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Chapter 31 - Germany

from Part V - Reception and Legacy

Published online by Cambridge University Press:  15 May 2019

Natasha Loges
Affiliation:
Royal College of Music, London
Katy Hamilton
Affiliation:
Royal College of Music, London
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Summary

The reception of Brahms’s music beyond his home city of Hamburg began in 1853, when the young composer made his first extended journey and presented his compositions to some of the leading figures of German contemporary music: Robert Schumann, Robert Franz and Franz Liszt. Each reacted to these unpublished works in distinctive ways.

Robert Schumann, with whom Brahms spent the whole month of October in Düsseldorf,was instantly enthralled.

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Chapter
Information
Brahms in Context , pp. 307 - 315
Publisher: Cambridge University Press
Print publication year: 2019

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References

Further Reading

Calella, M., ‘Gattung und Erwartung: Brahms, das Leipziger Gewandhaus und der Misserfolg des Klavierkonzerts Op. 15’, Ad Parnassum 2/3 (2004), 3160Google Scholar
Horstmann, A., Untersuchungen zur Brahms-Rezeption der Jahre 1860–1880 (Hamburg, K. D. Wagner, 1986)Google Scholar
Meurs, N., Neue Bahnen? Aspekte der Brahms-Rezeption 1853–1868 (Cologne: Studio, 1996)Google Scholar
Romberg, U., ‘Zur Geschichte der Brahms-Rezeption im deutschsprachigen Raum’, Beiträge Zur Musikwissenschaft 29/1 (1987), 4958Google Scholar
Siegmund-Schultze, U., ‘Zur Geschichte der Brahms-Rezeption im deutschsprachigen Raum von 1853 bis 1914’, PhD dissertation, Martin-Luther-Universität, Halle-Wittenberg (1982)Google Scholar

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  • Germany
  • Edited by Natasha Loges, Royal College of Music, London, Katy Hamilton, Royal College of Music, London
  • Book: Brahms in Context
  • Online publication: 15 May 2019
  • Chapter DOI: https://doi.org/10.1017/9781316681374.031
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  • Germany
  • Edited by Natasha Loges, Royal College of Music, London, Katy Hamilton, Royal College of Music, London
  • Book: Brahms in Context
  • Online publication: 15 May 2019
  • Chapter DOI: https://doi.org/10.1017/9781316681374.031
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Germany
  • Edited by Natasha Loges, Royal College of Music, London, Katy Hamilton, Royal College of Music, London
  • Book: Brahms in Context
  • Online publication: 15 May 2019
  • Chapter DOI: https://doi.org/10.1017/9781316681374.031
Available formats
×