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5 - A Fresh Start

Published online by Cambridge University Press:  16 February 2021

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Summary

Romeyn Evicted?

The Getty Research Institute in Los Angeles holds a pen drawing showing four allegorical characters chasing an individual away from a city (fig. 5.1). The authorship of the anonymous and undated picture is obscure, but it is presumed to represent Romeyn de Hooghe being expelled from Amsterdam.

On the left, a man with a giant periwig is smiling mischievously. In contrast to his abundant hairdo – a periwig was a sign of wealth and leisure – he is dressed like a tramp. Leaning on a stick and accompanied by a dog (!), he is carrying the besace or beggars’ knapsack, a famous symbol of the rebellious nobles who had started the Dutch Revolt. In his left hand, partly cut off by the border of the drawing, he clutches a purse or a money bag. In the foreground gleams a pile of treasure with the legend Aeraium, a misspelling of aerarium (public treasury). The character is evidently not only a vagrant but also a thief, a combination not uncommon in the early modern imagination. He is accompanied by a repulsive hag, winged and clawed, hovering above him and shrouded in dark clouds, the symbol of Invidia or Envy. The beggar- thief and his companion are being expelled from a city, visible in the background, by an allegorical figure, a woman holding a stick in her right hand and a knot of snakes in the other. She represents ‘Concord of War’ (Concordia militare), according to Cesare Ripa ‘an armoured woman, holding in her hands a bunch of snakes thrown together; for she is able to protect herself with weapons and harm others with venom, which is brought about by anger’. The central figure on the right, dressed in sixteenth-century garb, embodies the city-maiden of Amsterdam. She has no particular attributes, but the imperial crown on the wall behind her unequivocally refers to that city, which had the right to display the crown above its arms. She holds a laurel wreath over a figure sitting to her left, representing Justice, with scales (but no blindfold), a bundle of fasces (the ancient Roman symbol for justice), law books, and another imperial crown sitting on her lap.

Type
Chapter
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The Life of Romeyn de Hooghe 1645–1708
Prints, Pamphlets, and Politics in the Dutch Golden Age
, pp. 161 - 190
Publisher: Amsterdam University Press
Print publication year: 2018

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  • A Fresh Start
  • Henk van Nierop
  • Book: The Life of Romeyn de Hooghe 1645–1708
  • Online publication: 16 February 2021
  • Chapter DOI: https://doi.org/10.1017/9789048531035.008
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  • A Fresh Start
  • Henk van Nierop
  • Book: The Life of Romeyn de Hooghe 1645–1708
  • Online publication: 16 February 2021
  • Chapter DOI: https://doi.org/10.1017/9789048531035.008
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • A Fresh Start
  • Henk van Nierop
  • Book: The Life of Romeyn de Hooghe 1645–1708
  • Online publication: 16 February 2021
  • Chapter DOI: https://doi.org/10.1017/9789048531035.008
Available formats
×