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Introduction: The Soundscape of the 1889 Exposition Universelle

Published online by Cambridge University Press:  26 May 2022

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Summary

The Exposition Universelle, which took place in the six months between 6 May and 6 November 1889 in Paris, was one of the major political, economic, and cultural events of the late nineteenth century in France. It attracted more than thirty million people to its wonders, and 61,722 exhibitors, as the government of France invited the world to come to Paris to show samples of its industrial products, natural resources, and cultural achievements. The Exposition was located at the Champ de Mars, on the banks of the Seine, right in the center of the French capital. A spectacle to end all spectacles, the 1889 Exposition Universelle was an event of superlatives: the highest iron tower (figure I.1), the latest technology, the most exotic people, a maximum number of historic reconstructions, and the most diverse music ever heard. Surrounding the Eiffel Tower, an impressive array of buildings showcased the industries and crafts from countries as diverse as Bolivia and China; exhibitions in the Palais des Beaux-Arts presented paintings and sculptures from France and abroad; the Galerie des Machines was a temple to industrial progress, “a masterpiece of modern mechanics” containing “all the wonders of human activity.” Artists from all over the world came to Paris to perform at this event, whether inside the Exposition Universelle like the dancers and musicians from Java, or in other Parisian locations but loosely connected to the World's Fair, like Buffalo Bill's Wild West show, which was hired to add to the international attractions in and around the Exposition Universelle.

But the fair was also designed to celebrate the centenary of the French Revolution of 1789. As a result, many a European monarch frowned upon the occasion. But while nations such as Britain, Italy, and Germany withheld official support, their governments encouraged private enterprise to represent their nations appropriately. For republics such as the United States, Argentina, and Brazil, however, the fair offered an perfect window to celebrate the republican ideal. But 1889 was also a crucial year for other reasons.

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Publisher: Boydell & Brewer
Print publication year: 2005

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