Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-p2v8j Total loading time: 0 Render date: 2024-06-13T04:26:15.372Z Has data issue: false hasContentIssue false

3 - “Edward III’s Gold-Digging Mistress”: Alice Perrers, Gender, and Financial Power at the English Royal Court, 1360– 1377

Published online by Cambridge University Press:  20 November 2020

Get access

Summary

Where woman reign or be in authoritie, there must nedes vanitie be preferred to virtue, ambition and pride to temperacie and modestie, and finallie, that avarice the mother of all mischefe must nedes devour equitie and justice.

John Knox

John Knox's infamous 1558 polemic The First Blast of the Trumpet against the Monstrous Regiment of Women forms part of a familiar topos that connects women— and especially female rule and political power— with the sin of avarice. Deborah Valenze has highlighted that “early modern iconography inherited a host of medieval emblems relating to avarice, which depicted figures, usually female, grasping at or scooping up coins.” Richard Newhauser has likewise identified several female depictions of avarice from the early Middle Ages, including “Delilah,” “inhuman mistress,” “misshapen woman,” “whore,” and “woman hiding money bags.” These generic images were frequently associated with powerful women by their contemporary critics. In her study of the Medici women in Renaissance Florence, Natalie Tomas has discussed how the wealthy Alfonsina Orsini, who acted as regent during the absences of her son Lorenzo de Medici, was frequently and openly condemned for her avarice and ambition. Tomas notes that Alfonsina was the only member of the Medici family to be designated with this vice, and that by way of contrast “financial success and the will to acquire wealth […] was perceived as desirable and God-given in male rulers.” Returning to early medieval Europe, “some vices,” as identified by Pauline Stafford, “are regularly attributed to queens, the most common being avarice.” This was certainly true later on of Isabeau of Bavaria, queen of France from 1385 to 1422, who was accused of avarice and moral corruption as part of the condemnation over her political aspirations.

The correlation between female power, sexual wantonness, and avarice is also a prominent theme in the life of Isabeau's near contemporary, Alice Perrers. Alice was the mistress of the chivalric hero Edward III of England during the less glorious “final” years of his reign, from approximately 1361 to his death in 1377. Mother to three of Edward's children (a son and two daughters), Alice is largely portrayed by contemporaries as an unprincipled and immoral harlot who manipulated and controlled the increasingly aging and infirm king to her advantage.

Type
Chapter
Information
Publisher: Amsterdam University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×