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17 - Cormac McCarthy: narratives and borders

Published online by Cambridge University Press:  05 May 2016

Steven Frye
Affiliation:
California State University, Bakersfield
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Publisher: Cambridge University Press
Print publication year: 2016

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References

Works Cited

Arnold, Edwin T. “‘Go to Sleep’: Dreams and Visions in The Border Trilogy.” In Edwin T. Arnold and Dianne C. Luce (eds.) A Cormac McCarthy Companion: The Border Trilogy. Jackson: University of Mississippi Press, 2001. 3772.Google Scholar
Canfield, Douglas J.Crossing from the Wasteland to the Exotic in McCarthy’s The Border Trilogy.” In Edwin T. Arnold and Dianne C. Luce (eds.) A Cormac McCarthy Companion: The Border Trilogy. Jackson: University of Mississippi Press, 2001. 256269.Google Scholar
Frye, Steven. “Cormac McCarthy’s ‘world in its making’: Romantic Naturalism in The Crossing.” Studies in American Naturalism 2 (Summer 2007): 4665.Google Scholar
Giles, James R. Outer Dark and Romantic Naturalism.” In Steven Frye (ed.) The Cambridge Companion to Cormac McCarthy. Cambridge: Cambridge University Press, 2013. 95106.CrossRefGoogle Scholar
Josephs, Allen. “The Quest for God in The Road.” In Steven Frye (ed.) The Cambridge Companion to Cormac McCarthy. Cambridge: Cambridge University Press, 2013. 133148.CrossRefGoogle Scholar
Keegan, James. “‘Save Yourself’ The Boundaries of Theodicy and the Signs of The Crossing.” Cormac McCarthy Journal 1 (Spring 2001): 4461.Google Scholar
Link, Eric Carl. “McCarthy and Literary Naturalism.” In Steven Frye (ed.) The Cambridge Companion to Cormac McCarthy. Cambridge: Cambridge University Press, 2013. 149161.CrossRefGoogle Scholar
Link, Eric Carl. Understanding Cormac McCarthy. Columbia: University of South Carolina Press, 2009.Google Scholar
Luce, Dianne C. “The Road as Matrix: The World as Tale in The Crossing. Perspectives on Cormac McCarthy. Rev. ed. Jackson: University of Mississippi Press, 1999. 195219.Google Scholar
McMurtry, Kim. “‘Some Improvident God.’ Metaphysical Explorations in McCarthy’s Border Trilogy.” In Wade Hall and Rick Wallach (eds.) Sacred Violence: Cormac McCarthy’s Western Novels. Vol. 2. El Paso: Texas Western Press, 1995. 143157.Google Scholar
Monk, Nick. “All the Pretty Horses, the Border, and Ethnic Encounter.” In Steven Frye (ed.) The Cambridge Companion to Cormac McCarthy. Cambridge: Cambridge University Press, 2013. 121132.CrossRefGoogle Scholar
Monk, Nick. “‘An Impulse to Action and Undefined Want’: Modernity, Flight, and Crisis in the Border Trilogy and Blood Meridian ”. In Wade Hall and Rick Wallach (eds.) Sacred Violence: Cormac McCarthy’s Western Novels. Vol. 2. El Paso: Texas Western Press, 1995. 83–103.Google Scholar
Parrish, Timothy. “History and the Problem of Evil in McCarthy’s Western Novels.” In Steven Frye (ed.) The Cambridge Companion to Cormac McCarthy. Cambridge: Cambridge University Press, 2013. 6778.CrossRefGoogle Scholar
Sepich, John. Notes on Blood Meridian. Austin: University of Texas Press, 1993.Google Scholar
Wallach, Rick. “Theatre, Ritual, and Dream in the Border Trilogy.” In Wade Hall and Rick Wallach (eds.) Sacred Violence: Cormac McCarthy’s Western Novels. Vol. 2. El Paso: Texas Western Press, 1995, 159177.Google Scholar
Woodson, Linda. “McCarthy’s Heroes and the Will to Truth.” In Steven Frye (ed.) The Cambridge Companion to Cormac McCarthy. Cambridge: Cambridge University Press, 2013, 1526.CrossRefGoogle Scholar

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