Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-p2v8j Total loading time: 0 Render date: 2024-06-12T23:03:23.138Z Has data issue: false hasContentIssue false

Introduction

Published online by Cambridge University Press:  06 May 2021

Louis Bayman
Affiliation:
University of Southampton
Natalia Pinazza
Affiliation:
University of Exeter
Get access

Summary

It is necessary to sail, it is not necessary to live. – Plutarch

This book is about journeys. Each of its chapters concerns films that feature some kind of travel, and as a collection they reveal the journey to be less an exotic departure than a persistent presence across cinema, as well as across cultural modernity. Spanning different regions and cultures, they probe the meaning of the journey in connection with notions of belonging, memory and history, in examples that range from pre-cinema to new media and through documentary, fiction and the spaces between. They investigate film's employment of the journey as a motif for something wider, whether as metaphor for self-discovery or encounter, emblem of artistic or social transformation, and evidence of autonomy and progress, or their lack.

A principal critical intervention of the volume is to put into relief the formal and contextual frameworks that relate to purposeful movement, and to how change is symbolised in spatial terms. Rather than claiming comprehensiveness with regard to such a large topic, the book proposes to use the journey as a kind of instrument, to the extent that it inspires both formal openness and narrative purpose, describes the processes through which film circulates and responds creatively to the socio-cultural influences that give our lives significance. Diverse amongst themselves, what each chapter develops are analyses that establish the cinematic journey as inherently multi-dimensional, constituted by representational, thematic, intellectual or contextual concerns but never manifest upon just one of these axes in isolation. In this regard, as well as in its geographical scope and its refusal of binaries between US and world cinema or between genre and art cinema, the collection contributes to an integrating and polycentric approach to film.

Before introducing the individual chapters and sections comprising the book, it may be worth making a brief sketch of the significance of the journey to the study of film. Film itself of course physically moves, rolling through the camera and then the projector that illuminates its chemical imprints on screen.

Type
Chapter
Information
Journeys on Screen
Theory, Ethics, Aesthetics
, pp. 1 - 16
Publisher: Edinburgh University Press
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×