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11 - Tracking the Red Orchestra: Allied Intelligence, Soviet Spies, Nazi Criminals

Published online by Cambridge University Press:  25 February 2010

Richard Breitman
Affiliation:
American University, Washington DC
Norman J. W. Goda
Affiliation:
Ohio University
Timothy Naftali
Affiliation:
University of Virginia
Robert Wolfe
Affiliation:
U.S. National Archives and Records Administration
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Summary

Did the most renowned Soviet spy network in World War II, the Red Orchestra, offer vital clues to understanding Soviet espionage in the postwar period? The FBI, the U.S. Army Counterintelligence Corps (CIC), and the CIA, as well as British, French, and West German intelligence were all convinced that the answer was yes. Nazi Germany's Gestapo had gathered a great deal of information about the Red Orchestra, which put former Gestapo officials in the position of perceived experts who were ready to serve new masters in the postwar milieu. FBI, Army, and CIA documents newly declassified by the IWG reveal how a number of war criminals managed to get recruited by intelligence agencies and how they failed in their new capacity, for they never knew as much as they claimed to know about the Red Orchestra.

“Red Orchestra” (Rote Kapelle) was a Gestapo term describing Soviet espionage networks in Western Europe directed by Red Army Intelligence (Glavonoye Rasvodyvatelnoye Upravalenie, or GRU). In Berlin, the Soviets depended on information from well-placed officials in the German government. Harro Schulze-Boysen, the grand nephew of Grand Admiral Alfred von Tirpitz, headed one net from within the German Air Ministry. Arvid Harnack, the scion of a famous academic family and a senior official in the Reich Ministry of Economics, headed another net. Both networks were diverse collections of espionage amateurs—academics, artists, and writers united by leftist sympathies and antipathy to Nazism.

Professional Soviet agents ran the Western European networks.

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Publisher: Cambridge University Press
Print publication year: 2005

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