Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-hfldf Total loading time: 0 Render date: 2024-06-08T10:40:25.205Z Has data issue: false hasContentIssue false

13 - The spatial sense of the sacred in Spanish America and the American South and its tie with performance

Published online by Cambridge University Press:  05 June 2012

Miles Richardson
Affiliation:
Louisiana State University
Get access

Summary

Working with the same script, so to speak, and indeed, sharing many words in common, participants in two Christian faiths, the Catholics of Spanish America and the Baptists of the American South, put together action and artifact to construct two distinct senses of the sacred. The sense that the Spanish American Catholics have is that the sacred lies outside the person of the worshiper, while the Southern Baptists, in contrast, locate the sacred inside that person. In one, the communicant reaches out; in the other, the believer listens within.

To achieve their external sense of the sacred the Spanish Americans approach the sacred as individuals approaching factual objects. Conversely, to achieve their interior sense, the Baptists join together as a group. In addition, the individual in the Spanish American iglesia reaches out for the sacred in the context of a hierarchical structure at whose apex resides the Pope in Rome. The Baptists, in contrast, turn inward to feel the sacred's presence in the context of an egalitarian structure that proclaims the independence of each democratically constituted church.

Methodological note

“Spanish American Catholicism“ here refers to the worship participated in by those Spanish speaking citizens of Latin America whose cultural heritage took shape during Spain's conquest of the New World. Excluded are the forms of Catholicism that include many American Indian or African elements and also excluded are the forms of modern worship that reflect contemporary, intellectual trends, such as liberation theology.

Type
Chapter
Information
By Means of Performance
Intercultural Studies of Theatre and Ritual
, pp. 221 - 235
Publisher: Cambridge University Press
Print publication year: 1990

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×