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11 - Conrad and Rousseau: concepts of man and society

Published online by Cambridge University Press:  07 December 2009

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Summary

The objective of this chapter is not a quest for sources. That Conrad read Jean-Jacques Rousseau does not need to be proven; how well he remembered his works and how strongly he felt Rousseau's influence when writing his own novels does not concern me here. What I am attempting is not a genetic enquiry, but an exploration in the history of certain ideas. Nor is this a comprehensive study of the Conrad–Rousseau relation, which would require a fuller discussion of various aspects and diverse components of Rousseau's thought and means of expression.

Rather, comparing Conrad with Rousseau is here supposed to serve three purposes: firstly, to elucidate, by way of a contrastive analysis, Conrad's concepts of man and society; secondly, to place Conrad within the context of the history of European moral and socio-political thought which, in turn, will make it possible to determine his position on the map of philosophical and political tendencies of his day; and, finally, to clarify the intellectual structure of those works of Conrad which can be interpreted in terms of his opposition to Rousseau's ideas.

The political issues raised in Conrad's fiction attracted scant notice during his lifetime. He was also gravely disappointed by the lack of public response to ‘Autocracy and War’, his longest piece of political journalism. But within the last thirty years Conrad as a political writer has been given a growing consideration. Still, the conceptual framework of his thought, the sources and implications of his basic ideas of man, society and historical process, and the relation of his beliefs to the main currents of European political philosophy have not been much explored.

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Conrad in Perspective
Essays on Art and Fidelity
, pp. 139 - 152
Publisher: Cambridge University Press
Print publication year: 1997

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