Book contents
- Frontmatter
- Contents
- 1 Introduction: Adaptation in a Convergence Environment
- 2 Adaptation as Connection: A Network Theoretical Approach to Convergence, Participation, and Co-Production
- 3 Filing off the Serial Numbers: Fanfiction and its Adaptation to the Book Market
- 4 From Paratext to Polyprocess: The “Quirky” Mashup Novel
- 5 “You Just Got Covered”: YouTube Cover Song Videos as Examples of Para-Adaptation
- 6 Masters of the Universe? Viewers, the Media, and Sherlock's Lead Writers
- 7 Alien Adapted (Again and Again): Fictional Universes between Difference and Repetition
- 8 “Everything is Awesome:” Spreadability and The LEGO Movie
- 9 Localization as Adaptation in the Wolfenstein Franchise
- Index
5 - “You Just Got Covered”: YouTube Cover Song Videos as Examples of Para-Adaptation
Published online by Cambridge University Press: 21 November 2020
- Frontmatter
- Contents
- 1 Introduction: Adaptation in a Convergence Environment
- 2 Adaptation as Connection: A Network Theoretical Approach to Convergence, Participation, and Co-Production
- 3 Filing off the Serial Numbers: Fanfiction and its Adaptation to the Book Market
- 4 From Paratext to Polyprocess: The “Quirky” Mashup Novel
- 5 “You Just Got Covered”: YouTube Cover Song Videos as Examples of Para-Adaptation
- 6 Masters of the Universe? Viewers, the Media, and Sherlock's Lead Writers
- 7 Alien Adapted (Again and Again): Fictional Universes between Difference and Repetition
- 8 “Everything is Awesome:” Spreadability and The LEGO Movie
- 9 Localization as Adaptation in the Wolfenstein Franchise
- Index
Summary
Abstract
Cover songs are broadly viewed as adaptations within the context of relevant scholarly debates, yet little has been written about user-made YouTube cover song videos as adaptations. Scholarly work outside adaptation studies mainly describes such videos as derivative or fan-made videos. This chapter revisits the concept of para-adaptation as a first step in understanding how these videos form a multi-layered dialogue with other media forms developed within and around YouTube. User-made YouTube cover song videos do not visually emulate (unless the video falls under the category of parody) the official music video of the song covered, yet the visual settings may also be viewed as adaptations since they borrow familiar elements from other participatory or industrydriven practices. Para-adaptation is a more fitting term to describe such videos: no-budget user-generated content that creatively “disturbs” commercial source products, and may eventually achieve a status that surpasses the “ordinary” expectations of its creator(s). These videos, deliberately or due to a lack of media production competencies and/ or space availability other than a bedroom, “fail” to establish a look closer to industry standards. Rather than subtracting from their appeal, these “failures” not only enrich the culture of “ordinary” creativity, but become a source of inspiration for re-energized forms of commercial entertainment.
Key words: Cover; YouTube; adaptation; para-adaptation
Introduction
In 2012 Walk off the Earth (WOTE), a rock band based in Canada uploaded on YouTube a video of their cover of the hit single “Somebody That I Used to Know” by Gotye. The playful combination of the vocal and musical abilities of the band members and their staging in front of the camera (five musicians playing one guitar) as well as the deadpan performance of one of the members of the band (Mike Taylor, also known as the Beard Guy) made the video go viral within days. The same arrangement was later presented on The Ellen DeGeneres Show . However, the replication of the same arrangement in a TV studio was awkward in many ways. The transference of the WOTE arrangement from the Between two Ferns -like décor of their do-it-ourselves (DIO) cover to the larger stage of the TV show inevitably restricted their otherwise novel and globally celebrated YouTube video to an old school variety-like act.
- Type
- Chapter
- Information
- Adaptation in the Age of Media Convergence , pp. 111 - 132Publisher: Amsterdam University PressPrint publication year: 2019