Published online by Cambridge University Press: 05 May 2023
Cast
Jorge Bueno, played by Jorge Negrete
Pedro Infante, played by Pedro Infante
Rosario, played by Carmen González
María (Jorge’s sister), played by Yolanda Varela
General, played by José Elías Moreno
Don Elías, played by Carlos Orellana
Genoveva, played by Queta Levant
Doctor, played by Arturo Soto Rangel
Josefa (Pedro’s mother), played by Mimí Derba
Crew
Cinematography: Ismael Carlos Rodríguez
Photography: Nacho Torres, Humberto Daniel López
Photography assistants: Ignacio Romero, Pablo Ríos
Sound: James L. Fields
Dialogue recording: José B. Carlos
Editing: Gloria Schoemann
Editing assistant: Pedro Velázquez
Scenography: José Rodríguez G.
Special Effects: Jorge Benavides
Producer: Antonio Guillermo Tello
Assistant Director: Mario Llorca
Annotator: Pedro López
Make-up: Rosa Guerrero
Hair stylist: Juana Lepe
Music: Manuel Esperón
Executive Producer: David Negrete
Director: Ismael Rodríguez
Produced by: Estudios y Laboratorios Churubasco Azteca
Songs
Plot
The film opens with a ‘Prólogo’, which offers a preview in miniature of the film which is to follow. The two main men – Pedro and Jorge – discuss their strategies of seduction; while Jorge favours asking the woman for a Platonic relationship and thereby forcing the woman to play her hand, Pedro favours a more direct, flirtatious approach. We see both men wandering into the countryside with their girlfriends, singing popular Mexican songs as they go. Jorge, as expected, gets the girl as a result of his clean-cut approach. But Pedro, as a result of snatching a kiss, gets whacked over the head by María. She calls out, and her brother, Jorge, comes to the rescue. At first angry, Jorge then becomes amused, and Pedro is told to be a good boy. The prologue ends, and the film proper then begins. Jorge Bueno brings his car to be repaired at a garage. He says he is interested in buying some cattle, and is persuaded by a friend to look at a ranch to see if he is able to purchase it. Jorge’s partner mentions Pedro’s name, and Jorge scowls in disgust, saying he is no longer his friend. We cut to Pedro whose wife, Rosario, has just given birth to a baby girl. After saying the baby is ugly, he goes off to a bar to celebrate. His father-in-law complains that Pedro is a womanizer and a good-for-nothing. At the bar Pedro starts dancing with other women, and plays the violin.
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