THE black women Richard Wright depicts in Native Son (1940) are portrayed as being in league with the oppressors of black men. Wright sets up an opposition in the novel between the native and the foreign, between the American Dream and American ideals in the abstract and Afro-Americans trying to find their place among those ideals, between Bigger as a representative of something larger and freer, indeed more American, than the limitations of the black community and the black women as representatives of a culture and a way of life that would stifle such aspirations. Wright thereby creates a paradoxical position for the black women in the novel. By preaching subservience, especially in the acceptance of and training for menial jobs, the women act in ways that are antithetical or “foreign” to individual black development, but commensurate with or “native” to what whites want for blacks. The women provide a contrast to Bigger, who, in his desire to break out of the confines of racism, adheres to American individualism: in his most idealistic conception, he is “native” to the best of American traditions and “foreign” to Afro-American subservience. While the dichotomy between native and foreign might be oppositional, it is one that serves, from the women's point of view, to support the status quo.