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3 - Woolf, De Quincey and the Legacy of ‘Impassioned Prose’

Published online by Cambridge University Press:  06 May 2021

Elsa Högberg
Affiliation:
Uppsala University
Amy Bromley
Affiliation:
University of Glasgow
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Summary

He saw her, and heard her coming to him with the crocus and the jay's feather in her breast, and cried ‘Orlando’, which meant (and it must be remembered that when bright colours like blue and yellow mix themselves in our eyes, some of it rubs off on our thoughts) first the bowing and swaying of bracken as if something were breaking through; which proved to be a ship in full sail, heaving and tossing a little dreamily, rather as if she had a whole year of summer days to make her voyage in; and so the ship bears down, heaving this way, heaving that way, nobly, indolently, and rides over the crest of this wave and sinks into the hollow of that one, and so, suddenly stands over you (who are in a little cockle shell of a boat, looking up at her) with all her sails quivering, and then, behold, they drop all of a heap on deck – as Orlando dropped now into the grass beside him.

Part of the beauty of this sentence is its sensually playful tribute to Vita Sackville-West, and its resonance with Woolf's private image of her friend and lover: ‘Vita very free & easy, always giving me great pleasure to watch, & recalling some image of a ship breasting a sea, nobly, magnificently, with all sails spread, & the gold sunlight on them’ (D3 146). In another diary entry, the image of Sackville-West as ‘some tall sailing ship’ triggers a vision of her ancestral home Knole (D3 125), an association that also inspires the long, lyrical sentence upon which my chapter focuses. This sentence appears a few pages after Orlando's reception of a document containing multiple legal verdicts, or sentences:

‘The lawsuits are settled […] Turkish marriage annulled […] Children pronounced illegitimate […] Sex? Ah! What about sex? My sex’, she read out with some solemnity, ‘is pronounced indisputably, and beyond the shadow of a doubt […] female’ […] Whereupon she appended her own signature beneath Lord Palmerston's and entered from that moment into the undisturbed possession of her titles, her house, and her estate. (O 176–7)

Type
Chapter
Information
Sentencing Orlando
Virginia Woolf and the Morphology of the Modernist Sentence
, pp. 44 - 55
Publisher: Edinburgh University Press
Print publication year: 2018

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