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Further reading

Published online by Cambridge University Press:  05 June 2012

Eric Bulson
Eric Bulson
Affiliation:
Columbia University, New York
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The Cambridge Introduction to James Joyce , pp. 130 - 132
Publisher: Cambridge University Press
Print publication year: 2006

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References

Adams, Robert. Surface and Symbol: The Consistency of James Joyce's “Ulysses.”New York: Oxford University Press, 1962.Google Scholar
Attridge, Derek, ed. The Cambridge Companion to James Joyce, 2nd edn. Cambridge: Cambridge University Press, 2004.CrossRefGoogle Scholar
Attridge, Derek. and Ferrer, Daniel, ed. Post-Structualist Joyce. Cambridge: Cambridge University Press, 1984.Google Scholar
Beckett, Samuel et al. Our Exagmination Round His Factification For Incamination of “Work in Progress” (1929). Reprinted London: Faber and Faber; New York: New Directions, 1972.Google Scholar
Blamires, Harry. The Bloomsday Book (1966). Reprinted London: Methuen, 1985.Google Scholar
Brown, Richard. James Joyce and Sexuality. Cambridge: Cambridge University Press, 1985.CrossRefGoogle Scholar
Budgen, Frank. James Joyce and the Making of “Ulysses” (1934). Reprinted London: Oxford University Press, 1972.Google Scholar
Campbell, Joseph and Robinson, Henry Morton, ed. A Skeleton Key to “Finnegans Wake.”London: Faber and Faber, 1947.Google Scholar
Cheng, Vincent. Joyce, Race, and Empire. Cambridge: Cambridge University Press, 1995.Google Scholar
Deane, Seamus. A Short History of Irish Literature. London: Hutchinson; Notre Dame, IN:University of Notre Dame Press, 1986.Google Scholar
Deming, Robert H., ed. James Joyce: The Critical Heritage, 2 vols. London: Routledge, 1970.Google Scholar
Duffy, Enda. The Subaltern “Ulysses.”Minneapolis: University of Minnesota Press, 1994.Google Scholar
Ellmann, Richard. James Joyce (1959). Reprinted Oxford: Oxford University Press, 1982.Google Scholar
Fairhall, James. James Joyce and the Question of History. Cambridge: Cambridge University Press, 1993.Google Scholar
Fargnoli, Nicholas A. and Gillespie, Michael P., ed. James Joyce A–Z: The Essential Reference to His Life and Writings. Oxford: Oxford University Press, 1995.Google Scholar
Gifford, Don. Joyce Annotated: Notes for “Dubliners” and “A Portrait of the Artist as a Young Man.”Berkeley: University of California Press, 1982.Google Scholar
Gifford, Don. “Ulysses” Annotated. Berkeley: University of California Press, 1989.Google Scholar
Gilbert, Stuart. James Joyce's “Ulysses” (1930). Reprinted London: Faber and Faber, 1952; New York: Random House, 1955.Google Scholar
Gorman, Herbert. James Joyce: A Definitive Biography (1941). Reprinted New York: Rhinehart & Company, 1948.Google Scholar
Groden, Michael. “Ulysses” in Progress. Princeton: Princeton University Press, 1977.Google Scholar
Groden, Michael. gen. ed. The James Joyce Archive. 63 vols. New York and London: Garland Publishing, 1977–79.Google Scholar
Hart, Clive, ed. A Concordance to “Finnegans Wake” (1963). Reprinted Mamaroneck, NY: Paul P. Appel, 1973.Google Scholar
Hart, Clive. and Hayman, David, ed. James Joyce's “Ulysses”: Critical Essays. Berkeley: University of California Press, 1974.Google Scholar
Hart, Clive. and Gunn, Ian. James Joyce's Dublin: A Topographical Guide to the Dublin of “Ulysses.”London: Thames & Hudson, 2004.Google Scholar
Herr, Cheryl. Joyce's Anatomy of Culture. Urbana: University of Illinois Press, 1986.Google Scholar
Joyce, Stanislaus. My Brother's Keeper: James Joyce's Early Years, ed. Richard Ellmann. New York: Viking, 1958.Google Scholar
Kain, Richard. Fabulous Voyager: James Joyce's “Ulysses.”Chicago: University of Chicago Press, 1947.Google Scholar
Kenner, Hugh. Dublin's Joyce (1956). Reprinted New York: Columbia University Press, 1987.Google Scholar
Levin, Harry. James Joyce: A Critical Introduction (1941). Reprinted New York: New Directions, 1960.Google Scholar
Litz, A. Walton. The Art of James Joyce: Method and Design in “Ulysses” and “Finnegans Wake” (1961). Reprinted London: Oxford University Press, 1964.Google Scholar
MacCabe, Colin. James Joyce and the Revolution of the Word. London: Macmillan Press, 1978.Google Scholar
Maddox, Brenda. Nora: A Biography of Nora Joyce. London: Hamish Hamilton; Boston: Houghton Mifflin, 1988.Google Scholar
Manganiello, Dominic. Joyce's Politics. London: Routledge, 1980.Google Scholar
McCourt, John. The Years of Bloom: James Joyce in Trieste, 1904–1920. Dublin: The Lilliput Press, 2000.Google Scholar
Nolan, Emer. James Joyce and Nationalism. New York: Routledge, 1995.CrossRefGoogle Scholar
Norris, Margot. The Decentered Universe of “Finnegans Wake.”Baltimore: Johns Hopkins University Press, 1974.Google Scholar
Potts, Willard, ed. Portraits of the Artist in Exile: Recollections of James Joyce by Europeans. Seattle: University of Washington Press, 1979; New York: Harcourt, Brace & Jovanovich, 1986.Google Scholar
Rabaté, Jean-Michel. James Joyce, Authorized Reader. Baltimore: Johns Hopkins University Press, 1991.Google Scholar
Read, Forrest, ed. Pound/Joyce: The Letters of Ezra Pound to James Joyce with Pound's Essays on Joyce. New York: New Directions, 1967.Google Scholar
Scott, Bonnie Kime. Joyce and Feminism. Bloomington: Indiana University Press; Brighton: Harvester, 1984.Google Scholar
Seidel, Michael. James Joyce: A Short Introduction. Oxford: Blackwell, 2002.CrossRefGoogle Scholar
Senn, Fritz. Joyce's Dislocutions, ed. John Paul Riquelme. Baltimore: Johns Hopkins University Press, 1984.Google Scholar
Spoo, Robert. James Joyce and the Language of History: Dedalus's Nightmare. New York: Oxford University Press, 1994.Google Scholar
Adams, Robert. Surface and Symbol: The Consistency of James Joyce's “Ulysses.”New York: Oxford University Press, 1962.Google Scholar
Attridge, Derek, ed. The Cambridge Companion to James Joyce, 2nd edn. Cambridge: Cambridge University Press, 2004.CrossRefGoogle Scholar
Attridge, Derek. and Ferrer, Daniel, ed. Post-Structualist Joyce. Cambridge: Cambridge University Press, 1984.Google Scholar
Beckett, Samuel et al. Our Exagmination Round His Factification For Incamination of “Work in Progress” (1929). Reprinted London: Faber and Faber; New York: New Directions, 1972.Google Scholar
Blamires, Harry. The Bloomsday Book (1966). Reprinted London: Methuen, 1985.Google Scholar
Brown, Richard. James Joyce and Sexuality. Cambridge: Cambridge University Press, 1985.CrossRefGoogle Scholar
Budgen, Frank. James Joyce and the Making of “Ulysses” (1934). Reprinted London: Oxford University Press, 1972.Google Scholar
Campbell, Joseph and Robinson, Henry Morton, ed. A Skeleton Key to “Finnegans Wake.”London: Faber and Faber, 1947.Google Scholar
Cheng, Vincent. Joyce, Race, and Empire. Cambridge: Cambridge University Press, 1995.Google Scholar
Deane, Seamus. A Short History of Irish Literature. London: Hutchinson; Notre Dame, IN:University of Notre Dame Press, 1986.Google Scholar
Deming, Robert H., ed. James Joyce: The Critical Heritage, 2 vols. London: Routledge, 1970.Google Scholar
Duffy, Enda. The Subaltern “Ulysses.”Minneapolis: University of Minnesota Press, 1994.Google Scholar
Ellmann, Richard. James Joyce (1959). Reprinted Oxford: Oxford University Press, 1982.Google Scholar
Fairhall, James. James Joyce and the Question of History. Cambridge: Cambridge University Press, 1993.Google Scholar
Fargnoli, Nicholas A. and Gillespie, Michael P., ed. James Joyce A–Z: The Essential Reference to His Life and Writings. Oxford: Oxford University Press, 1995.Google Scholar
Gifford, Don. Joyce Annotated: Notes for “Dubliners” and “A Portrait of the Artist as a Young Man.”Berkeley: University of California Press, 1982.Google Scholar
Gifford, Don. “Ulysses” Annotated. Berkeley: University of California Press, 1989.Google Scholar
Gilbert, Stuart. James Joyce's “Ulysses” (1930). Reprinted London: Faber and Faber, 1952; New York: Random House, 1955.Google Scholar
Gorman, Herbert. James Joyce: A Definitive Biography (1941). Reprinted New York: Rhinehart & Company, 1948.Google Scholar
Groden, Michael. “Ulysses” in Progress. Princeton: Princeton University Press, 1977.Google Scholar
Groden, Michael. gen. ed. The James Joyce Archive. 63 vols. New York and London: Garland Publishing, 1977–79.Google Scholar
Hart, Clive, ed. A Concordance to “Finnegans Wake” (1963). Reprinted Mamaroneck, NY: Paul P. Appel, 1973.Google Scholar
Hart, Clive. and Hayman, David, ed. James Joyce's “Ulysses”: Critical Essays. Berkeley: University of California Press, 1974.Google Scholar
Hart, Clive. and Gunn, Ian. James Joyce's Dublin: A Topographical Guide to the Dublin of “Ulysses.”London: Thames & Hudson, 2004.Google Scholar
Herr, Cheryl. Joyce's Anatomy of Culture. Urbana: University of Illinois Press, 1986.Google Scholar
Joyce, Stanislaus. My Brother's Keeper: James Joyce's Early Years, ed. Richard Ellmann. New York: Viking, 1958.Google Scholar
Kain, Richard. Fabulous Voyager: James Joyce's “Ulysses.”Chicago: University of Chicago Press, 1947.Google Scholar
Kenner, Hugh. Dublin's Joyce (1956). Reprinted New York: Columbia University Press, 1987.Google Scholar
Levin, Harry. James Joyce: A Critical Introduction (1941). Reprinted New York: New Directions, 1960.Google Scholar
Litz, A. Walton. The Art of James Joyce: Method and Design in “Ulysses” and “Finnegans Wake” (1961). Reprinted London: Oxford University Press, 1964.Google Scholar
MacCabe, Colin. James Joyce and the Revolution of the Word. London: Macmillan Press, 1978.Google Scholar
Maddox, Brenda. Nora: A Biography of Nora Joyce. London: Hamish Hamilton; Boston: Houghton Mifflin, 1988.Google Scholar
Manganiello, Dominic. Joyce's Politics. London: Routledge, 1980.Google Scholar
McCourt, John. The Years of Bloom: James Joyce in Trieste, 1904–1920. Dublin: The Lilliput Press, 2000.Google Scholar
Nolan, Emer. James Joyce and Nationalism. New York: Routledge, 1995.CrossRefGoogle Scholar
Norris, Margot. The Decentered Universe of “Finnegans Wake.”Baltimore: Johns Hopkins University Press, 1974.Google Scholar
Potts, Willard, ed. Portraits of the Artist in Exile: Recollections of James Joyce by Europeans. Seattle: University of Washington Press, 1979; New York: Harcourt, Brace & Jovanovich, 1986.Google Scholar
Rabaté, Jean-Michel. James Joyce, Authorized Reader. Baltimore: Johns Hopkins University Press, 1991.Google Scholar
Read, Forrest, ed. Pound/Joyce: The Letters of Ezra Pound to James Joyce with Pound's Essays on Joyce. New York: New Directions, 1967.Google Scholar
Scott, Bonnie Kime. Joyce and Feminism. Bloomington: Indiana University Press; Brighton: Harvester, 1984.Google Scholar
Seidel, Michael. James Joyce: A Short Introduction. Oxford: Blackwell, 2002.CrossRefGoogle Scholar
Senn, Fritz. Joyce's Dislocutions, ed. John Paul Riquelme. Baltimore: Johns Hopkins University Press, 1984.Google Scholar
Spoo, Robert. James Joyce and the Language of History: Dedalus's Nightmare. New York: Oxford University Press, 1994.Google Scholar

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  • Further reading
  • Eric Bulson, Columbia University, New York
  • Book: The Cambridge Introduction to James Joyce
  • Online publication: 05 June 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9780511607301.007
Available formats
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Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Further reading
  • Eric Bulson, Columbia University, New York
  • Book: The Cambridge Introduction to James Joyce
  • Online publication: 05 June 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9780511607301.007
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Further reading
  • Eric Bulson, Columbia University, New York
  • Book: The Cambridge Introduction to James Joyce
  • Online publication: 05 June 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9780511607301.007
Available formats
×