Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-x24gv Total loading time: 0 Render date: 2024-05-31T14:14:13.377Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  05 October 2015

Espen Hammer
Affiliation:
Temple University, Philadelphia
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Adorno's Modernism
Art, Experience, and Catastrophe
, pp. 215 - 224
Publisher: Cambridge University Press
Print publication year: 2015

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Adorno, Theodor W.The Actuality of Philosophy.” Telos 31 (1977): 120–32.Google Scholar
Adorno, Theodor W. Aesthetic Theory. Trans. and ed. Robert Hullot-Kentor. Minneapolis: University of Minnesota Press, 1997.Google Scholar
Adorno, Theodor W. Ästhetische Theorie. Ed. Gretel Adorno and Rolf Tiedemann. Gesammelte Schriften, Vol. vii. Frankfurt: Suhrkamp, 1970.Google Scholar
Adorno, Theodor W. Ästhetik (1958/59). Nachgelassene Schriften, Abteilung iv: “Vorlesungen, Vol. iii. Ed. Eberhard Ortland. Frankfurt: Suhrkamp, 2009.Google Scholar
Adorno, Theodor W. Beethoven. Philosophie der Musik. Nachgelassene Schriften, Abteilung I: Fragment gebliebene Schriften, Vol. i. Ed. Rolf Tiedemann. Frankfurt: Suhrkamp, 1993.Google Scholar
Adorno, Theodor W. The Culture Industry: Selected Essays on Mass Culture. Ed. J. M. Bernstein, trans. collective. London: Routledge, 1991.Google Scholar
Adorno, Theodor W. Gesammelte Schriften in zwanzig Bänden. 12 vols. Ed. Rolf Tiedemann. Frankfurt: Suhrkamp, 1997.Google Scholar
Adorno, Theodor W. Hegel: Three Studies. Trans. Shierry Weber Nicholsen. Cambridge, MA: MIT Press, 1993.Google Scholar
Adorno, Theodor W.The Idea of Natural History,” Telos 60 (1984): 324.Google Scholar
Adorno, Theodor W. In Search of Wagner. Trans. Rodney Livingstone. London: NLB, 1981.Google Scholar
Adorno, Theodor W. Kant’s “Critique of Pure Reason.” Ed. Rolf Tiedemann, trans. Rodney Livingstone. Stanford: Stanford University Press, 2001.Google Scholar
Adorno, Theodor W. Mahler – eine musikalische Physiognomik. Gesammelte Schriften, Vol. xiii. Frankfurt: Suhrkamp, 1960.Google Scholar
Adorno, Theodor W. Metaphysik: Begriff und Probleme. Nachgelassene Schriften, Abteilung iv: “Vorlesungen, Vol. xiv. Ed. Rolf Tiedemann. Frankfurt: Suhrkamp, 1998.Google Scholar
Adorno, Theodor W. Minima moralia: Reflections from Damaged Life. Trans. E. F. N. Jephcott. London: NLB, 1974.Google Scholar
Adorno, Theodor W. Minima moralia: Reflexionen aus dem beschädigten Leben. Gesammelte Schriften, Vol. iv. Frankfurt: Suhrkamp, 1996.Google Scholar
Adorno, Theodor W. Negative Dialectics. Trans. E. B. Ashton. New York: Continuum, 1973.Google Scholar
Adorno, Theodor W. Negative Dialektik. Gesammelte Schriften, Vol. vi. Frankfurt: Suhrkamp, 1973.Google Scholar
Adorno, Theodor W. Notes to Literature. 2 vols., ed. Rolf Tiedemann, trans. Shierry Weber Nicholsen. New York: Columbia University Press, 1991, 1992.Google Scholar
Adorno, Theodor W. Philosophie der neuen Musik, Gesammelte Schriften, Vol. xii (Frankfurt: Suhrkamp, 1975).Google Scholar
Adorno, Theodor W. Philosophische Terminologie. 2 vols. Frankfurt: Suhrkamp, 1973.Google Scholar
Adorno, Theodor W. Philosophy of New Music. Trans., ed., and with an introduction by Robert Hullot-Kentor. Minneapolis: University of Minnesota Press, 2006.Google Scholar
Adorno, Theodor W. Prisms. Trans. Samuel Weber and Shierry Weber. Cambridge, MA: MIT Press, 1981.Google Scholar
Adorno, Theodor W. Quasi una fantasia: Essays on Modern Music. Trans. Rodney Livingstone. London and New York: Verso, 1992.Google Scholar
Adorno, Theodor W. Vorlesung zur Einleitung in die Erkenntnistheorie. Frankfurt: Junius, 1972.Google Scholar
Adorno, Theodor W. Zur Lehre von der Geschichte und von der Freiheit (1964/65). Nachgelassene Schriften, Abteilung IV: “Vorlesungen,” Vol. xiii. Ed. Rolf Tiedemann. Frankfurt: Suhrkamp, 2001.Google Scholar
Adorno, Theodor W. and Benjamin, Walter. The Complete Correspondence 1928–1940. Ed. Henri Lonitz, trans. Nicholas Walker. Cambridge, MA: Harvard University Press, 1999.Google Scholar
Adorno, Theodor W. and Horkheimer, Max. Dialectic of Enlightenment. Trans. John Cumming. London and New York: Verso, 1979.Google Scholar
Adorno, Theodor W. and Horkheimer, >Max Dialektik der Aufklärung. In Max Horkheimer, Gesammelte Schriften: Vol. v. Ed. Gunzelin Schmid Noerr. Frankfurt: Fischer, 1987.Google Scholar

Secondary Sources

Abbott, H. Porter. “Beginning Again: The Post-Narrative Art of Texts for Nothing and How It Is.” In Pilling, John (ed.), The Cambridge Companion to Beckett. Cambridge and New York: Cambridge University Press, 1994, pp. 106–23.Google Scholar
Allison, Henry. Kant’s Transcendental Idealism: An Interpretation and Defense. 2nd edn. New Haven and London: Yale University Press, 2004.CrossRefGoogle Scholar
Alperson, Philip. “A Topography of Improvisation.” The Journal of Aesthetics and Art Criticism 68:3 (2010): 273–80.Google Scholar
Althusser, Louis. “Lenin and Philosophy” and Other Essays. Trans. anon. New York: Monthly Review Press, 2001.Google Scholar
Barth, Karl. The Epistle to the Romans. Trans. Hoskyns, Edwyn C.. Oxford: Oxford University Press, 1933.Google Scholar
Barthes, Roland. Writing Degree Zero. Trans. Smith, Colin. New York: Hill and Wang, 2012.Google Scholar
Baudrillard, Jean. Simulacra and Simulation. Trans. Glaser, Sheila Faria. Ann Arbor: University of Michigan Press, 1995.CrossRefGoogle Scholar
Bauman, Zygmunt. Modernity and the Holocaust. Ithaca, NY: Cornell University Press, 1989.Google Scholar
Beardsley, Monroe. Aesthetics: Problems in the Philosophy of Criticism. Indianapolis: Hackett, 1981.CrossRefGoogle Scholar
Beckett, Samuel. Disjecta: Miscellaneous Writings and a Dramatic Fragment. London: Calder Publications, 2001.Google Scholar
Beckett, Samuel. Endgame. New York: Grove Press, 1958.Google Scholar
Beckett, Samuel. Malone Dies. New York: Grove Press, 1956.Google Scholar
Beckett, Samuel. Murphy. New York: Grove Press, 1957.Google Scholar
Beckett, Samuel. Nohow On (Company, Ill Seen Ill Said, Worstward Ho). London: Calder Publications, 1992.Google Scholar
Beckett, Samuel. Proust and Three Dialogues with Georges Duthuit. London: Calder, 1989.Google Scholar
Beckett, Samuel. Stirrings Still. New York: North Star Line, 1991.Google Scholar
Beckett, Samuel. The Unnamable. New York: Grove Press, 1958.Google Scholar
Bellah, Robert N. Religion in Human Evolution: From the Paleolithic to the Axial Age. Cambridge, MA and London: Harvard University Press, 2011.Google Scholar
Benjamin, Walter. Illuminations. Trans. Zohn, Harry. New York: Shocken Books, 1969.Google Scholar
Benjamin, Walter. The Origin of German Tragic Drama. Trans. Osborne, J. London: New Left Books, 1977.Google Scholar
Benjamin, Walter. Reflections: Essays, Aphorisms, Autobiographical Writings. Trans. Jephcott, Edmund. New York: Schocken Books, 1978.Google Scholar
Bernstein, J. M. Adorno: Disenchantment and Ethics. Cambridge and New York: Cambridge University Press, 2001.CrossRefGoogle Scholar
Bernstein, J. M. Against Voluptuous Bodies: Late Modernism and the Meaning of Painting. Stanford: Stanford University Press, 2006.CrossRefGoogle Scholar
Bernstein, J. M.The dead speaking of stones and stars”: Adorno’s Aesthetic Theory, in Rush, Fred (ed.), The Cambridge Companion to Critical Theory. Cambridge and New York: Cambridge University Press, 2004.Google Scholar
Bernstein, J. M. The Fate of Art: Aesthetic Alienation from Kant to Derrida and Adorno. University Park: Pennsylvania State University Press, 1992.Google Scholar
Bernstein, J. M. Recovering Ethical Life: Jürgen Habermas and the Future of Critical Theory. London and New York: Routledge, 1995.Google Scholar
Blanchot, Maurice. The Book to Come. Trans. Mandell, Charlotte. Stanford: Stanford University Press, 2003.Google Scholar
Blumenberg, Hans. The Legitimacy of the Modern Age. Trans. Robert M. Wallace. Cambridge, MA: MIT Press, 1985.Google Scholar
Bourdieu, Pierre. La distinction: Critique sociale du jugement. Paris: Minuit, 1979.Google Scholar
Brittain, Christopher Craig. Adorno and Theology. London and New York: T & T Clark International, 2010.Google Scholar
Buck-Morss, Susan. The Dialectics of Seeing: Walter Benjamin and the Arcades Project. Cambridge, MA and London: MIT Press, 1991.Google Scholar
Budick, Sanford. Kant and Milton. Boston, MA and New York: Harvard University Press, 2010.CrossRefGoogle Scholar
Bürger, Peter. The Decline of Modernism. Trans. Walker, Nicholas. University Park: Pennsylvania State University Press, 1992.Google Scholar
Bürger, Peter Theory of the Avant-Garde. Trans. Shaw, Michael. Minneapolis: University of Minnesota Press, 1984.Google Scholar
Bürger, PeterDas Vermittlungsproblem in der Kunstsoziologie Adornos.” In Lindner, Burkhardt and Lüdke, W. Martin (eds.), Materialen zur ästhetischen Theorie Theodor W. Adornos: Konstruktion der Moderne. Frankfurt: Suhrkamp, 1979, pp. 169–84.Google Scholar
Calder, John. The Philosophy of Samuel Beckett. London: Calder Publications, 2001.Google Scholar
Carroll, Noël. “Moderate Moralism versus Moderate Autonomism.” British Journal of Aesthetics 38 (1998): 419–24.CrossRefGoogle Scholar
Cavell, Stanley. Must We Mean What We Say? A Book of Essays. Cambridge: Cambridge University Press, 1976.Google Scholar
Clark, T. J. Farewell to an Idea: Episodes from a History of Modernism. New Haven and London: Yale University Press, 1999.Google Scholar
Cohen, Josh. Interrupting Auschwitz: Art, Religion, Philosophy. New York and London: Continuum, 2005.CrossRefGoogle Scholar
Collingwood, R. G. The Principles of Art. Oxford: Oxford University Press, 1958.Google Scholar
Critchley, Simon. Very Little … Almost Nothing: Death, Philosophy, Literature. London and New York: Routledge, 1997.CrossRefGoogle Scholar
Crowell, Steven. Normativity and Phenomenology in Husserl and Heidegger. Cambridge and New York: Cambridge University Press, 2013.CrossRefGoogle Scholar
Dahlhaus, Carl. “Adornos Begriff des musikalischen Materials.” In Eggebrecht, Hans Heinrich (ed.), Zur Terminologie der Musik des 20. Jahrhunderts. Stuttgart: Musikwissenschaftliche Verlags-Gesellschaft, 1974, pp. 9–21.Google Scholar
Danto, Arthur C. After the End of Art: Contemporary Art and the Pale of History. Princeton: Princeton University Press, 1997.Google Scholar
Bürger, Peter The Transfiguration of the Commonplace: A Philosophy of Art. Cambridge, MA: Harvard University Press, 1981.Google Scholar
de Mul, Jos. The Tragedy of Finitude: Dilthey’s Hermeneutics of Life. New Haven: Yale University Press, 2004.Google Scholar
Deleuze, Gilles. “Quad” et autres pièces pour la télevision. Paris: Minuit, 1992.Google Scholar
Demmerling, Christoph. Sprache und Verdinglichung: Wittgenstein, Adorno und das Projekt einer kritischen Theorie. Frankfurt: Suhrkamp, 1994.Google Scholar
Dewey, John. Art as Experience. New York: Penguin, 2005.Google Scholar
Bürger, Peter Experience and Nature. New York: Dover, 1958.Google Scholar
Dilthey, Wilhelm. Selected Works, Vol. i: Introduction to the Human Sciences. Ed. and trans. Makkreel, Rudolf and Rodi, Frithjof. Princeton: Princeton University Press, 1989.Google Scholar
Donald, Merlin. A Mind So Rare: The Evolution of Human Consciousness. New York: Norton, 1999.Google Scholar
Dreyfus, Hubert. Being-in-the-World: A Commentary on Heidegger’s Being and Time, Division I. London and Cambridge, MA: MIT Press, 1991.Google Scholar
Dreyfus, HubertResponse to McDowell.” Inquiry: An Interdisciplinary Journal of Philosophy 50:4 (2007): 371–7.CrossRefGoogle Scholar
Dreyfus, HubertThe Return of the Myth of the Mental.” Inquiry: An Interdisciplinary Journal of Philosophy 50:4 (2007): 352–65.CrossRefGoogle Scholar
Eagleton, Terry. The Ideology of the Aesthetic. Oxford: Blackwell, 1990.Google Scholar
Eldridge, Richard. An Introduction to the Philosophy of Art. Cambridge and New York: Cambridge University Press, 2003.CrossRefGoogle Scholar
Eldridge, Richard. Literature, Life, and Modernity. New York: Columbia University Press, 2008.CrossRefGoogle Scholar
Ferry, Luc. Homo aestheticus: The Invention of Taste in the Democratic Age. Trans. de Loaiza, Robert. Chicago: University of Chicago Press, 1994.Google Scholar
Fichte, J. G. Foundations of Natural Right. Trans. Baur, Michael. Cambridge: Cambridge University Press, 2000.Google Scholar
Finlayson, James Gordon. “On Not Being Silent in the Darkness: Adorno’s Singular Apophaticism.” Harvard Theological Review 105:1 (2012): 132.CrossRefGoogle Scholar
Foucault, Michel. History of Madness. Trans. Murphy, Jonathan. New York and London: Routledge, 2006.Google Scholar
Frank, Manfred. Einführung in die frühromantische Ästhetik. Frankfurt: Suhrkamp, 1989.Google Scholar
Frank, Manfred. Der unendliche Mangel an Sein: Schellings Hegelkritik und die Anfänge der Marxschen Dialektik. Frankfurt: Suhrkamp, 1975.Google Scholar
Freud, Sigmund. The Penguin Freud Library, 15 vols., ed. Strachey, James. London: Penguin Books, 1986.Google Scholar
Freyenhagen, Fabian, Adorno’s Practical Philosophy: Living Less Wrongly. Cambridge and New York: Cambridge University Press, 2013.CrossRefGoogle Scholar
Fried, Michael. Art and Objecthood: Essays and Reviews. Chicago: University of Chicago Press, 1998.Google Scholar
Fried, Michael. Why Photography Matters as Art as Never Before. New Haven: Yale University Press, 2008.Google Scholar
Gadamer, Hans-Georg. Gadamer on Celan: Who Am I and Who Are You? Trans. Heinemann, Richard and Krajewski, Bruce. Albany: State University of New York Press, 1997.Google Scholar
Gadamer, Hans-GeorgThe Relevance of the Beautiful” and Other Essays. Trans. Walker, Nicholas. Cambridge and New York: Cambridge University Press, 1986.Google Scholar
Gadamer, Hans-Georg. Truth and Method. Trans. Weinsheimer, Joel and Marshall, Donald G. London: Sheed and Ward, 1989.Google Scholar
Geulen, Eva. The End of Art: Readings in a Rumor after Hegel. Trans. McFarland, James. Stanford: Stanford University Press, 2006.CrossRefGoogle Scholar
Geuss, Raymond. Morality, Culture, and History: Essays on German Philosophy. Cambridge and New York: Cambridge University Press, 1999.Google Scholar
Geuss, Raymond. Outside Ethics. Princeton and Oxford: Princeton University Press, 2005.Google Scholar
Geuss, RaymondReview of Adorno’s Negative Dialectics.” Journal of Philosophy 72 (1975): 167–75.CrossRefGoogle Scholar
Gilbert, Stuart. James Joyce’s “Ulysses”: A Study. New York: Vintage, 1955.Google Scholar
Greenberg, Clement. The Collected Essays and Criticism, 4 vols., ed. O’Brien, John. Chicago and London: University of Chicago Press, 1993.Google Scholar
Habermas, Jürgen. Knowledge and Human Interests. Trans. Shapiro, J. Boston, MA: Beacon Press, 1971.Google Scholar
Habermas, Jürgen. The Philosophical Discourse of Modernity: Twelve Lectures. Trans. Lawrence, Frederick. Cambridge, MA: MIT Press, 1987.Google Scholar
Habermas, Jürgen. Postmetaphysical Thinking: Philosophical Essays. Trans. Hohengarten, William Mark. Cambridge, MA and London: MIT Press, 1993.Google Scholar
Habermas, Jürgen. The Theory of Communicative Action, 2 vols., trans. McCarthy, Thomas. London: Heinemann, 1984.Google Scholar
Hammer, Espen. Adorno and the Political. London and New York: Routledge, 2006.Google Scholar
Hammer, EspenHegel as a Theorist of Secularization.” Hegel Bulletin 67:2 (2013): 223–44.Google Scholar
Hammer, EspenHegel on the Modern Arts by Rutter, Benjamin.” Journal of Aesthetics and Art Criticism 69:3 (2011): 334–6.CrossRefGoogle Scholar
Hammer, EspenMarcuse’s Critical Theory of Modernity.” Philosophy and Social Criticism 34 (2008): 1071–93.CrossRefGoogle Scholar
Hammer, Espen. Philosophy and Temporality from Kant to Critical Theory. Cambridge and New York: Cambridge University Press, 2011.CrossRefGoogle Scholar
Hammer, EspenThe Touch of Art: Adorno and the Sublime.” Sats: Nordic Journal of Philosophy 1:2 (2000): 91105.CrossRefGoogle Scholar
Hardimon, Michael O. Hegel’s Social Philosophy: The Project of Reconciliation. Cambridge and New York: Cambridge University Press, 1994.CrossRefGoogle Scholar
Harvey, Lawrence. Samuel Beckett: Poet and Critic. Princeton: Princeton University Press, 1970.Google Scholar
Hegel, G. W. F. Aesthetics: Lectures on Fine Art, 2 vols., trans. Knox, T. M. Oxford: Clarendon Press, 1975.Google Scholar
Hegel, G. W. F. The Difference between Fichte’s and Schelling’s System of Philosophy. Trans. Harris, H. S. and Cerf, Walter. Albany: State University of New York Press, 1988.Google Scholar
Hegel, G. W. F. Early Theological Writings. Trans. Kroner, Richard. Philadelphia: University of Pennsylvania Press, 1975.Google Scholar
Hegel, G. W. F. Elements of the Philosophy of Right. Ed. Wood, Allen W., trans. H. B. Nisbet. Cambridge: Cambridge University Press, 1991.CrossRefGoogle Scholar
Hegel, G. W. F. Lectures on the Philosophy of Religion. Trans. Brown, R. F., Hodgson, P. C., and Stewart, J. M.. Berkeley: University of California Press, 1988.CrossRefGoogle Scholar
Hegel, G. W. F. Lectures on the Philosophy of World History. Trans. Nisbet, H. B. Cambridge: Cambridge University Press, 1984.Google Scholar
Hegel, G. W. F. Phenomenology of Spirit. Trans. Miller, A. V.. Oxford: Oxford University Press, 1977.Google Scholar
Heidegger, Martin. Being and Time. Trans. Macquarrie, John and Robinson, Edward. Oxford: Blackwell, 1962.Google Scholar
Heidegger, Martin. The Fundamental Concepts of Metaphysics: World, Finitude, Solitude. Trans. McNeill, William and Walker, Nicholas. Bloomington and Indianapolis: Indiana University Press, 1995.Google Scholar
Heidegger, Martin. Off the Beaten Track. Trans. Young, Julian and Haynes, Kenneth. Cambridge and New York: Cambridge University Press, 2002.Google Scholar
Henrich, Dieter. Der Grund im Bewußtsein: Untersuchungen zu Hölderlins Denken (1794–1795). Stuttgart: Klett-Cotta, 1992.Google Scholar
Higgins, Kathleen. The Music between Us: Is Music a Universal Language? Chicago and London: University of Chicago Press, 2012.CrossRefGoogle Scholar
Hofmannsthal, Hugo von. Erzählungen, Erfundene Gespräche und Briefe. Frankfurt: Fischer, 1979.Google Scholar
Hohendahl, Peter Uwe. The Fleeting Promise of Art: Adorno’s Aesthetic Theory Revisited. Ithaca, NY and London: Cornell University Press, 2013.Google Scholar
Hohendahl, Peter Uwe. Prismatic Thought: Theodor W. Adorno. Lincoln and London: University of Nebraska Press, 1997.Google Scholar
Horkheimer, Max. Critical Theory: Selected Essays. Trans. Aronowitz, Stanley. New York: Continuum, 2002.Google Scholar
Horkheimer, Max. Eclipse of Reason. London and New York: Continuum, 2008.Google Scholar
Huhn, Tom and Zuidervaart, Lambert (eds.), The Semblance of Subjectivity: Essays in Adorno’s Aesthetic Theory. Cambridge, MA and London: MIT Press, 1997.CrossRefGoogle Scholar
Hullot-Kentor, Robert. “Back to Adorno.” Telos 81 (1989): 529.CrossRefGoogle Scholar
Hyppolite, Jean. Genesis and Structure of Hegel’s “Phenomenology of Spirit.” Trans. Cherniak, Samuel and Heckman, John. Evanston: Northwestern University Press, 1974.Google Scholar
Jameson, Fredric. Late Marxism: Adorno, Or, The Persistence of the Dialectic. London and New York: Verso, 1996.Google Scholar
Jarvis, Simon. Adorno: A Critical Introduction. Cambridge: Polity Press, 1998.Google Scholar
Jay, Martin. Downcast Eyes: The Denigration of Vision in Twentieth-Century Thought. Berkeley: University of California Press, 1993.CrossRefGoogle Scholar
Kant, Immanuel. Critique of Pure Reason. Trans. Guyer, Paul and Wood, Allen W. Cambridge and New York: Cambridge University Press, 1998.CrossRefGoogle Scholar
Kant, Immanuel. Critique of the Power of Judgment. Trans. Guyer, Paul and Matthews, Eric. Cambridge and New York: Cambridge University Press, 2000.CrossRefGoogle Scholar
Kant, Immanuel. Grounding for the Metaphysics of Morals. Trans. Ellington, James W.. Indianapolis and Cambridge: Hackett, 1993.Google Scholar
Kellner, Douglas. “Adorno and the Dialectics of Mass Culture.” In Gibson, Nigel and Rubin, Andrew (eds.), Adorno: A Critical Reader. Oxford and Malden, MA: Blackwell, 2002, pp. 86–109.Google Scholar
Knowlson, James. Damned to Fame: The Life of Samuel Beckett. New York: Grove Press, 1996.Google Scholar
Krauss, Rosalind. The Optical Unconscious. Cambridge, MA and London: MIT Press, 1993.Google Scholar
Krauss, Rosalind. The Originality of the Avant-Garde and Other Modernity Myths. Cambridge, MA: MIT Press, 1996.Google Scholar
Kristeva, Julia. Powers of Horror: An Essay on Abjection. Trans. Roudiez, Leon S. New York: Columbia University Press, 1982.Google Scholar
Lacoue-Labarthe, Philippe and Nancy, Jean-Luc, The Literary Absolute: The Theory of Literature in German Romanticism. Trans. Barnard, Philip and Lester, Cheryl. Albany: State University of New York Press, 1988.Google Scholar
Lepenies, Wolf. Melancholy and Society. Trans. Gaines, Jeremy and Jones, Doris. London and Cambridge, MA: Harvard University Press, 1992.Google Scholar
Levinas, Emmanuel. Collected Philosophical Papers. Dordrecht: Nijhoff, 1987.CrossRefGoogle Scholar
Lilla, Mark. The Stillborn God. New York: Vintage, 2007.Google Scholar
Lukács, Georg. History and Class Consciousness. Trans. Livingstone, Rodney. London: Merlin Press, 1971.Google Scholar
Lukács, Georg. Realism in Our Time: Literature and the Class Struggle. New York and Evanston: Harper and Row, 1964.Google Scholar
Lukács, GeorgRealism in the Balance.” In Ernst Bloch, Georg Lukács, Bertolt Brecht, Walter Benjamin, and Theodor Adorno, Aesthetics and Politics: The Key Texts of the Classic Debate in German Marxism, ed. Ronald Taylor. London and New York: Verso, 1980, pp. 28–59.Google Scholar
Lukács, Georg. The Theory of the Novel. Trans. Bostock, Anna. London: Merlin Press, 1978.Google Scholar
Lyotard, Jean-François. The Postmodern Condition. Trans. Bennington, Geoffrey and Massumi, Brian. Manchester: Manchester University Press, 1986.Google Scholar
Marcuse, Herbert. Eros and Civilization: A Philosophical Inquiry into Freud. Boston, MA: Beacon Press, 1966.Google Scholar
McDowell, John. Mind and World. Cambridge, MA and London: Harvard University Press, 1996.Google Scholar
McDowell, JohnResponse to Dreyfus.” Inquiry: An Interdisciplinary Journal of Philosophy 50:4 (2007): 366–70.CrossRefGoogle Scholar
McDowell, JohnWhat Myth?Inquiry: An Interdisciplinary Journal of Philosophy 50:4 (2007): 338–51.CrossRefGoogle Scholar
McGinn, Colin. Wittgenstein on Meaning. Oxford: Blackwell, 1991.Google Scholar
McMillan, Dougald and Fehsenfeld, Martha. Beckett in the Theatre. New York: Riverrun Press, 1988.Google Scholar
Menke, Christoph. The Sovereignty of Art: Aesthetic Negativity in Adorno and Derrida. Trans. Solomon, Neil. Cambridge, MA and London: MIT Press, 1998.Google Scholar
Merleau-Ponty, Maurice. The Primacy of Perception. Trans. Cobb, William. Evanston: Northwestern University Press, 1964.Google Scholar
Mörchen, Hermann. Adorno und Heidegger: Untersuchung einer philosophischen Kommunikationsverweigerung. Stuttgart: Klett-Cotta, 1981.Google Scholar
Morgan, Alastair. Adorno’s Concept of Life. London and New York: Continuum, 2007.Google Scholar
Mul, Jos de. The Tragedy of Finitude: Dilthey’s Hermeneutics of Life. New Haven: Yale University Press, 2004.Google Scholar
Müller-Doohm, Stefan. Adorno: Eine Biographie. Frankfurt: Suhrkamp, 2003.Google Scholar
Nehamas, Alexander. Only a Promise of Happiness: The Place of Beauty in a World of Art. Princeton: Princeton University Press, 2007.Google Scholar
Neuhouser, Frederick. Foundations of Hegel’s Social Theory: Actualizing Freedom. Cambridge, MA and London: Harvard University Press, 2000.CrossRefGoogle Scholar
Ngai, Sianne. Our Aesthetic Categories: Zany, Cute, Interesting. Cambridge, MA and London: Harvard University Press, 2012.Google Scholar
Nicholsen, Shierry Weber. “Aesthetic Theory’s Mimesis of Walter Benjamin.” In Huhn, Tom and Zuidervaart, Lambert (eds.), The Semblance of Subjectivity: Essays in Adorno’s Aesthetic Theory. Cambridge, MA: MIT Press, 1997, pp. 55–91.Google Scholar
Nietzsche, Friedrich. “The Birth of Tragedy” and Other Writings. Trans. Spiers, Ronald. Cambridge: Cambridge University Press, 1999.Google Scholar
Nietzsche, Friedrich. Philosophy and Truth: Selections from Nietzsche’s Notebooks of the Early 1870s. Trans. Breazeale, D. New Jersey: Humanities Press, 1979.Google Scholar
Nochlin, Linda. Realism. London and New York: Penguin Books, 1971.Google Scholar
Osborne, Peter. Anywhere or Not at All: Philosophy of Contemporary Art. London and New York: Verso, 2013.Google Scholar
Pinkard, Terry. Hegel’s Naturalism: Mind, Nature, and the Final Ends of Life. Oxford and New York: Oxford University Press, 2012.CrossRefGoogle Scholar
Pinkard, TerryWhat Is a ‘Shape of Spirit’?” In Moyar, Dean and Quante, Michael (eds.), Hegel’s “Phenomenology of Spirit”: A Critical Guide. Cambridge and New York: Cambridge University Press, 2011, pp. 112–29.Google Scholar
Pippin, Robert. After the Beautiful: Hegel and the Philosophy of Pictorial Modernism. Chicago: University of Chicago Press, 2014.Google Scholar
Pippin, Robert. Hegel’s Idealism: The Satisfactions of Self-Consciousness. Cambridge and New York: Cambridge University Press, 1989.CrossRefGoogle Scholar
Pippin, Robert. The Persistence of Subjectivity: The Kantian Aftermath. Cambridge and New York: Cambridge University Press, 2005.CrossRefGoogle Scholar
Pothast, Ulrich. The Metaphysical Vision: Arthur Schopenhauer’s Philosophy of Art and Life and Samuel Beckett’s Own Way to Make Use of It. New York: Peter Lang, 2008.Google Scholar
Renton, Andrew. “Disabled Figures: From the Residua to Stirrings Still.” In Pilling, John (ed.), The Cambridge Companion to Beckett. Cambridge and New York: Cambridge University Press, 1994, pp. 167–83.Google Scholar
Ricks, Christopher. Beckett’s Dying Words. Oxford and New York: Oxford University Press, 1993.CrossRefGoogle Scholar
Rush, Fred (ed.). The Cambridge Companion to Critical Theory. Cambridge and New York: Cambridge University Press, 2004.CrossRefGoogle Scholar
Rutter, Benjamin. Hegel on the Modern Arts. Cambridge and New York: Cambridge University Press, 2010.CrossRefGoogle Scholar
Said, Edward. On Late Style: Music and Literature against the Grain. New York: Vintage, 2007.Google Scholar
Sartre, Jean-Paul. “What Is Literature?” and Other Essays. Trans. Frechtman, Bernard. Cambridge, MA: Harvard University Press, 1988.Google Scholar
Scarry, Elaine. On Beauty and Being Just. Princeton and Oxford: Princeton University Press, 1999.CrossRefGoogle Scholar
Schaeffer, Jean-Marie. Art of the Modern Age: Philosophy of Art from Kant to Heidegger. Trans. Rendall, Steven. Princeton: Princeton University Press, 2000.Google Scholar
Schelling, F. W. J. The Grounding of Positive Philosophy: The Berlin Lectures. Trans. Matthews, Bruce. Albany: State University of New York Press, 2007.Google Scholar
Schelling, F. W. J. The Philosophy of Art. Trans. Scott, Douglas W. Minneapolis: University of Minnesota Press, 1989.Google Scholar
Schelling, F. W. J. System of Transcendental Idealism (1800). Trans. Heath, Peter. Charlottesville and London: University Press of Virginia, 1993.Google Scholar
Schiller, Friedrich. “On Naïve and Sentimental Poetry.” Trans. Elias, Julias A.. In The Origins of Modern Critical Thought: German Aesthetic and Literary Criticism from Lessing to Hegel, ed. David Simpson. Cambridge: Cambridge University Press, 1988, pp. 148–73.Google Scholar
Schiller, Friedrich. On the Aesthetic Education of Man in a Series of Letters. Trans. Snell, Reginald. New York: Frederick Ungar, 1965.Google Scholar
Schleiermacher, Friedrich. Hermeneutics and Criticism. Trans. Andrew Bowie. Cambridge and New York: Cambridge University Press, 1998.Google Scholar
Schopenhauer, Arthur. The World as Will and Representation, 2 vols., trans. Payne, E. F. J. New York: Dover Publications, 1969.Google Scholar
Scruton, Roger. Beauty. Oxford and New York: Oxford University Press, 2009.CrossRefGoogle Scholar
Searle, John. Speech Acts: An Essay in the Philosophy of Language. Cambridge and New York: Cambridge University Press, 1969.CrossRefGoogle Scholar
Simmel, Georg. The View of Life: Four Metaphysical Essays with Journal Aphorisms. Trans. Andrews, John A. Y and Levine, Donald N. Chicago and London: University of Chicago Press, 2010.CrossRefGoogle Scholar
Taylor, Charles. A Secular Age. Cambridge, MA and London: Harvard University Press, 2007.Google Scholar
Vries, Hent de. Minimal Theologies: Critiques of Secular Reason in Adorno and Levinas. Baltimore and London: Johns Hopkins University Press, 2005.CrossRefGoogle Scholar
Weber, Max. The Vocational Lectures. Trans. Livingstone, Rodney. Indianapolis and Cambridge: Hackett Publishing Company, 2004.Google Scholar
Wellmer, Albrecht. “Adorno, Modernity, and the Sublime.” In Pensky, Max (ed.), The Actuality of Adorno: Critical Essays on Adorno and the Postmodern. Albany: State University of New York Press, 1997, pp. 112–34.Google Scholar
Wellmer, Albrecht. The Persistence of Modernity: Essays on Aesthetics, Ethics, and Postmodernism. Trans. Midgley, David. Cambridge, MA: MIT Press, 1993.Google Scholar
Welsch, Wolfgang. Ästhetisches Denken. Stuttgart: Reclam, 1995.Google Scholar
Wittgenstein, Ludwig. Philosophical Investigations. Trans. Anscombe, G. E. M. New York: Blackwell, 1958.Google Scholar
Wolin, Richard. Walter Benjamin: An Aesthetic of Redemption. Berkeley and Los Angeles: University of California Press, 1994.CrossRefGoogle Scholar
Wood, Allen W. Hegel’s Ethical Thought. Cambridge: Cambridge University Press, 1990.Google Scholar
Wood, Rupert. “Beckett as Essayist.” In Pilling, John (ed.), The Cambridge Companion to Beckett. Cambridge and New York: Cambridge University Press, 1994, pp. 1–16.Google Scholar
Zuidervaart, Lambert. Adorno’s Aesthetic Theory: The Redemption of Illusion. Cambridge, MA and London: MIT Press, 1991.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Espen Hammer, Temple University, Philadelphia
  • Book: Adorno's Modernism
  • Online publication: 05 October 2015
  • Chapter DOI: https://doi.org/10.1017/CBO9781316399002.011
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Espen Hammer, Temple University, Philadelphia
  • Book: Adorno's Modernism
  • Online publication: 05 October 2015
  • Chapter DOI: https://doi.org/10.1017/CBO9781316399002.011
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Espen Hammer, Temple University, Philadelphia
  • Book: Adorno's Modernism
  • Online publication: 05 October 2015
  • Chapter DOI: https://doi.org/10.1017/CBO9781316399002.011
Available formats
×