fred B. Playing with Desire: Christopher Marlowe and the Art of Tantalization. Toronto: University of Toronto Press, 1998.Google Scholar
Tudeau-Clayton, Margaret. Jonson, Shakespeare, and Early Modern Virgil. Cambridge: Cambridge University Press, 1998.Google Scholar
Turner, James Grantham. One Flesh: Paradisal Marriage and Sexual Relations in the Age of Milton. Oxford: Clarendon Press, 1987.Google Scholar
Tymoczko, Alison. “The Politics of Eros: Writing Under the Auspices of Ovid’s Cupid in Early Modern English Literature.” University of Southern California, 2010.Google Scholar
Urkowitz, Steven. “Two Versions of Romeo and Juliet 2.6 and Merry Wives of Windsor 5. 5.215–45: An Invitation to the Pleasure of Textual/Sexual Di(per)versity.” In Elizabethan Theater: Essays in Honor of S. Schoenbaum, edited by Parker, R. B. and Zitner, S. P., pp. 222–38. Newark, DE: University of Delaware Press, 1996.Google Scholar
Verducci, Florence. Ovid’s Toyshop of the Heart: Epistulae Heroidum. Princeton, NJ: Princeton University Press, 1985.Google Scholar
Waith, Eugene. “The Poet’s Morals in Jonson’s Poetaster.” Modern Language Quarterly 12 (1951): 1319.Google Scholar
Walker, Andrew D.Ovid and Exile.” Ramus 26, no. 2 (1997): 194204.Google Scholar
Wall, Wendy. “De-Generation: Editions, Offspring, and Romeo and Juliet.” In From Performance to Print in Shakespeare’s England, edited by Holland, Peter and Orgel, Stephen, pp. 152–70. Houndsmills: Palgrave Macmillan, 2006.Google Scholar
Wallace, Andrew. Virgil’s Schoolboys: The Poetics of Pedagogy in Renaissance England. Oxford: Oxford University Press, 2010.Google Scholar
Warburg, Aby. The Renewal of Pagan Antiquity: Contributions to the Cultural History of the European Renaissance. Introduction by Kurt W. Forster, translation by David Britt. Los Angeles: Getty Research Institute, 1999.Google Scholar
Weiner, Andrew D.Spenser’s Muiopotmos and the Fates of Butterflies and Men.” Journal of English and Germanic Philology 84 (1985): 203–20.Google Scholar
Werstine, Paul. Early Modern Playhouse Manuscripts and the Editing of Shakespeare. Cambridge: Cambridge University Press, 2012.Google Scholar
Whittington, Leah. Renaissance Suppliants: Poetry, Antiquity, Reconciliation. Oxford: Oxford University Press, 2016.Google Scholar
Whittington, LeahWallowing and Getting Lost: Reading Spenser with Heather James.” Spenser Review 44, no. 3 (2015.Google Scholar
Williams, Deanne. Shakespeare and the Performance of Girlhood. London: Palgrave Macmillan, 2014.Google Scholar
Williams, Gareth D. Banished Voices: Reading Ovid’s Exile Poetry. Cambridge: Cambridge University Press, 1994.Google Scholar
Wittreich, Joseph. Feminist Milton. Ithaca, NY: Cornell University Press, 1988.Google Scholar
Zeitlin, Froma. Playing the Other: Gender and Society in Classical Greek Literature. Chicago, IL: University of Chicago Press, 1996.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Heather James, University of Southern California
  • Book: Ovid and the Liberty of Speech in Shakespeare's England
  • Online publication: 18 June 2021
  • Chapter DOI: https://doi.org/10.1017/9781108767484.008
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Heather James, University of Southern California
  • Book: Ovid and the Liberty of Speech in Shakespeare's England
  • Online publication: 18 June 2021
  • Chapter DOI: https://doi.org/10.1017/9781108767484.008
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Heather James, University of Southern California
  • Book: Ovid and the Liberty of Speech in Shakespeare's England
  • Online publication: 18 June 2021
  • Chapter DOI: https://doi.org/10.1017/9781108767484.008
Available formats
×