Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-75dct Total loading time: 0 Render date: 2024-06-08T08:44:43.111Z Has data issue: false hasContentIssue false

15 - The Empire of the Fun, or Talkin' Soviet Union Blues: The Sound of Freedom and U.S. Cultural Hegemony in Europe

Published online by Cambridge University Press:  05 June 2012

Michael J. Hogan
Affiliation:
Ohio State University
Get access

Summary

Loosen up, don't be afraid, don't hold back! When he reaches the end of his pitch he just goes wild, the other salesmen at his side, hearty and true, their ringing voices making it plain that what they're really selling is America, because in America the fantasy of the country sells everything else and everything else on sale sells the country: ALL YOU HAVE TO DO IS DREAM!

Greil Marcus, Invisible Republic, Bob Dylan's Basement Tapes

OVERTURE

Once upon a time, the Spanish Habsburgs and their Austrian siblings controlled the empire on which the sun never set. Looking back at the demise of so many European empires after the First World War, Edward G. Lowry laconically quipped in the Saturday Evening Post in 1925: “The sun, it now appears, never sets on the British Empire and the American motion picture industry.” After the Second World War the sun finally set on all European empires as well as on the Japanese Empire of the Sun. They were all replaced by a completely new kind of empire, Hollywood's Empire of the Fun. This Celluloid Empire produced the metatext of cultural power and hegemony of the American Century. The visual and acoustic repositories of this global culture have more and more been filled with messages from the imperial center to the accompaniment of the soundtrack of the twentieth century, the Sound of Freedom (jazz, and all its derivatives).

Type
Chapter
Information
The Ambiguous Legacy
U.S. Foreign Relations in the 'American Century'
, pp. 463 - 499
Publisher: Cambridge University Press
Print publication year: 1999

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×