Homberger, Eric. Scenes from the Life of a City: Corruption and Conscience in Old New York. New Haven: Yale University Press, 1994.Google Scholar

Kelley, Wyn. Melville’s City: Literary and Urban Form in Nineteenth-Century New York. New York: Cambridge University Press, 1996.Google Scholar

Miller, Stephen. Walking New York: Reflections of American Writers from Walt Whitman to Teju Cole. New York: Fordham University Press, 2014.Google Scholar

Patell, Cyrus R. K., and Waterman, Bryan, eds. The Cambridge Companion to the Literature of New York. New York: Cambridge University Press, 2010.Google Scholar

Sealts, Merton M. Jr., “Thomas Melvill, Jr., in The History of Pittsfield.” Harvard Library Bulletin 35 (1987): 201–17.Google Scholar

Scribner, David, ed. Aspects of Melville. Pittsfield: Berkshire County Historical Society at Arrowhead, 2001.Google Scholar

Smith, J. E. A. “Herman Melville,” in The Early Lives of Melville: Nineteenth-Century Biographical Sketches and Their Authors, ed. Merton M. Sealts, Jr. Madison: University of Wisconsin Press, 1974. 119–49.Google Scholar

Smith, J. E. A. The History of Pittsfield (Berkshire County,) Massachusetts, from the Year 1800 to the Year 1876. Springfield, MA: C. W. Bryan, 1876.Google Scholar

Young, Philip. The Private Melville. University Park: Pennsylvania State University Press, 1993.Google Scholar

Fussell, Edwin. Frontier: American Literature and the American West. Princeton: Princeton University Press, 1965.Google Scholar

LeMenager, Stephanie. Manifest and Other Destinies: Territorial Fictions of the Nineteenth-Century United States. Lincoln: University of Nebraska Press, 2004.Google Scholar

Lewis, Nathaniel. “The American West,” in Edgar Allan Poe in Context, ed. Hayes, Kevin J.. New York: Cambridge University Press, 2013. 22–31.Google Scholar

Schultz, Elizabeth. “‘Sea of Grass’ to ‘Wire and Rail’: Melville’s Evolving Perspective on the Prairies.” American Studies 52 (2012): 31–47.Google Scholar

Calder, Alex. “Pacific Paradises,” in A Companion to Herman Melville, ed. Kelley, Wyn. Oxford: Blackwell, 2006. 98–112.Google Scholar

Dening, Greg. Beach Crossings. Melbourne: Miegunyah Press, 2004.Google Scholar

Herbert, T. Walter. Marquesan Encounters. Cambridge, MA: Harvard University Press, 1980.Google Scholar

Lamb, Jonathan. Preserving the Self in the South Seas, 1680–1840. Chicago: University of Chicago Press, 2001.Google Scholar

Rennie, Neil. Far-Fetched Facts: The Literature of Travel and the Idea of the South Seas. New York: Oxford University Press, 1995.Google Scholar

Sanborn, Geoffrey. Whipscars and Tattoos: The Last of the Mohicans, Moby-Dick, and the Maori. New York: Oxford University Press, 2011.Google Scholar

Thomas, Nicholas. Islanders: The Pacific in the Age of Empire. New Haven: Yale University Press, 2012.Google Scholar

Barnes, James J. Authors, Publishers and Politicians: The Quest for an Anglo-American Copyright Agreement. Columbus: Ohio State University Press, 1974.Google Scholar

Flanders, Judith. The Victorian City: Everyday Life in Dickens’ London. New York: St. Martin’s Griffin, 2015.Google Scholar

Gettman, Royal A. A Victorian Publisher: A Study of the Bentley Papers. New York: Cambridge University Press, 2010.Google Scholar

Horsford, Howard C. “Melville and the London Literary Scene.” Essays in Arts and Sciences 13 (1984): 23–42.Google Scholar

Leary, Patrick. The Punch Brotherhood: Table Talk and Print Culture in Mid-Victorian London. London: British Library, 2010.Google Scholar

Berthold, Dennis. American Risorgimento: Herman Melville and the Cultural Politics of Italy. Columbus: Ohio State University Press, 2009.Google Scholar

Durer, Christopher S. Herman Melville, Romantic and Prophet: A Study of His Romantic Sensibility and His Relationship to European Romantics. Fredericton, NB: York Press, 1996.Google Scholar

Horsford, Howard C. “Historical Note,” in Herman Melville, Journals, ed. Howard C. Horsford and Lynn Horth. Evanston and Chicago: Northwestern University Press and the Newberry Library, 1989. 165–209.Google Scholar

Marovitz, Sanford E., and Christodoulou, A. C., eds. Melville “Among the Nations”: Proceedings of an International Conference, Volos, Greece, July 2–6, 1997. Kent, OH: Kent State University Press, 2001.Google Scholar

Finkelstein, Dorothee M. Melville’s Orienda. New Haven: Yale University Press, 1961.Google Scholar

Harvey, Bruce. American Geographics: U.S. National Narratives and the Representation of the Non-European World, 1830–1865. Palo Alto: Stanford University Press, 2001.Google Scholar

Marr, Timothy. The Cultural Roots of American Islamicism. New York: Cambridge University Press, 2006.Google Scholar

Obenzinger, Hilton. American Palestine: Melville, Twain, and the Holy Land Mania. Princeton: Princeton University Press, 1999.Google Scholar

Potter, William. Melville’s Clarel and the Intersympathy of Creeds. Kent, OH: Kent State University Press, 2005.Google Scholar

Yothers, Brian. The Romance of the Holy Land in American Travel Writing, 1790–1876. Aldershot: Ashgate, 2007.Google Scholar

Greven, David. Gender Protest and Same-Sex Desire in Antebellum American Literature: Margaret Fuller, Edgar Allan Poe, Nathaniel Hawthorne, and Herman Melville. 2014. Reprinted. New York: Routledge, 2016.Google Scholar

Hayes, Kevin J. “Male Body, Whale Body.” Review 25 (2003): 251–60.Google Scholar

Higgins, Brian, and Parker, Hershel. Reading Melville’s Pierre; Or, The Ambiguities. Baton Rouge: Louisiana State University Press, 2006.Google Scholar

Paglia, Camille. Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson. New York: Vintage Books, 1991.Google Scholar

Schell, Jennifer. “A Bold and Hardy Race of Men”: The Lives and Literature of American Whalemen. Amherst: University of Massachusetts Press, 2013.Google Scholar

Anderson, Charles Roberts. Melville in the South Seas. New York: Columbia University Press, 1939.Google Scholar

Brawley, Sean and Dixon, Chris, The South Seas: A Reception History from Daniel Defoe to Dorothy Lamour. Lanham, MD: Lexington Books, 2015.Google Scholar

Heflin, Wilson L. Herman Melville’s Whaling Years, ed. Bercaw, Mary K. and Heffernan, Thomas Farel. Nashville: Vanderbilt University Press, 2004.Google Scholar

Sanborn, Geoffrey. The Sign of the Cannibal: Melville and the Making of a Postcolonial Reader. Durham, NC: Duke University Press, 1998.Google Scholar

Tricomi, Albert H. Missionary Positions: Evangelicalism and Empire in American Fiction. Gainesville: University Press of Florida, 2011.Google Scholar

Dowling, David. The Business of Literary Circles in Nineteenth-Century America. New York: Palgrave, 2011.Google Scholar

Dowling, David. Literary Partnerships and the Marketplace. Baton Rouge: Louisiana State University Press, 2012.Google Scholar

Miller, Perry. The Raven and the Whale: The War of Words and Wits in the Era of Poe and Melville. New York: Harcourt, Brace, and World, 1956.Google Scholar

Olsen-Smith, Steven, ed. Melville in His Own Time: A Biographical Chronicle of His Life, Drawn from Recollections, Interviews, and Memoirs by Family, Friends, and Associates. Iowa City: University of Iowa Press, 2015.Google Scholar

Widmer, Edward L. Young America: The Flowering of Democracy in New York City. New York: Oxford University Press, 1999.Google Scholar

Delombard, Jeannine Marie. “White-Jacket: Telling Who Is – and Aint – a Slave,” in The New Cambridge Companion to Herman Melville, ed. Levine, Robert S.. New York: Cambridge University Press, 2014. 51–67.Google Scholar

Hayes, Kevin J. Melville’s Folk Roots. Kent, OH: Kent State University Press, 1999.Google Scholar

Jones, Paul Christian. “Slavery and Abolitionism,” in Edgar Allan Poe in Context, ed. Hayes, Kevin J.. New York: Cambridge University Press, 2013. 138–47.Google Scholar

Karcher, Carolyn L. Shadow over the Promised Land: Slavery, Race, and Violence in Melville’s America. Baton Rouge: Louisiana State University Press, 1980.Google Scholar

Otter, Samuel. Melville’s Anatomies. Berkeley: University of California Press, 1999.Google Scholar

Barton, John Cyril. “‘An Unquestionable Source?’: Melville’s ‘The Town Ho’s Story,’ the Inquisition, and W. B. Stevenson’s Twenty Years’ Residence in South America.” Nineteenth-Century Literature 68 (2013): 145–79.Google Scholar

Lazo, Rodrigo. “‘So Spanishly Poetic,’ Moby-Dick’s Doubloon and Latin America,” in Ungraspable Phantom: Essays on Moby-Dick, ed. Bryant, John, Bercaw Edwards, Mary K. and Marr, Timothy. Kent, OH: Kent State University Press, 2006. 224–37.Google Scholar

López Liquete, María Felisa. “Melville and Conrad’s Postcolonial Sights of South America: ‘The Encantadas’ and Nostromo.” Canadian Review of Comparative Literature 40 (2013): 384–401.Google Scholar

Núñez, Estuardo. “Herman Melville en el Perú.” Mar del Sur 27, 11 (1953): 3–25.Google Scholar

Wertheimer, Eric. Imagined Empires: Incas, Aztecs, and the New World of American Literature, 1771–1876. New York: Cambridge University Press, 1999.Google Scholar

D’Amore, Maura. Suburban Plots: Men at Home in Nineteenth-Century American Print Culture. Amherst: University of Massachusetts Press, 2014.Google Scholar

Mitchell, Donald Grant. Reveries of a Bachelor. New York: H. M. Caldwell, 1850.Google Scholar

Spiro, Lisa. “Reading with a Tender Rapture: Reveries of a Bachelor and the Rhetoric of Detached Intimacy.” Book History 6 (2003): 57–93.Google Scholar

Wiegman, , Robyn. “Melville’s Geography of Gender,” in Herman Melville: A Collection of Critical Essays, ed. Jehlen, Myra. Englewood Cliffs, NJ: Prentice Hall, 1994. 187–98.Google Scholar

Cohen, Hennig. “Notes,” in The Battle-Pieces of Herman Melville, ed. Cohen, Hennig. New York: Thomas Yoseloff, 1963. 203–95.Google Scholar

Garner, Stanton. The Civil War World of Herman Melville. Lawrence: University Press of Kansas, 1993.Google Scholar

Griffin, Martin. Ashes of the Mind: War and Memory in Northern Literature, 1865–1900. Amherst: University of Massachusetts Press, 2009.Google Scholar

Parker, Hershel. Reading Billy Budd. Evanston: Northwestern University Press, 1990.Google Scholar

Thorp, Willard. “Historical Note,” in Herman Melville, White-Jacket: or, The World in a Man-of-War, ed. Harrison Hayford, Hershel Parker, and G. Thomas Tanselle. Evanston and Chicago: Northwestern University Press and the Newberry Library, 1970. 403–40.Google Scholar

Cooke, Mervyn, and Reed, Philip. Benjamin Britten, Billy Budd. New York: Cambridge University Press, 1993.Google Scholar

Forster, E. M., and Crozier, Eric. Billy Budd: Opera in Two Acts. London: Boosey and Hawkes, 1961.Google Scholar

Skaggs, Carmen Trammell. Overtones of Opera in American Literature from Whitman to Wharton. Baton Rouge: Louisiana State University Press, 2010.Google Scholar

Till, Nicholas, ed., The Cambridge Companion to Opera Studies. New York: Cambridge University Press, 2012.Google Scholar

Wallace, Robert K. Heggie and Scheer’s Moby-Dick: A Grand Opera for the 21st Century. Denton: University of North Texas Press, 2013.Google Scholar

Abbott, Collamer M. “Melville and the Panoramas.” Melville Society Extracts 101 (1995): 1–14.Google Scholar

Avery, Kevin J. “‘Whaling Voyage Round the World’: Russell and Purrington’s Moving Panorama and Herman Melville’s ‘Mighty Book.’” American Art Journal 22 (1990): 50–78.Google Scholar

Carothers, Robert L., and Marsh, John L.. “The Whale and the Panorama,” Nineteenth-Century Fiction 26 (1971): 319–28.Google Scholar

Hall, Elton W. Panoramic Views of Whaling by Benjamin Russell. New Bedford, MA: Old Dartmouth Historical Society, 1981.Google Scholar

Hagen, Van, Wolfgang, Victor. Frederick Catherwood Architect. New York: Oxford University Press, 1950.Google Scholar

Baker, Jennifer J. “Dead Bones and Honest Wonders: The Aesthetics of Natural Science in Moby-Dick,” in Melville and Aesthetics, ed. Otter, Samuel and Sanborn, Geoffrey. New York: Palgrave, 2011. 85–101.Google Scholar

Lewis, Andrew J. A Democracy of Facts: Natural History in the Early Republic. Philadelphia: University of Philadelphia Press, 2011.Google Scholar

Madison, R. D., ed. The Essex and the Whale: Melville’s Leviathan Library and the Birth of Moby-Dick. Santa Barbara, CA: Praeger, 2016.Google Scholar

Vincent, Howard P. The Trying-Out of Moby-Dick. Carbondale: University of Southern Illinois Press, 1949.Google Scholar

Welch, Margaret. The Book of Nature: Natural History in the United States, 1825–1875. Boston: Northeastern University Press, 1998.Google Scholar

Benesch, Klaus. Romantic Cyborgs: Authorship and Technology in the American Renaissance. Amherst: University of Massachusetts Press, 2002.Google Scholar

Cowan, Ruth. A Social History of American Technology. New York: Oxford University Press, 1997.Google Scholar

Dalsgaard, Inger Hunnerup. “‘The Leyden Jar’ and ‘The Iron Way’ Conjoined: Moby-Dick, the Classical and Modern Schism of Science and Technology,” in Melville among the Nations: Proceedings of an International Conference, Volos, Greece, July 2–6, 1997, ed. Marovitz, Sanford E. and Christodoulou, A. C.. Kent, OH: Kent State University Press, 2001. 243–54.Google Scholar

Fenton, Charles A. “‘The Bell-Tower’: Melville and Technology.” American Literature 23 (1951): 219–32.Google Scholar

Marx, Leo. The Machine in the Garden: Technology and the Pastoral Ideal in America. New York: Oxford University Press, 1964.Google Scholar

Bode, Carl. The American Lyceum: Town Meeting of the Mind. New York: Oxford University Press, 1956.Google Scholar

Ray, Angela. The Lyceum and Public Culture in the Nineteenth-Century United States. East Lansing: Michigan State University Press, 2005.Google Scholar

Scott, Donald. “The Popular Lecture and the Creation of a Public in the Mid-Nineteenth-Century United States.” Journal of American History 66 (1980): 791–809.Google Scholar

Sealts, Merton M., Jr. Melville as Lecturer. Cambridge, MA: Harvard University Press, 1957.Google Scholar

Wright, Tom F., ed. The Cosmopolitan Lyceum: Lecture Culture and the Globe in Nineteenth-Century America. Amherst: University of Massachusetts Press, 2013.Google Scholar

Frank, Stuart M. Herman Melville’s Picture Gallery: Sources and Types of the “Pictorial” Chapters of Moby-Dick. Fairhaven, MA: E. J. Lefkowicz, 1986.Google Scholar

Schultz, Elizabeth A. Unpainted to the Last: Moby-Dick and Twentieth-Century American Art. Lawrence: University Press of Kansas, 1995.Google Scholar

Sten, Christopher, ed. Savage Eye: Melville and the Visual Arts. Kent, OH: Kent State University Press, 1991.Google Scholar

Wallace, Robert K. Frank Stella’s Moby Dick: Words and Shapes. Ann Arbor: University of Michigan Press, 2000.Google Scholar

Wallace, Robert K. Melville and Turner: Spheres of Love and Fright. Athens: University of Georgia Press, 1992.Google Scholar

Coffler, Gail H. Melville’s Allusions to Religion: A Comprehensive Index and Glossary. Westport, CT: Praeger, 2004.Google Scholar

Cook, Jonathan A., and Yothers, Brian, eds. Visionary of the Word: Melville and Religion. Evanston: Northwestern University Press, 2017.Google Scholar

Pardes, Ilana. Melville’s Bibles. Berkeley: University of California Press, 2008.Google Scholar

Wright, Nathalia. Melville’s Use of the Bible. Durham, NC: Duke University Press, 1949.Google Scholar

Yothers, Brian. Sacred Uncertainty: Religious Difference and the Shape of Melville’s Career. Evanston: Northwestern University Press, 2015.Google Scholar

Foley, Brian. “Herman Melville and the Example of Sir Thomas Browne,” in The Critical Response to Herman Melville’s Moby-Dick, ed. Hayes, Kevin J.. Westport, CT: Greenwood Press, 1994. 201–20.Google Scholar

Grey, Robin, ed. Melville and Milton: An Edition and Analysis of Melville’s Annotations on Milton. Pittsburgh: Duquesne University Press, 2004.Google Scholar

Pommer, Henry F. Milton and Melville. Pittsburgh: University of Pittsburgh Press, 1950.Google Scholar

Wright, Nathalia. “Melville and ‘Old Burton,’ with ‘Bartleby’ as an Anatomy of Melancholy.” Tennessee Studies in Literature 15 (1970): 1–13.Google Scholar

Ardila, J.A.G., ed. The Picaresque Novel in Western Literature: From the Sixteenth Century to the Neopicaresque. New York: Cambridge University Press, 2015.Google Scholar

Levin, Harry. “Don Quixote and Moby Dick,” in Cervantes across the Centuries, ed. Flores, Angel and Benardete, M. J.. New York: Dryden Press, 1947. 227–36.Google Scholar

Quirk, Tom. Melville’s Confidence Man: From Knave to Knight. Columbia: University of Missouri Press, 1982.Google Scholar

Seelye, John. Melville: The Ironic Diagram. Evanston: Northwestern University Press, 1970.Google Scholar

Williams, Stanley T. The Spanish Background of American Literature. 2 vols. New Haven: Yale University Press, 1955.Google Scholar

Hayford, Harrison, and Blair, Walter. “Explanatory Notes,” in Herman Melville, Omoo: A Narrative of Adventures in the South Seas, ed. Harrison Hayford and Walter Blair. New York: Hendricks House, 1969. 341–438.Google Scholar

Hulme, Peter, and Youngs, Tim, eds. The Cambridge Companion to Travel Writing. New York: Cambridge University Press, 2002.Google Scholar

Mansfield, Luther S., and Vincent, Howard P.. “Explanatory Notes,” in Herman Melville, Moby-Dick: Or, The Whale, ed. Mansfield, Luther S. and Vincent, Howard P.. New York: Hendricks House, 1962. 569–832.Google Scholar

Smith, Bernard. Imagining the Pacific: In the Wake of the Cook Voyages. New Haven: Yale University Press, 1992.Google Scholar

Anderson, Mark. “Melville and Nietzsche: Living the Death of God,” Philosophy and Literature 40 (2016), 59–75.Google Scholar

Boies, J. J. “Existential Nihilism and Herman Melville.” Wisconsin Academy of Sciences, Arts and Letters 50 (1961), 307–20.Google Scholar

Pochmann, Henry A. German Culture in America: Philosophical and Literary Influences 1600–1900. Madison: University of Wisconsin Press, 1961.Google Scholar

Sealts, Merton M., Jr. Pursuing Melville, 1940–1980. Madison: University of Wisconsin Press, 1982.Google Scholar

Widmer, Kingsley. The Ways of Nihilism: Herman Melville’s Short Novels. Los Angeles: California State Colleges, 1970.Google Scholar

Lloyd-Smith, Allan. American Gothic Fiction: An Introduction. New York: Continuum, 2004.Google Scholar

Miles, Robert. “‘Tranced Griefs’: Melville’s Pierre and the Origins of the Gothic,” ELH 66 (1999): 157–77.Google Scholar

Mulvey Roberts, Marie. The Handbook of the Gothic. 2nd ed. New York: New York University Press, 2009.Google Scholar

Punter, David, ed. A New Companion to the Gothic. Malden, MA: Wiley-Blackwell, 2012.Google Scholar

Thomson, Douglass H., Voller, Jack G., and Frank, Frederick S.. Gothic Writers: A Critical and Bibliographical Guide. Westport, CT: Greenwood Press, 2002.Google Scholar

Davis, Merrell R. Melville’s Mardi: A Chartless Voyage. New Haven: Yale University Press, 1960.Google Scholar

Fiess, Edward. “Melville as a Reader and Student of Byron.” American Literature 24 (1952): 186–94.Google Scholar

Heffernan, Thomas F. “Melville and Wordsworth.” American Literature 49 (1977): 338–51.Google Scholar

Mathews, James W. “The Enigma of Beatrice Cenci: Shelley and Melville.” South Atlantic Review 49, 2 (1984): 31–41.Google Scholar

Parker, Hershel. Melville: The Making of the Poet. Evanston: Northwestern University Press, 2008.Google Scholar

Thomson, Shawn. The Romantic Architecture of Herman Melville’s Moby-Dick. Madison, NJ: Fairleigh Dickinson University Press, 2001.Google Scholar

Branch, Watson G., ed. Melville: The Critical Heritage. London: Routledge and Kegan Paul, 1974.Google Scholar

Hayes, Kevin J., and Parker, Hershel. Checklist of Melville Reviews. Evanston: Northwestern University Press, 1991.Google Scholar

Higgins, Brian, and Parker, Hershel, eds. Herman Melville: The Contemporary Reviews. New York: Cambridge University Press, 1995.Google Scholar

Norsworthy, Scott. “Melville Reviews and Notices, Continued.” Leviathan 13 (2011): 88–115.Google Scholar

Parker, Hershel, and Hayford, Harrison, eds. Moby-Dick as Doubloon: Essays and Extracts (1851–1970). New York: Norton, 1970.Google Scholar

Hayes, Kevin J. “Marcus Clarke and the Melville Revival.” Notes and Queries 63 (2016): 261–3.Google Scholar

Higgins, Brian. Herman Melville: An Annotated Bibliography, Vol. 1 (1846–1930). Boston: G. K. Hall, 1979.Google Scholar

Kennedy, Frederick James, and Kennedy, Joyce Deveau, “Archibald MacMechan and the Melville Revival.” Leviathan 1 (1999): 5–37.Google Scholar

Shumway, David. Creating American Civilization: A Genealogy of American Literature as an Academic Discipline. Minneapolis: University of Minnesota Press, 1994.Google Scholar

Vanderbilt, Kermit. American Literature and the Academy: The Roots, Growth, and Maturity of a Profession. Philadelphia: University of Pennsylvania Press, 1986.Google Scholar

Aronoff, Eric. Composing Cultures: Modernism, American Literary Studies, and the Problem of Culture. Charlottesville: University of Virginia Press, 2013.Google Scholar

Ball, David M. False Starts: The Rhetoric of Failure and the Making of American Modernism. Evanston: Northwestern University Press, 2014.Google Scholar

Beaver, Harold. “Melville and Modernism.” Dutch Quarterly Review of Anglo-American Letters 13 (1983): 1–15.Google Scholar

Mitchell, Rick. “The Confidence-Man: Performing the Magic of Modernity.” European Journal of American Culture 23 (2004): 51–62.Google Scholar

Widmer, Kingsley. “Melville and the Myths of Modernism,” in A Companion to Melville Studies, ed. Bryant, John. Westport, CT: Greenwood, 1986. 669–94.Google Scholar

Connor, Steven, ed. The Cambridge Companion to Postmodernism. New York: Cambridge University Press, 2004.Google Scholar

Hayes, Kevin J. The Cambridge Introduction to Herman Melville. New York: Cambridge University Press, 2007.Google Scholar

Hayes, Kevin J. “From Ahab to Stalin.” Review 24 (2002): 145–55.Google Scholar

Hutcheon, Linda. A Poetics of Postmodernism: History, Theory, Fiction. New York: Routledge, 1988.Google Scholar

Kiely, Robert. Reverse Tradition: Postmodern Fictions and the Nineteenth-Century Novel. Cambridge, MA: Harvard University Press, 1993.Google Scholar

Olson, Charles. Collected Prose, ed. Allen, Donald and Friedlander, Benjamin. Berkeley: University of California Press, 1997.Google Scholar

Göske, Daniel. “Melville’s Early Reception in German Translation and Criticism.” Amerikastudien 36 (1991): 209–26.Google Scholar

Leone, Leah. “Voice Distortion: Character Narration in Borges’s Translation of Herman Melville’s ‘Bartleby’.” Variaciones Borges 31 (2011): 137–59.Google Scholar

Makino, Arimichi. “Melville Among Japanese Melvilleans,” in Melville “Among the Nations” Proceedings of an International Conference, Volos, Greece, July 2–6, 1997, ed. Marovitz, Sanford E. and Christodoulou, Athanasios C.. Kent, OH: Kent State University Press, 2001. 520–26.Google Scholar

Phelps, Leland R. Herman Melville’s Foreign Reputation. Boston: G. K. Hall, 1983.Google Scholar

Hayes, Kevin J. Herman Melville. London: Reaktion, 2017.Google Scholar

Howard, Leon. Herman Melville: A Biography. Berkeley: University of California Press, 1951.Google Scholar

Leyda, Jay. The Melville Log: A Documentary Life of Herman Melville, 1819–1891. 1951. Reprinted. New York: Gordian Press, 1969.Google Scholar

Parker, Hershel. Herman Melville: A Biography. 2 vols. Baltimore: Johns Hopkins University Press, 1996–2002.Google Scholar

Parker, Hershel. Melville Biography: An Inside Narrative. Evanston: Northwestern University Press, 2012.Google Scholar

Sealts, Merton M., Jr. The Early Lives of Melville: Nineteenth-Century Biographical Sketches and Their Authors. Madison: University of Wisconsin Press, 1974.Google Scholar

Thorp, Willard. “Herman Melville,” in Herman Melville: Representative Selections, with Introduction, Bibliography, and Notes, ed. Thorp, Willard. New York: American Book Company, 1938. xi–cxxix.Google Scholar

Bradbury, , Ray. Moby Dick: A Screenplay, ed. Touponce, William F.. Burton, MI: Subterranean Press, 2008.Google Scholar

Dowling, David. “‘Revenge upon a Dumb Brute’: Casting the Whale in Film Adaptations of Moby-Dick.” Journal of Film and Video 66 (2014): 50–63.Google Scholar

Lavery, David. “Melville’s Moby Dick and Hollywood,” in Nineteenth-Century American Fiction on Screen, ed. Palmer, R. Barton. New York: Cambridge University Press, 2007. 94–105.Google Scholar

Long, Robert Emmet, ed. John Huston: Interviews. Jackson: University Press of Mississippi, 2001.Google Scholar

Stone, Edward. “Ahab Gets Girl, or Herman Melville Goes to the Movies,” in The Critical Response to Herman Melville’s Moby-Dick, ed. Hayes, Kevin J.. Westport, CT: Greenwood, 1994. 170–82.Google Scholar