Book contents
- Frontmatter
- Contents
- List of Figures and Tables
- Acknowledgements
- Note on Romanisation and Publication History
- Introduction: Global Longings with a Cut
- 1 Hard Scenes
- 2 Hyphenated Scenes
- 3 Subaltern Sounds
- 4 Musical Taste and Technologies of the Self
- 5 Producing, Localising and Silencing Sounds
- Conclusion: Paradoxical Performances
- Notes
- Chinese Glossary
- Appendix I Interviews
- Appendix II Factor Analysis of Singers
- Appendix III Popularity of Singers and Bands
- Bibliography
- Index
- Publications Series
- Frontmatter
- Contents
- List of Figures and Tables
- Acknowledgements
- Note on Romanisation and Publication History
- Introduction: Global Longings with a Cut
- 1 Hard Scenes
- 2 Hyphenated Scenes
- 3 Subaltern Sounds
- 4 Musical Taste and Technologies of the Self
- 5 Producing, Localising and Silencing Sounds
- Conclusion: Paradoxical Performances
- Notes
- Chinese Glossary
- Appendix I Interviews
- Appendix II Factor Analysis of Singers
- Appendix III Popularity of Singers and Bands
- Bibliography
- Index
- Publications Series
Summary
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- Type
- Chapter
- Information
- China with a CutGlobalisation, Urban Youth and Popular Music, pp. 244 - 255Publisher: Amsterdam University PressPrint publication year: 2010