This chapter focuses on Samuel Daniel’s Complaint of Rosamond (1592) and Michael Drayton’s Matilda (1594). Both poems are dedicated to women from overlapping and affirmedly Protestant circles, focused around the Sidneys and the Dudleys: namely, Mary Herbert, Countess of Pembroke (Rosamond), and Lucy Harrington, soon to be Countess of Bedford (Matilda). Yet Drayton and Daniel suffuse their poems with references to aspects of pre-Reformation devotional culture and flash-points of sixteenth-century religious controversy: indulgences, legendaries of saints’ lives, monasticism, Purgatory, prayers for the dead, pilgrimage, confession. Whilst some allusions can be read ironically, the deployment of these religious allusions is not consistently or straightforwardly critical. This chapter consequently explores the ambivalent shadow cast by these poets’ recourse to emblems of pre-Reformation piety and to the fault lines of Reformation ideology, and examines the way in which these complainants’ desire to tell their stories simultaneously activates memories of Reformation. It argues that, in doing so, Daniel and Drayton comment on the fictionality and potential transience of their own poetic memorials, and interrogate the way in which memory is posthumously preserved and contested in an age in which historical reputations were being rewritten, and which bore witness to deliberate acts of erasure.