Book contents
- Frontmatter
- ACKNOWLEDGEMENTS
- PREFACE
- Contents
- ILLUSTRATIONS
- Part I THE REVELATION OF THE MAN
- I The Aim and Method explained
- II Shakespeare's Imagery compared with that of Marlowe and Bacon
- III Imagery of Shakespeare and other Dramatists compared
- IV The Subject-matter of Shakespeare's Images
- V Shakespeare's Senses
- VI Shakespeare's Tastes and Interests
- VII Shakespeare's Tastes and Interests (continued)
- VIII Evidence in the Images of Shakespeare's Thought
- IX Evidence in the Images of Shakespeare's Thought (continued)
- X Association of Ideas
- XI Shakespeare the Man
- Part II THE FUNCTION OF THE IMAGERY AS BACKGROUND AND UNDERTONE IN SHAKESPEARE'S ART
- APPENDICES
- INDEX
- CHARTS
VII - Shakespeare's Tastes and Interests (continued)
Published online by Cambridge University Press: 20 February 2010
- Frontmatter
- ACKNOWLEDGEMENTS
- PREFACE
- Contents
- ILLUSTRATIONS
- Part I THE REVELATION OF THE MAN
- I The Aim and Method explained
- II Shakespeare's Imagery compared with that of Marlowe and Bacon
- III Imagery of Shakespeare and other Dramatists compared
- IV The Subject-matter of Shakespeare's Images
- V Shakespeare's Senses
- VI Shakespeare's Tastes and Interests
- VII Shakespeare's Tastes and Interests (continued)
- VIII Evidence in the Images of Shakespeare's Thought
- IX Evidence in the Images of Shakespeare's Thought (continued)
- X Association of Ideas
- XI Shakespeare the Man
- Part II THE FUNCTION OF THE IMAGERY AS BACKGROUND AND UNDERTONE IN SHAKESPEARE'S ART
- APPENDICES
- INDEX
- CHARTS
Summary
INDOOR AND OTHER INTERESTS
Shakespeare's images from indoor life, which are very numerous, reflect in the most marked and interesting way the life and activities in a simple, or as we might say today, a farm-house kitchen, where we would surmise, when indoors, he spent a good part of his boyhood. Nothing there has passed unobserved, and some things which entail unpleasantness, especially to the sense of smell, are very vividly remembered.
Among these a ‘stopped oven’ is especially noticeable, and the fierce burning, smoke and cinders which ensue. It is the same quality in it as in the overflowing and dammed up river which attracts him, that is, the life in it, and the likeness of fire to human passions, which, when suppressed, become more fierce and unruly.
An oven that is stopp'd…
Burneth more hotly…
So of concealed sorrow may be said;
Free vent of words love's fire doth assuage.
Sorrow concealed, like an oven stopped,
Doth burn the heart to cinders where it is.
The smoking, ill-burning lamp, short of oil, dry of wick, and consequently evil smelling, the short length of candle, going out when most wanted, are other house-hold inconveniences which have left a deep impression on Shakespeare.
It might be thought that the ill-ventilated fire, the guttering candle, and oil-dried lamp form a common stock of material for Elizabethan imagery.
- Type
- Chapter
- Information
- Shakespeare's Imagery and What it Tells Us , pp. 112 - 145Publisher: Cambridge University PressPrint publication year: 1935