Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-ttngx Total loading time: 0 Render date: 2024-05-14T13:23:58.668Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  04 May 2010

Donald J. Mastronarde
Affiliation:
University of California, Berkeley
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
The Art of Euripides
Dramatic Technique and Social Context
, pp. 313 - 333
Publisher: Cambridge University Press
Print publication year: 2010

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Achelis, T. O. (1913) De Aristophane Byzantio argumentorum fabularum auctore. Jena.Google Scholar
Aélion, R. (1983) Euripide, héritier d'Eschyle. Paris.Google Scholar
Aélion, R. (1986) Quelques grands mythes héroïques dans l'oeuvre d'Euripide. Paris.Google Scholar
Alexiou, M. (1974) The Ritual Lament in the Greek Tradition. Cambridge.Google Scholar
Allan, W. (1999–2000) “Euripides and the Sophists: society and the theatre of war,” in Cropp, et al. 1999–2000: 145–56.
Allan, W. (2000) The Andromache and Euripidean Tragedy. Oxford.Google Scholar
Allan, W. (ed.) (2001) Euripides. The Children of Heracles. Warminster.
Allan, W. (2005) “Tragedy and the early Greek philosophical tradition,” in Gregory, 2005: 71–82.CrossRef
Allan, W. (2006) “Divine justice and cosmic order in early Greek epic,” JHS 126: 1–35.CrossRefGoogle Scholar
Allan, W. (ed.) (2008) Euripides. Helen. Cambridge.
Arnott, W. G. (1981) “Double the vision. A reading of Euripides' Electra,” G&R 28: 179–92.Google Scholar
Arnott, W. G. (1984–85) “Alcuni osservazioni sulle convenzioni teatrali dei cori Euripidei,” Dioniso 55: 147–55.Google Scholar
Arnott, W. G. (1996) Alexis: The Fragments. A Commentary. Cambridge Classical Texts and Commentaries 31. Cambridge.Google Scholar
Arthur, M. (1977) “The curse of civilization: the choral odes of Phoenissae,” HSPh 81: 163–85.Google Scholar
Assaël, J. (2001) Euripide, philosophe et poète tragique. Louvain.Google Scholar
Bacon, H. H. (1994–95) “The chorus in Greek life and drama,” Arion ser. 3, 3(1): 6–24.Google Scholar
Bain, D. (1977) Actors and Audience. A Study of Asides and Related Conventions in Greek Drama. Oxford.Google Scholar
Bain, D. (1981) Masters, Servants and Orders in Greek Tragedy. A Study of Some Aspects of Dramatic Technique and Convention. Manchester.Google Scholar
Barchiesi, A. (2001) “The crossing,” in Texts, Ideas and the Classics, ed. Harrison, S. J., Oxford: 142–63.Google Scholar
Barker, A. (1984) Greek Musical Writings, vol. I: The Musician and his Art. Cambridge.Google Scholar
Barlow, S. A. (1981) “Structure and dramatic realism in Euripides' Heracles,” G&R 29: 115–25.Google Scholar
Barlow, S. A. (1986) Euripides. Trojan Women. Warminster.Google Scholar
Barlow, S. A. (1996) Euripides. Heracles. Warminster.Google Scholar
Barrett, W. S. (ed.) (1964) Euripides. Hippolytus. Oxford.
Basta Donzelli, G. (1987) “Euripide: una coscienza alla prova,” in La coscienza religiosa del letterato pagano, ed. Donzelli, Bastaet al. Genova, U. di, Pubblicazioni del Dip. di archeol., filol. class. e loro tradizioni, n.s. 106. Genova: 27–49.Google Scholar
Battezzato, L. (1999–2000) “Dorian dress in Greek tragedy,” in Cropp, et al. 1999–2000: 343–62.
Battezzato, L. (2003) “I viaggi dei testi,” in Tradizione testuale e ricezione letteraria antica della tragedia greca, ed. Battezzato, L.. Amsterdam: 7–31.Google Scholar
Battezzato, L. (2005) “Lyric,” in Gregory 2005: 149–66.CrossRef
Behler, E. (1986) “A. W. Schlegel and the nineteenth-century damnatio of Euripides,” GRBS 27: 335–67.Google Scholar
Bierl, A. (1991) Dionysos und die griechische Tragödie: politische und “metatheatrische” Aspekte. Classica Monacensia 1. Tubingen.Google Scholar
Blackman, D. (1998) “Archaeology in Greece 1997–1998,” Archaeological Reports 44: 16–17.Google Scholar
Blondell, R. [writing as Blundell, M. Whitlock] (1989) Helping Friends and Harming Enemies. A Study in Sophocles and Greek Ethics. Cambridge.CrossRefGoogle Scholar
Boedeker, D. (1991) “Euripides' Medea and the vanity of ΛΟΓΟΙ,” CP 86: 95–112.Google Scholar
Boedeker, D. (1997) “Becoming Medea: assimilation in Euripides,” in Clauss, and Johnston, 1997: 127–48.
Bond, G. W. (ed.) (1981) Euripides. Heracles. Oxford.
Bongie, E. B. (1977) “Heroic elements in the Medea of Euripides,” TAPhA 107: 27–56.Google Scholar
Booth, W. C. (1983) The Rhetoric of Fiction. 2nd edn. Chicago.CrossRefGoogle Scholar
Breitenbach, W. (1934) Untersuchungen zur Sprache der Euripideischen Lyrik. Tübinger Beiträge zur Altertumswissenschaft, Heft 20. Stuttgart.Google Scholar
Bremer, J. M. (1975) “The meadow of love and two passages in Hippolytos,” Mn 28: 268–80.Google Scholar
Brink, C. O. (1963) Horace on Poetry. Prolegomena to the Literary Epistles. Cambridge.Google Scholar
Brink, C. O. (1971) Horace on Poetry. The Ars Poetica. Cambridge.Google Scholar
Bröcker, W. (1980) Poetische Theologie. Wissenschaft und Gegenwart. Geisteswissenschaftliche Reihe 62. Frankfurt.Google Scholar
Brumoy, P. (1730) Le Théâtre des Grecs. 3 vols. Paris.Google Scholar
Bundy, E. L. (1986) Studia Pindarica. Berkeley.Google Scholar
Burian, P. (ed.) (1985a) Directions in Euripidean Criticism. A Collection of Essays. Durham, North Carolina.
Burian, P. (1985b) “Logos and pathos: the politics of the Suppliant Women,” in Burian, 1985a: 129–55.
Burian, P. (1997a) “Myth into mythos: the shaping of the tragic plot,” in Easterling, 1997a: 178–208.
Burian, P. (1997b) “Tragedy adapted for stages and screens: the Renaissance to the present,” in Easterling, 1997a: 228–83.
Burkert, W. (1966) “Greek tragedy and sacrificial ritual,” GRBS 7: 87–121.Google Scholar
Burnett, A. P. (1960) (as Pippin, A.) “Euripides' Helen: a comedy of ideas,” CP 55: 151–63.Google Scholar
Burnett, A. P. (1962) “Human resistance and divine persuasion in Euripides' Ion,” CP 57: 89–103.Google Scholar
Burnett, A. P. (1965) “The virtues of Admetus,” CPh 60: 240–55 (abbreviated version in Segal 1968: 51–69).Google Scholar
Burnett, A. P. (1971) Catastrophe Survived. Euripides' Plays of Mixed Reversal. Oxford.Google Scholar
Burnett, A. P. (1973) “Medea and the tragedy of revenge,” CP 68: 1–24.Google Scholar
Burnett, A. P. (1985) The Art of Bacchylides. Cambridge, Mass.Google Scholar
Burnett, A. P. (1998) Revenge in Attic and Later Tragedy. Berkeley.Google Scholar
Buxton, R. G. A. (1985) “Euripides' Alcestis: five aspects of an interpretation,” Dodone (Philologia) 14: 75–90.Google Scholar
Calame, C. (1994–95) “From choral poetry to tragic stasimon: the enactment of women's song,” Arion ser. 3, 3(1): 136–54.Google Scholar
Calame, C. (1997) Choruses of Young Women in Ancient Greece. Their Morphology, Religious Role, and Social Functions, trans. Collins, D. and Orion, J.. Lanham, Md.Google Scholar
Calame, C. (1999) “Performative aspects of the choral voice in Greek tragedy: civic identity in performance,” in Goldhill, and Osborne, 1999: 125–53.
Cambiano, G., Canfora, L., and Lanza, D. (eds.) (1996) Lo spazio letterario della Grecia antica, v. 3: Cronologia e bibliografia della letteratura Greca. Rome.
Cameron, A. (2004) Greek Mythography in the Roman World. New York.Google Scholar
Canevet, M. (1971) “Aspects baroques du théâtre d'Euripide,” Bulletin de l'Association Guillaume Budé, ser. 4. 2: 203–10.CrossRefGoogle Scholar
Cartledge, P. (1997) “‘Deep plays’: theatre as process in Greek civic life,” in Easterling 1997a: 3–35.
Casolari, F. (2003) Die Mythentravestie in der griechischen Komödie. Orbis antiquus, Bd. 37. Münster.Google Scholar
Castellani, V. (1991) “The value of a kindly chorus: female choruses in Attic tragedy,” in Women in Theatre (Themes in Drama, 11), ed. Redmond, J.. Cambridge: 1–18.Google Scholar
Chalk, H. H. O. (1962) “ΑΡΕΤΗ and ΒΙΑ in Euripides' Herakles,” JHS 82: 7–18.CrossRefGoogle Scholar
Chapot, F., and Laurot, B. (2001) Corpus des prières grecques et romaines. Recherches sur les rhétoriques religieuses 2. Turnhout.
Clauss, J., and Johnston, S. I. (eds.) (1997) Medea. Essays on Medea in Myth, Literature, Philosophy, and Art. Princeton.
Clay, J. S. (1989) The Politics of Olympus. Form and Meaning in the Major Homeric Hymns. Princeton.Google Scholar
Cohen, B. (1997) “Divesting the female breast of clothes in classical sculpture,” in Naked Truths: Women, Sexuality, and Gender in Classical Art and Archaeology. ed. Koloski-Ostrow, A. O. and Lyons, C. L.. London: 66–92.Google Scholar
Cohen, D. J. (1989) “Seclusion, separation, and the status of women in classical Athens,” G&R 36: 3–15.Google Scholar
Collard, C. (ed.) (1975a) Euripides. Supplices. Groningen.
Collard, C. (1975b) “Formal debates in Euripides' drama,” G&R 22: 58–71 (reprinted in Mossman 2003: 64–80).Google Scholar
Collard, C. (ed.) (1984) Euripides. Suppliant Women. Warminster.
Collard, C. (ed.) (1991) Euripides. Hecuba. Warminster.
Collard, C. and Cropp, M. (eds.) (2008a) Euripides. Fragments: Aegeus-Meleager (= Loeb Classical Library, Euripides VII). Cambridge, Mass.
Collard, C.Cropp, M. (2008b) Euripides. Fragments: Oedipus-Chrysippus, Other Fragments (= Loeb Classical Library, Euripides VIII). Cambridge, Mass.Google Scholar
Collard, C., Cropp, M., and Gibert, J. (eds.) (2004) Euripides. Select Fragmentary Plays, vol. II. Warminster.
Collard, C., Cropp, M., and Lee, K. H. (eds.) (1995) Euripides. Select Fragmentary Plays, vol. I. Warminster.
Conacher, D. J. (1967) Euripidean Drama. Myth, Theme and Structure. Toronto.Google Scholar
Conacher, D. J. (1981) “Rhetoric and relevance in Euripidean drama,” AJPh 102: 3–25 (reprinted in Mossman 2003: 81–101).Google Scholar
Conacher, D. J. (1988) Euripides. Alcestis. Warminster.Google Scholar
Conacher, D. J. (1998) Euripides and the Sophists. Some Dramatic Treatments of Philosophical Ideas. London.Google Scholar
Connor, W. R. (1989) “City Dionysia and Athenian democracy,” C&M 40: 7–32.Google Scholar
Conte, G. B. (1994) Genres and Readers. Lucretius, Love Elegy, Pliny's Encyclopedia. Baltimore, Md.Google Scholar
Cousland, J. R. C., and Hume, J. R. (eds.) (2009) The Play of Texts and Fragments. Essays in Honour of Martin Cropp. Mnemosyne Supplement 314. Leiden.CrossRef
Craik, E. (1988) Euripides. Phoenician Woman. Warminster.Google Scholar
Croally, K. (1994) Euripidean Polemic. The Trojan Women and the Function of Tragedy. Cambridge.Google Scholar
Croally, K. (2005) “Tragedy's teaching,” in Gregory 2005: 55–70.CrossRef
Cropp, M. (1981) “τί τὸ σοφόν;BICS 28: 39–42.Google Scholar
Cropp, M. (ed.) (1988) Euripides. Electra. Warminster.
Cropp, M. (ed.) (2000) Euripides. Iphigenia in Tauris. Warminster.
Cropp, M., and Fick, G. (1985) Resolutions and Chronology in Euripides. The Fragmentary Tragedies. BICS Suppl. 43. London.Google Scholar
Cropp, M., Lee, K., and Sansone, D. (eds.) (1999–2000) Euripides and Tragic Theatre in the Late Fifth Century (= ICS24/25, 1999–2000). Champaign, Illinois.
Csapo, E. (1999–2000) “Late Euripidean music,” in Cropp, et al. 1999–2000: 399–426.
Csapo, E. (2004a) “The politics of the new music,” in Music and the Muses. The Culture of Mousike in the Classical Athenian City, ed. Murray, P. and Wilson, P.. Oxford: 207–48.Google Scholar
Csapo, E. (2004b) “Some social and economic conditions behind the rise of the acting profession in the fifth and fourth centuries BC,” in Le Statut de l'acteur dans l'antiquité grecque et romaine, ed. Hugoniot, D., Hurlet, F., and Milanezi, S.. Tours: 53–76.Google Scholar
Csapo, E., and Miller, M. C. (eds.) (2007a) The Origin of Theater in Ancient Greece and Beyond. From Ritual to Drama. Cambridge.
Csapo, E., and Miller, M. C. (2007b) “General introduction,” in Csapo, and Miller, 2007a: 1–38.
Csapo, E., and Slater, W. J. (1995). The Context of Ancient Drama. Ann Arbor, Mich.CrossRefGoogle Scholar
Cunningham, M. P. (1954) “Medea ἀπὸ μηχανῆς,” CP 49: 151–60.Google Scholar
Dale, A. M. (1954) Euripides. Alcestis. Oxford.Google Scholar
Dale, A. M. (1963) “Note on Euripides: Helena 1441–50,” Maia 15: 310–13.Google Scholar
Davidson, J. (2005) “Theatrical production,” in Gregory 2005: 194–211.CrossRef
Dawe, R. D. (1984) Sophoclis TragoediaeI. Leipzig.Google Scholar
Dearden, C. (1999) “Plays for export,” Phoenix 53: 222–48.CrossRefGoogle Scholar
Corno, Del, D. (1995) “Esperimenti di drammaturgia tragica nel teatro ateniese,” in Studia classica Iohanni Tarditi oblata II, ed. Belloni, L., Milanese, G., and Porro, A.. Milan: 843–56.Google Scholar
Denniston, J. D. (1939) Euripides. Electra. Oxford.Google Scholar
Detienne, M., and Vernant, J.-P. (1978) Cunning Intelligence in Greek Culture and Society, trans. Lloyd, J.Atlantic Highlands, N.J.Google Scholar
Di Benedetto, V. (1971) Euripide. Teatro e società. Torino.Google Scholar
Di Benedetto, V. (1971–74) “Il rinnovamento della lirica dell' ultimo Euripide e la contemporanea arte figurativa,” Dioniso 45: 326–33.Google Scholar
Diggle, J. D. (ed.) (1970) Euripides. Phaethon. Cambridge.Google Scholar
Diggle, J. D. (1981–94) Euripidis Fabulae. 3 vols. Oxford Classical Texts. Oxford.Google Scholar
Dillon, J. M. (1997) “Medea among the Philosophers,” in Clauss, and Johnston, 1977: 211–18.
Dodds, E. R. (1960) Euripides. Bacchae. 2nd edn. Oxford.Google Scholar
Dover, K. J. (1993) Aristophanes. Frogs. Oxford.Google Scholar
Dubischar, M. (2001) Die Agonszenen bei Euripides: Untersuchungen zu ausgewählten Dramen. Drama Beiheft 13. Stuttgart.CrossRefGoogle Scholar
Duchemin, J. (1945) L'Agôn dans la tragédie grecque. Paris.Google Scholar
Dunbar, N. (ed.) (1995) Aristophanes. Birds. Oxford.
Dunn, F. (1994) “Euripides and the rites of Hera Akraia,” GRBS 35: 103–15.Google Scholar
Dunn, F. (1996) Tragedy's End. Closure and Innovation in Euripidean Drama. Oxford.Google Scholar
Dyson, M. (1988) “Alcestis' children and the character of Admetus,” JHS 108: 13–23.CrossRefGoogle Scholar
Easterling, P. E. (1977) “The infanticide in Euripides' Medea,” YClS 25: 177–91.Google Scholar
Easterling, P. E. (ed.) (1982) Sophocles. Trachiniae. Cambridge.
Easterling, P. E. (1985) “Anachronism in Greek tragedy,” JHS 105: 1–10.CrossRefGoogle Scholar
Easterling, P. E. (1990) “Constructing character in Greek tragedy,” in Characterization and Individuality in Greek Literature, ed. Pelling, C. B. R.. Oxford: 83–99.Google Scholar
Easterling, P. E. (1994) “Euripides outside Athens: a speculative note,” ICS 19: 73–80.Google Scholar
Easterling, P. E. (ed.) (1997a) The Cambridge Companion to Greek Tragedy. Cambridge.CrossRef
Easterling, P. E. (1997b) “A show for Dionysus,” in Easterling, 1997a: 36–53.
Easterling, P. E., and Muir, J. V. (eds.) (1985) Greek Religion and Society. Cambridge.
Edwards, A. T. (1993) “Historicizing the popular grotesque: Bakhtin's Rabelais and Attic Old Comedy,” in Theater and Society in the Classical World, ed. Scodel, R.. Ann Arbor, Mich.: 89–117.Google Scholar
Egli, F. (2003) Euripides im Kontext zeitgenössischer intellektueller Strömungen. Beiträge zur Altertumskunde 189. Munich.CrossRefGoogle Scholar
Elliott, R. C. (1962) “The definition of satire: a note on method,” Yearbook of Comparative and General Literature 11: 19–23.Google Scholar
Else, G. F. (1967) The Origin and Early Form of Greek Tragedy. Cambridge, Mass.Google Scholar
Elsperger, W. (1908) Reste und Spuren antiker Kritik gegen Euripides. Philologus Supplementband 11(1). Gottingen.
Ewans, M. (1995) Aischylos. The Oresteia. London.Google Scholar
Fairweather, J. A. (1974) “Fiction in the biographies of ancient writers,” Ancient Society 5: 231–75.Google Scholar
Fantuzzi, M. (2004) “Performance and genre,” in Fantuzzi, M. and Hunter, R., Tradition and Innovation in Hellenistic Poetry. Cambridge: 1–41.Google Scholar
Feeney, D. (1991) The Gods in Epic. Poets and Critics in the Classical Tradition. Oxford.Google Scholar
Feeney, D. (1998) Literature and Religion at Rome. Cultures, Contexts, and Beliefs. Cambridge.Google Scholar
Firpo, L. (1963) “Kaspar Stiblin, Utopiste”, in Les Utopies à la Renaissance. Colloque international (avril 1961). Université Libre de Bruxelles, Travaux de l'Institut pour l'étude de la Renaissance et de l'Humanisme, 1. Brussels, Paris: 107–33.Google Scholar
Fitton, J. W. (1961) “The Suppliant Women and the Herakleidai of Euripides,” Hermes 89: 430–61.Google Scholar
Foley, H. P. (1981) “The conception of women in Athenian drama,” in Reflections of Women in Antiquity, ed. Foley, H. P.. New York and London: 127–68.Google Scholar
Foley, H. P. (1985) Ritual Irony: Poetry and Sacrifice in Euripides. Ithaca, New York.Google Scholar
Foley, H. P. (1989) “Medea's divided self,” ClAnt 8: 61–85.Google ScholarPubMed
Foley, H. P. (2001) Female Acts in Greek Tragedy. Princeton.Google Scholar
Foley, H. P. (2003) “Choral identity in Greek tragedy,” CP 98: 1–30.Google Scholar
Foxhall, F. (1989) “Household, gender, and property in classical Athens,” CQ 39: 22–44.CrossRefGoogle Scholar
Friedrich, R. (1996) “Everything to do with Dionysos? Ritualism, the Dionysiac, and the tragic,” in Silk 1996: 257–83.
Frischer, B. D. (1970) “Concordia discors and characterization in Euripides' Hippolytus,” GRBS 11: 85–100.Google Scholar
Frye, N. (1957) The Anatomy of Criticism. Four Essays. Princeton.Google Scholar
Fusillo, M. (1992) “Was ist eine romanhafte Tragödie? Überlegungen zu Euripides' Experimentalismus,” Poetica 24: 270–98.Google Scholar
Garvie, A. F. (1986) Aeschylus. Choephori. Oxford.Google Scholar
Gelzer, T. (1985) “Μοῦσα αὐθιγενής. Bemerkungen zu einem Typ Pindarischer und Bacchylideischer Epinikien,” MH 42: 95–120.Google Scholar
Genette, G. (1986) “Introduction à l'architexte,” in Genette, and Todorov, 1986: 89–159.
Genette, G., and Todorov, T. (eds.) (1986) Théorie des genres. Paris.
Gentili, B. (1988) Poetry and its Public in Ancient Greece. From Homer to the Fifth Century, trans. Cole, A. T.. Baltimore, Md.Google Scholar
Gibert, J. (1995) Change of Mind in Greek Tragedy. Hypomnemata 108. Gottingen.Google Scholar
Gibert, J. (1997) “Euripides' ‘Hippolytus’ plays: which came first?CQ 47: 85–97.CrossRefGoogle Scholar
Gibert, J. (2005) “Clytemnestra's first marriage: Euripides' Iphigenia in Aulis,” in Pedrick, and Oberhelman, 2005: 227–48.
Gill, C. (1983) “Did Chrysippus understand Medea?Phronesis 28: 136–49.CrossRefGoogle Scholar
Gill, C. (1996) Personality in Greek Epic, Tragedy, and Philosophy. The Self in Dialogue. Oxford.Google Scholar
Gill, C. (2005) “Tragic fragments, ancient philosophers and the fragmented self,” in McHardy, et al. 2005: 151–172.CrossRef
Goff, B. (1990) The Noose of Words. Readings of Desire, Violence, and Language in Euripides'Hippolytus. Cambridge.CrossRefGoogle Scholar
Goff, B. (1999–2000) “Try to make it real compared to what? Euripides' Electra and the play of genres,” in Cropp, et al. 1999–2000: 93–105.
Goff, B. (2004) Citizen Bacchae. Women's Ritual Practice in Ancient Greece. Berkeley.Google Scholar
Goldhill, S. (1986) Reading Greek Tragedy. Cambridge.CrossRefGoogle Scholar
Goldhill, S. (1987) “The Great Dionysia and civic ideology,” JHS 107: 58–76 (also in Winkler and Zeitlin 1990: 97–129).CrossRefGoogle Scholar
Goldhill, S. (1991) The Poet's Voice. Essays on Poetics and Greek Literature. Cambridge.Google Scholar
Goldhill, S. (1994) “Representing democracy: women at the Great Dionysia,” in Osborne, and Hornblower, 1994: 347–69.
Goldhill, S. (1996) “Collectivity and otherness – the authority of the tragic chorus: Response to Gould,” in Silk, 1996: 244–56.
Goldhill, S. (1997) “The audience of Athenian tragedy,” in Easterling, 1997a: 54–68.
Goldhill, S. (2000) “Civic ideology and the problem of difference: the politics of Aeschylean tragedy, once again,” JHS 120: 34–56.CrossRefGoogle Scholar
Goldhill, S., and Osborne, R. (eds.) (1999) Performance Culture and Athenian Democracy. Cambridge.
Gould, J. (1978) “Dramatic character and ‘human intelligibility’ in Greek tragedy,” PCPhS 24: 43–67.Google Scholar
Gould, J. (1983) “Hiketeia,” JHS 93: 74–103.CrossRefGoogle Scholar
Gould, J. (1985) “On making sense of Greek religion,” in Easterling, and Muir, 1985: 1–33.
Gould, J. (1996) “Tragedy and collective experience,” in Silk, 1996: 217–43.
Gregory, J. (1977) “Euripides' ‘Heracles,’YClS 25: 259–75.Google Scholar
Gregory, J. (1979) “Euripides' Alcestis,” Hermes 107: 259–70.Google Scholar
Gregory, J. (1986) “The power of language in Euripides' Troades,” Eranos 84: 1–9.Google Scholar
Gregory, J. (1991) Euripides and the Instruction of the Athenians. Ann Arbor, Mich.CrossRefGoogle Scholar
Gregory, J. (ed.) (1999) Euripides. Hecuba. Atlanta, Ga.
Gregory, J. (1999–2000) “Comic elements in Euripides,” in Cropp, et al. 1999–2000: 59–74.
Gregory, J. (ed.) (2005) A Companion to Greek Tragedy. Blackwell Companions to the Ancient World. Oxford.CrossRef
Griffin, J. (1977) “The Epic Cycle and the uniqueness of Homer,” JHS 97: 39–53.CrossRefGoogle Scholar
Griffin, J. (1998) “The social function of Attic tragedy,” CQ 48: 39–61.CrossRefGoogle Scholar
Griffith, M. (1983) Aeschylus. Prometheus Bound. Cambridge.Google Scholar
Griffith, M. (1990) “Contest and contradiction in early Greek poetry,” in Griffith, and Mastronarde, 1990: 185–207.
Griffith, M. (1995) “‘Brilliant dynasts’: power and politics in the Oresteia,” ClAnt 14: 62–129.Google Scholar
Griffith, M. (1998) “The king and eye: the rule of the father in Greek tragedy,” PCPhS 44: 20–84.Google Scholar
Griffith, M. (1999) Sophocles. Antigone. Cambridge.Google Scholar
Griffith, M. (2001) “Antigone and her sisters: voicing/embodying women in Greek tragedy,” in Making Silence Speak. Women's Voices in Greek Literature and Society, ed. Lardinois, A. and McClure, L.. Princeton: 117–36.Google Scholar
Griffith, M. (2002) “Slaves of Dionysos: satyrs, audience, and the ends of the Oresteia,” ClAnt 21: 195–258.Google Scholar
Griffith, M. (2005a) “Authority figures,” in Gregory, 2005: 333–51.
Griffith, M. (2005b) “The subject of desire in Sophocles' Antigone,” in Pedrick, and Oberhelman, 2005: 91–135.
Griffith, M. (2008) “Greek middle-brow drama (Something to do with Aphrodite?),” in Performance, Reception, Iconography. Studies in Honour of Oliver Taplin, ed. Revermann, M. and Wilson, P.. Oxford: 59–87.Google Scholar
Griffith, M. (2009) “Orestes and the in-laws,” in Bound by the City. Tragedy and Sexual Difference, and the Formation of the Polis, ed. McCoskey, D. and Zakin, E.. Albany, New York: 275–330.Google Scholar
Griffith, M. (in press) “Satyr-play and tragedy face to face, from East to West,” in Pronomos. His Vase and its World, ed. Hall, E. and Taplin, O.. Oxford.
Griffith, M., and Mastronarde, D. J. (eds.) (1990) Cabinet of the Muses. Essays on Classical and Comparative Literature in Honor of Thomas G. Rosenmeyer. Atlanta, Ga.
Griffiths, E. (2006) Medea. London.Google Scholar
Grube, G. M. A. (1941) The Drama of Euripides. London.Google Scholar
Günther, H. C. (ed.) (1988) Euripides. Iphigenia Aulidensis. Bibliotheca Scriptorum Graecorum et Romanorum Teubneriana. Leipzig.
Guggisberg, P. (1947) Das Satyrspiel. Zurich.Google Scholar
Guillén, C. (1971) Literature as System. Essays toward the Theory of Literary History. Princeton.Google Scholar
Guthke, K. S. (1968) Die moderne Tragikomödie. Theorie und Gestalt. Gottingen.Google Scholar
Hall, E. (1989) Inventing the Barbarian. Greek Self-Definition through Tragedy. Oxford.Google Scholar
Hall, E. (1997) “The Sociology of Athenian tragedy,” in Easterling, 1997a: 93–126.
Hall, E. (1998) “Ithyphallic males behaving badly: or, satyr drama as gendered tragic ending,” in Parchments of Gender. Deciphering the Bodies of Antiquity, ed. Wyke, M.. Oxford: 13–37.Google Scholar
Halleran, M. R. (1985) Stagecraft in Euripides. London.Google Scholar
Halleran, M. R. (ed.) (1995) Euripides. Hippolytus. Warminster.
Hamilton, R. (1985) “Slings and arrows. The debate with Lycus in the Heracles,” TAPhA 115: 19–25.Google Scholar
Hanink, J. (2008) “Literary politics and the Euripidean Vita,” CCJ 54: 115–35.Google Scholar
Harrison, T. (2000) Divinity and History. The Religion of Herodotus. Oxford.Google Scholar
Hartung, J. A. (1843–44) Euripides Restitutus. 2 vols. Hamburg.Google Scholar
Hauptman, I. (1992) “Defending melodrama,” in Redmond, 1992: 281–9.
Heath, M. (1987a) “Iure principem locum tenet: Euripides' Hecuba,” BICS 34: 40–68.Google Scholar
Heath, M. (1987b) The Poetics of Greek Tragedy. London.Google Scholar
Heilman, R. B. (1968) Tragedy and Melodrama. Versions of Experience. Seattle, Washington.Google Scholar
Henderson, J. (1991) “Woman and the Athenian dramatic festivals,” TAPhA 121: 133–47.Google Scholar
Henderson, J. (ed.) (2002) Aristophanes IV. Frogs, Assemblywomen, Wealth. Cambridge, Mass.
Henrichs, A. (1978) “Greek maenadism from Olympias to Messalina,” HSPh 82: 121–60.Google Scholar
Henrichs, A. (1980) “Human sacrifice in Greek religion: three case studies,” in Le Sacrifice dans l'antiquité, ed. Rudhardt, J. and Reverdin, O.[Fondation Hardt, Entretiens 27]. Geneva: 195–235.Google Scholar
Henrichs, A. (1984) “Loss of self, suffering, violence: the modern view of Dionysus from Nietzsche to Girard,” HSPh 88: 205–40.Google Scholar
Henrichs, A. (1990) “Between country and city: cultic dimensions of Dionysus in Athens and Attica,” in Griffith, and Mastronarde, 1990: 257–77.
Henrichs, A. (1994–95) “‘Why should I Dance?’: Choral self-referentiality in Greek tragedy,” Arion ser. 3, 3(1): 56–111.Google Scholar
Henrichs, A. (1996) “Dancing in Athens, dancing on Delos: some patterns of choral projection in Euripides,” Philologus 1996: 48–62.Google Scholar
Herington, C. J. (1985) Poetry into Drama. Early Tragedy and the Greek Poetic Tradition. Berkeley.Google Scholar
Hesk, J. (1999) “The rhetoric of anti-rhetoric in Athenian oratory,” in Goldhill, and Osborne, 1999: 201–30.
Hesk, J. (2000) Deception and Democracy in Classical Athens. Cambridge.CrossRefGoogle Scholar
Hofmann, H. (ed.) (1991) Fragmenta Dramatica. Beitrage zur Interpretation der griechischen Tragikerfragmente und ihrer Wirkungsgeschichte. Gottingen.
Hose, M. (1990–91) Studien zum Chor bei Euripides. 2 vols. Beiträge zur Altertumskunde, Bd. 10, Bd. 20. Stuttgart.CrossRefGoogle Scholar
Hose, M. (2008) Euripides. Der Dichter der Leidenschaften. Munich.Google Scholar
Hose, M., et al. (2005) “Forschungsbericht zu Euripides (I) 1970–2000,” Lustrum 47: 7–740.Google Scholar
Hughes, D. D. (1991) Human Sacrifice in Ancient Greece. London.Google Scholar
Hunter, R. L. (1983) Eubulus. The Fragments. Cambridge Classical Texts and Commentaries 24. Cambridge.Google Scholar
Iser, W. (1978) The Act of Reading. A Theory of Aesthetic Response. Baltimore, Md.Google Scholar
Jacobs, F. C. W. (1798) Charakter der vornehmsten Dichter aller Nationen; nebst kritischen und historischen Abhandlungen über Gegenstände der schönen Künste und Wissenschaften, von einer Gesellschaft von Gelehrten. Nachträge zu Sulzers Allgemeiner Theorie der schönen Künste, Bd. 5.2. Leipzig.Google Scholar
Jameson, M. H. (1990a) “Private space and the Greek city,” in The Greek City from Homer to Alexander, ed. Murray, O. and Price, S.. Oxford: 171–95.Google Scholar
Jameson, M. H. (1990b) “Domestic space in the Greek city-state,” in Domestic Architecture and the Use of Space. An Interdisciplinary Cross-cultural Study, ed. Kent, S.. Cambridge: 92–113.Google Scholar
Jauss, H. R. (1982) Towards an Aesthetic of Reception. Minneapolis, Minn.Google Scholar
Jens, J. (ed.) (1971) Die Bauformen der griechische Tragödie. Poetica Beiheft 6. Munich.
Johnson, W. R. (1970) “The problem of the counter-classical sensibility and its critics,” CSCA 3: 123–51.Google Scholar
Jones, J. (1962) On Aristotle and Greek Tragedy. London.Google Scholar
Jouan, F., and Looy, H. (1998–2003) Euripide VIII. Fragments. 4 vols. Paris.Google Scholar
Just, R. (1989) Women in Athenian Life and Law. New York and London.CrossRefGoogle Scholar
Käppel, L. (1992) Paian. Studien zur Geschichte einer Gattung. Untersuchungen zur antiken Literatur und Geschichte 37. Berlin.CrossRefGoogle Scholar
Kaimio, M. (1970) The Chorus of Greek Drama within the Light of the Person and Number Used. Societas Scientiarum Fennica, Commentationes humanarum litterarum. Helsinki.Google Scholar
Kaimio, M. (1988) Physical Contact in Greek Tragedy. A Study of Stage Conventions. Annales Academiae Scientiarum Fennicae, ser. B, 244. Helsinki.Google Scholar
Kamerbeek, J. C. (1966) “Unity and meaning of Euripides' Heracles,” Mn 19: 1–16.Google Scholar
Kannicht, R. (ed.) (1969) Euripides. Helena. 2 vols. Heidelberg.
Kannicht, R. (1996) “Zum Corpus Euripideum,” in ΛΗΝΑΙΚΑ: Festschrift für C. W. Müller, ed. Mueller-Goldingen, C. and Sier, K.. Beiträge zur Altertumskunde 89. Stuttgart and Leipzig: 21–31.Google Scholar
Kassel, R. (1954) Quomodo quibus locis apud veteres scriptores graecos infantes atque parvuli pueri inducantur describantur commemorentur. Wurzburg (reprinted in his Kleine Schriften. Berlin 1991: 1–73).Google Scholar
Kassel, R. (2005) “Fragments and their collectors,” in McHardy, et al. 2005: 7–20 (translation of “Fragmente und ihre Sammler” in Hofmann 1991: 243–53).
Kitto, H. D. F. (1961) Greek Tragedy. A Literary Study. 3rd edn. London.Google Scholar
Knox, B. M. W. (1952) “The Hippolytus of Euripides,” YClS 13: 1–31 (reprinted in Knox 1979: 205–30; abbreviated version in Segal 1968: 90–114].Google Scholar
Knox, B. M. W. (1964) The Heroic Temper. Studies in Sophoclean Tragedy. Berkeley.Google Scholar
Knox, B. M. W. (1970) “Euripidean comedy,” in The Rarer Action. Essays in Honor of Francis Fergusson, ed. Cheuse, A. and Koffier, R.. New Brunswick, N.J.: 68–96 (reprinted in Knox 1979: 250–74).Google Scholar
Knox, B. M. W. (1977) “The Medea of Euripides,” Yale Classical Studies 25: 193–225 (reprinted in Knox 1979: 295–322).Google Scholar
Knox, B. M. W. (1979) Word and Action. Essays on the Ancient Theater. Baltimore, Md.Google Scholar
Knox, B. M. W. (1991) “Divine intervention in Euripidean tragedy,” in Studi di filologia classica in onore di Giusto Monaco. Palermo: I.223–30.Google Scholar
Kopperschmidt, J. (1967) Die Hikesie als dramatische Form. Zur motivischen Interpretation des griechischen Dramas. Tubingen.Google Scholar
Kopperschmidt, J. (1971) “Hikesie als dramatische Form,” in Jens, 1971: 321–46.
Kovacs, D. (1980) “Shame, pleasure and honor in Phaedra's great speech (Euripides, Hippolytus 375–87),” AJPh 101: 287–303.Google Scholar
Kovacs, D. (1987a) The Heroic Muse. Studies in the Hippolytus and Hecuba of Euripides. Baltimore.Google Scholar
Kovacs, D. (1987b) “Treading the circle warily. Literary criticism and the text of Euripides,” TAPhA 117: 257–70.Google Scholar
Kovacs, D. (1993) “Zeus in Euripides' Medea,” AJPh 114: 45–70.Google Scholar
Kovacs, D. (1994) Euripidea. Mnemosyne Suppl. 132. Leiden.Google Scholar
Kovacs, D. (ed.) (1994–2002) Euripides. 6 vols. (Loeb Classical Library). Cambridge, Mass.
Kovacs, D. (2003) “Toward a reconstruction of Iphigenia Aulidensis,” JHS 123: 77–103.CrossRefGoogle Scholar
Kowalzig, B. (2007) “‘And now all the world shall dance!’ (Eur. Bacch. 114): Dionysus' choroi between drama and ritual,” in Csapo, and Miller, 2007a: 221–51.
Kranz, W. (1933) Stasimon. Untersuchungen zu Form und Gehalt der griechischen Tragödie. Berlin.Google Scholar
Krumeich, R., Pechstein, N., and Seidensticker, B. (eds.) (1999) Das griechische Satyrspiel. Texte zur Forschung 72. Darmstadt.Google Scholar
Kullmann, W. (1987) “Deutung und Bedeutung der Götter bei Euripides,” in Mythos. Deutung und Bedeutung, ed. Kullmann, W.et al. Innsbrucker Beitr. zur Kulturwissenschaft. Dies Philologici Aenipontani 5. Innsbruck: 7–22.Google Scholar
Kurke, L. (1998) “The cultural impact of (on) democracy: decentering tragedy,” in Democracy 2500: Questions and Challenges, ed. Morris, I. and Raaflaub, K., Archaeological Institute of America, Conference and Colloquia Papers. Dubuque, Iowa: 155–69.Google Scholar
Kyriakou, P. (ed.) (2006) A Commentary on Euripides' Iphigenia in Tauris. Untersuchunen zur antiken Literatur und Geschichte 80. Berlin.CrossRef
Labarbe, J. (1980) “La prière ‘contestataire’ dans la poésie grecque,” in L'Expérience de la prière dans les grandes réligions, ed. Limet, H. and Ries, J.. Louvain-la-neuve: 137–48.Google Scholar
Lee, K. J. (1976) Euripides. Troades. London.Google Scholar
Lee, K. J. (1996) “Shifts of mood and concepts of time in Euripides' Ion,” in Silk, 1996: 85–109.
Lee, K. J. (1997) Euripides. Ion. Warminster.Google Scholar
Lefkowitz, M. R. (1979) “The Euripides Vita,” GRBS 20: 187–210.Google Scholar
Lefkowitz, M. R. (1981) The Lives of the Greek Poets. Baltimore, Md.Google Scholar
Lefkowitz, M. R. (1989) “Impiety and atheism in Euripides' dramas,” CQ 39: 70–82.CrossRefGoogle Scholar
Leinieks, V. (1996) The City of Dionysos. A Study of Euripides' Bakchai. Beiträge zur Altertumskunde 18. Stuttgart.CrossRefGoogle Scholar
Lenting, J. (1819) Euripidis Medea. Zutphen.Google Scholar
Lesky, A. (1983) Greek Tragic Poetry, trans. Dillon, M. (of Die tragische Dichtung der Hellenen, 3rd edn. Gottingen 1972). New Haven, Conn.Google Scholar
Ley, G., and Ewans, M. (1985) “The orchestra as acting area in Greek tragedy,” Ramus 14: 75–84.Google Scholar
Lloyd, M. (1984) “The Helen scene in Euripides' Troades,” CQ 34: 303–13.CrossRefGoogle Scholar
Lloyd, M. (1985) “Euripides' Alcestis,” G&R 32: 119–31.Google Scholar
Lloyd, M. (1986) “Realism and character in Euripides' Electra,” Phoenix 40: 1–19.CrossRefGoogle Scholar
Lloyd, M. (1992) The Agon in Euripides. Oxford.Google Scholar
Lloyd, M. (ed.) (1994) Euripides. Andromache. Warminster.
Lloyd-Jones, H., and Wilson, N. G. (eds.) (1990) Sophoclis Fabulae. Oxford.
Lolos, G. G. (1997) “‘Σπήλαιον ἀναπνοὴν ἔχον ἐς τὴν θάλασσαν’: το Σπήλαιο του Ευριπίδη στη Σαλαμίνα,” Dodone (hist) 26(1): 287–326.Google Scholar
Longman, G. A. (1959) “Gnomologium Vatopedianum: the Euripidean section,” CQ 9: 129–41.CrossRefGoogle Scholar
Lonsdale, S. H. (1993) Dance and Ritual Play in Greek Religion. Baltimore, Maryland.Google Scholar
Eire, Lopez, A. (2003) “Tragedy and satyr-drama: linguistic criteria,” in Sommerstein, 2003a: 387–412.
Loraux, N. (1986) The Invention of Athens. The Funeral Oration in the Classical City. Cambridge, Mass.Google Scholar
Loraux, N. (1987) Tragic Ways of Killing a Woman. Cambridge, Mass.Google Scholar
Loraux, N. (1990) “Kreousa the Autochthon: a study of Euripides' Ion,” in Winkler, and Zeitlin, 1990: 168–206.
Ludwig, W. (1954) Sapheneia. Ein Beitrag zur Formkunst im Spätwerk des Euripides. Tubingen.Google Scholar
Luppe, W. (1972) “Die Zahl der Konkurrenten an den komischen Agonen zur Zeit des Peloponnesischen Krieges,” Philologus 116: 53–75.CrossRefGoogle Scholar
MacDowell, D. M. (ed.) (1971) Aristophanes. Wasps. Oxford.
Mastronarde, D. J. (1975) “Iconography and imagery in Euripides' Ion,” ClAnt 8: 163–76 (reprinted in Mossman 2003: 295–308).Google Scholar
Mastronarde, D. J. (1979) Contact and Discontinuity: Some Aspects of Speech and Action on the Greek Tragic Stage. University of California Publications: Classical Studies 21. Berkeley and Los Angeles.Google Scholar
Mastronarde, D. J. (1983) “Review article: Euripides' Heracles,” Échos du Monde Classique/Classical Views 12, n.s. 2: 93–116.Google Scholar
Mastronarde, D. J. (1986) “The optimistic rationalist in Euripides: Theseus, Jocasta, Teiresias,” in Greek Tragedy and its Legacy: Essays presented to Desmond Conacher, ed. Cropp, M., Fantham, E., and Scully, S.. Calgary: 201–11.Google Scholar
Mastronarde, D. J. (1988) Euripides. Phoenissae. Leipzig.Google Scholar
Mastronarde, D. J. (1990) “Actors on high: the skene-roof, the crane, and the gods in Attic drama,” ClAnt 9: 247–94.Google Scholar
Mastronarde, D. J. (ed.) (1994) Euripides. Phoenissae. Cambridge Classical Texts and Commentaries 29. Cambridge.
Mastronarde, D. J. (1998) “Il coro euripideo: autorità e integrazione,” QUCC 60: 55–80.Google Scholar
Mastronarde, D. J. (1999) “Knowledge and authority in the choral voice of Euripidean tragedy,” Syllecta Classica 10: 87–104.CrossRefGoogle Scholar
Mastronarde, D. J. (1999–2000) “Euripidean Tragedy and Genre: the terminology and its problems,” in Cropp, et al. 1999–2000: 23–39.
Mastronarde, D. J. (2002a) “Euripidean tragedy and theology,” SemRom 5: 17–49.Google Scholar
Mastronarde, D. J. (ed.) (2002b) Euripides. Medea. Cambridge.
Mastronarde, D. J. (2009) “The Lost Phoenissae: an experiment in reconstruction from fragments,” in Cousland, and Hume, 2009: 63–76.CrossRef
Matthiessen, K. (1967) Elektra, Taurische Iphigenie und Helena. Untersuchungen zur Chronologie und zur dramatischen Form im Spätwerk des Euripides. Hypomnemata 4. Gottingen.Google Scholar
Matthiessen, K. (1974) Studien zur Textüberlieferung der Hekabe des Euripides. Bibliothek der klassischen Altertumswissenschaften, n. F., 2. Reihe 52. Heidelberg.Google Scholar
Matthiessen, K. (1989–90) “Der Ion – eine Komödie des Euripides?,” in Opes Atticae. Miscellanea philologica et historica Raymondo Bogaert et Hermanno Van Looy oblata, ed. Geerard, M., Desmet, J., and Vander, R. Plaetse (= Sacris Erudiri. Jaarboek voor Godsdienstwetenschappen 31): 271–91.
Matthiessen, K. (2002) Die Tragödien des Euripides. Zetemata 114. Munich.Google Scholar
Matthiessen, K. (2008) Euripides. Hekabe. Berlin.CrossRefGoogle Scholar
McClure, L. (1999) Spoken like a Woman. Speech and Gender in Athenian Drama. Princeton.Google Scholar
McDermott, E. (1989) Euripides' Medea. The Incarnation of Disorder. University Park, Pa.Google Scholar
McHardy, F., Robson, J., and Harvey, D. (eds.) (2005) Lost Dramas of Classical Athens. Greek Tragic Fragments. Exeter.CrossRef
Medda, E. (2001) Euripide. Oreste. Milan.Google Scholar
Medda, E. (2005) “Il coro straniato: considerazioni sulla voce corale nelle Fenicie di Euripide,” Prometheus 31(2): 119–31.Google Scholar
Medda, E. (2006) Euripide. Le Fenicie. Milan.Google Scholar
Meijering, R. (1985) “Aristophanes of Byzantium and scholia on the composition of the dramatic chorus,” in ΣΧΟΛΙΑ. Studia ad criticam interpretationemque textuum Graecorum et ad historiam iuris Graeco-Romani pertinentia D. Holwerda oblata, ed. Aerts, W. J.et al. Groningen: 91–102.Google Scholar
Meijering, R. (1987) Literary and Rhetorical Theories in Greek Scholia. Groningen.Google Scholar
Mendelsohn, D. (2002) Gender and the City in Euripides' Political Plays. Oxford.CrossRefGoogle Scholar
Meridor, R. (2000) “Creative rhetoric in Euripides' Troades: some notes on Hecuba's speech,” CQ 50: 16–29.CrossRefGoogle Scholar
Michelini, A. N. (1987) Euripides and the Tragic Tradition. Madison, Wisc.Google Scholar
Michelini, A. N. (1999–2000) “The expansion of myth in late Euripides,” in Cropp, et al. 1999–2000: 41–57.
Mikalson, J. D. (1989) “Unanswered prayers in Greek tragedy,” JHS 109: 81–98.CrossRefGoogle Scholar
Mikalson, J. D. (1991) Honor Thy Gods. Popular Religion in Greek Tragedy. Chapel Hill, N.C.Google Scholar
Mills, S. (1997) Theseus, Tragedy, and the Athenian Empire. Oxford.Google Scholar
Moretti, J.-C. (1999–2000) “The theater of the sanctuary of Dionysus Eleuthereus in late fifth-century Athens,” in Cropp, et al. 1999–2000: 377–98.
Morwood, J. (2002) The Plays of Euripides. London.Google Scholar
Mossman, J. (1995) Wild Justice. A Study of Euripides'Hecuba. Oxford.Google Scholar
Mossman, J. (ed.) (2003) Oxford Readings in Classical Studies. Euripides. Oxford.
Most, G. (2000) “Generating genres: the idea of the tragic,” in Matrices of Genre. Authors, Canons, and Society, ed. Depew, M. and Obbink, D.. Cambridge: 15–35.Google Scholar
Mueller-Goldingen, C. (1985) Untersuchungen zu den Phönissen des Euripides. Palingenesia 22. Stuttgart.Google Scholar
Mullen, W. (1982) Choreia: Pindar and Dance. Princeton.Google Scholar
Murray, G. (1947) Greek Studies. Oxford.Google Scholar
Nesselrath, H.-G. (1990) Die attische Mittlere Komödie. Ihre Stellung in der antiken Literaturkritik und Literaturgeschichte. Untersuchungen zur antiken Literatur und Geschichte, Bd. 36. Berlin and New York.CrossRefGoogle Scholar
Nesselrath, H.-G. (1993) “Parody and later Greek comedy,” HSCPh 95: 181–95.Google Scholar
Nestle, W. (1901) Euripides: der Dichter der griechischen Aufklärung. Stuttgart.Google Scholar
Newton, R. M. (1985) “Ino in Euripides' Medea,” AJPh 106: 496–502.Google Scholar
Norwood, G. (1908) The Riddle of the Bacchae. the Last Stage of Euripides' Religious Views. Manchester.Google Scholar
Norwood, G. (1953) Greek Tragedy. 4th edn. London.Google Scholar
Ober, J. (1989) Mass and Elite in Democratic Athens. Rhetoric, Ideology, and the Power of the People. Princeton.Google Scholar
O'Brien, M. J. (1964) “Orestes and the Gorgon,” AJPh 85: 13–39.Google Scholar
O'Connor-Visser, E. A. M. (1987) Aspects of Human Sacrifice in Euripides. Amsterdam.Google Scholar
Olson, S. D. (2002) Aristophanes. Acharnians. Oxford.CrossRefGoogle Scholar
Oranje, H. (1984) Euripides' Bacchae. The Play and its Audience. Mnemosyne Suppl 78. Leiden.Google Scholar
Osborne, R. (1997) “The ecstasy and the tragedy: varieties of religious experience in art, drama, and society” in Pelling, 1997: 187–211.
Osborne, R., and Hornblower, S. (eds.) (1994) Ritual, Finance, Politics. Athenian Democratic Accounts Presented to David Lewis. Oxford.Google Scholar
Padel, R. (1974) “Imagery of the elsewhere: two choral odes of Euripides,” CR 24: 227–41.Google Scholar
Padel, R. (1990) “Making space speak,” in Winkler, and Zeitlin, 1990: 336–65.
Padel, R. (1992) In and Out of the Mind. Greek Images of the Tragic Self. Princeton.CrossRefGoogle Scholar
Padel, R. (1995) Whom Gods Destroy. Elements of Greek and Tragic Madness. Princeton.Google Scholar
Page, D. L. (1934) Actors' Interpolations in Greek Tragedy. Studied with Special Reference to Euripides'Iphigeneia in Aulis. Oxford.Google Scholar
Panagl, O. (1971) Die ‘dithyrambischen stasima’ des Euripides. Vienna.Google Scholar
Papadopoulou, T. (2005) Heracles and Euripidean Tragedy. Cambridge.CrossRefGoogle Scholar
Parker, L. P. E. (2007) Euripides. Alcestis. Oxford.Google Scholar
Parker, R. (1996) Athenian Religion. A History. Oxford.Google Scholar
Parker, R. (1997) “Gods cruel and kind: tragic and civic theology,” in Pelling, 1997: 143–60.
Parker, R. (2005) Polytheism and Society at Athens. Oxford.Google Scholar
Pattoni, M. P. (1989) “La sympatheia del coro nella parodo dei tragici greci: motivi e forme di una modello drammatico,” SCO 39: 33–82.Google Scholar
Patzer, H. (1962) Die Anfänge der griechischen Tragödie. Schriften der Wissenschaftlichen Gesellschaft an der Johann Wolfgang Goethe-Universität Frankfurt am Main, Geisteswissenschaftliche Reihe 3. Wiesbaden.Google Scholar
Pechstein, N. (1998) Euripides Satyrographos: ein Kommentar zu den Euripideischen Satyrspielfragmenten. Beiträge zur Altertumskunde 115. Stuttgart.CrossRefGoogle Scholar
Pedrick, V. (2007) Euripides, Freud, and the Romance of Belonging. Baltimore, Md.Google Scholar
Pedrick, V., and Oberhelman, S. (2005) The Soul of Tragedy. Essays on Athenian Drama. Chicago.Google Scholar
Pelling, C. (ed.) (1997) Greek Tragedy and the Historian. Oxford.
Pelling, C. (2000) Literary Texts and the Greek Historian. London.Google Scholar
Pelling, C. (2002) “Tragedy, rhetoric, and performance culture,” in Gregory, 2005: 83–102.
Pfister, M. (1988) The Theory and Analysis of Drama (trans. of Das Drama, Frankfurt 1977). Cambridge.CrossRefGoogle Scholar
Pickard-Cambridge, A. W. (1927) Dithyramb, Tragedy and Comedy. Oxford.Google Scholar
Pickard-Cambridge, A. W. (1962) Dithyramb, Tragedy and Comedy. 2nd edn, rev. T. B. L. Webster. Oxford.Google Scholar
Pickard-Cambridge, A. W. (1988) The Dramatic Festivals of Athens. ed. Gould, J. and Lewis, D. M.. 2nd edn (1968), with supplement and corrections. Oxford.Google Scholar
Platter, C. (2006) Aristophanes and the Carnival of Genres. Baltimore, Md.Google Scholar
Poe, J. P. (1974) Human and Divine Justice in Sophocles' Philoctetes. Mnemosyne Suppl. 34. Leiden.Google Scholar
Pöhlmann, E. (1995) “Der Chor der Tragödie an den Grenzen der Bühnenkonventionen des 5. Jh.,” in Pöhlmann, E., Studien zur Bühnendichtung und zum Theaterbau der Antike. Studien zur klassische Philologie, Bd. 93. Frankfurt am Main: 63–72.Google Scholar
Pohlenz, M. (1930) Die griechische Tragödie. Leipzig and Berlin.Google Scholar
Pohlenz, M. (1954) Die griechische Tragödie. 2nd edn. Gottingen.Google Scholar
Porter, J. R. (1994) Studies in Euripides' Orestes. Mnemosyme Suppl. 128. Leiden.Google Scholar
Porter, J. R. (1999–2000) “Euripides and Menander: Epitrepontes, Act IV,” in Cropp, et al. 1999–2000: 157–73.
Price, S. (1999) Religions of the Ancient Greeks. Cambridge.CrossRefGoogle Scholar
Pucci, P. (1980) The Violence of Pity in Euripides' Medea. Cornell Studies in Classical Philology 41. Ithaca, N.Y.Google Scholar
Pulleyn, S. (1997) Prayer in Greek Religion. Oxford.Google Scholar
Rabinowitz, N. (1993) Anxiety Veiled: Euripides and the Traffic in Women. Ithaca.Google Scholar
Radt, S. L. (1991) “Sophokles in seinen Fragmenten,” in Hofmann, 1991: 117–35.
Rawson, E. (1970) “Family and fatherland in Euripides' Phoenissae,” GRBS 11: 109–27.Google Scholar
Reckford, K. J. (1985) “Concepts of demoralization in the Hecuba,” in Burian, 1985a: 112–28.
Redmond, J. (ed.) (1992) Themes in Drama 14: Melodrama. Cambridge.
Redondo, J. (2003) “Satyric diction in the extant Sophoclean fragments: a reconsideration,” in Sommerstein, 2003a: 413–31.
Rehm, R. (1994) Marriage to Death. The Conflation of Wedding and Funeral Rituals in Greek Tragedy. Princeton.Google Scholar
Reinhardt, K. (1957) “Die Sinneskrise bei Euripides,” Eranos-Jahrbuch 26: 279–313 (reprinted in his Tradition und Geist: gesammelte Essays zur Dichtung, ed. C. Becker. Gottingen 1960: 227–56).Google Scholar
Reinhardt, K. (2003) “The intellectual crisis in Euripides,” in Mossman, 2003: 16–46 (English version of Reinhardt 1957).
Revermann, M. (1999–2000) “Euripides, tragedy and Macedon: some conditions of reception,” in Cropp, et al. 1999–2000: 451–67.
Revermann, M. (2006) “The competences of theatre audiences in fifth- and fourth-century Athens,” JHS 16: 99–124.CrossRefGoogle Scholar
Rhodes, P. J. (2003) “Nothing to do with democracy: Athenian drama and the polis,” JHS 123: 104–19.CrossRefGoogle Scholar
Rhodes, P. J., and Osborne, R. (2003) Greek Historical Inscriptions 404–323 BC. Oxford.Google Scholar
Ritter, F. (1861) “Sieben unechte schlussstellen in den tragödien des Sophokles,” Philologus 17: 422–36.CrossRefGoogle Scholar
Rivier, A. (1972–73) “En marge d'Alceste et de quelques interprétations récentes,” MH 29: 124–40 and 30: 130–43.Google Scholar
Roberts, D. (1987) “Parting words. Final lines in Sophocles and Euripides,” CQ 37: 51–64.CrossRefGoogle Scholar
Rode, J. (1971) “Das Chorlied,” in Jens, 1971: 85–115.
Rosenmeyer, T. G. (1963) The Masks of Tragedy. Austin, Tex.Google Scholar
Rosenmeyer, T. G. (1981) “Drama,” in The Legacy of Greece. A New Appraisal, ed. Finley, M. I.. Oxford: 120–54.Google Scholar
Rosenmeyer, T. G. (1982) The Art of Aeschylus. Berkeley.Google Scholar
Rosenmeyer, T. G. (1985) “Ancient literary genres: a mirage?,” Yearbook of Comparative and General Literature 34: 74–84.Google Scholar
Roselli, D. K. (2007) “Gender, class and ideology: the social function of virgin sacrifice in Euripides' Children of Herakles,” ClAnt 26: 81–169.Google Scholar
Rossum-Steenbeek, M. van (1998) Greek Readers' Digests?: Studies on a Selection of Subliterary Papyri. Mnemosyme Suppl. 175. Leiden.Google Scholar
Roux, J. (1970–72) Les Bacchantes. 2 vols. Paris.Google Scholar
Ruck, C. (1976) “Duality and the madness of Herakles,” Arethusa 9: 53–75.Google Scholar
Rusten, J. S. (1982) “Dicaearchus and the Tales from Euripides,” GRBS 23: 357–67.Google Scholar
Rutherford, I. (2001) Pindar's Paeans. A Reading of the Fragments with a Survey of the Genre. Oxford.Google Scholar
Saïd, S. (1985) “Euripide ou l'attente deçue: l'exemple des Phéniciennes,” ASNP ser. 3, 15(2): 501–276.Google Scholar
Sailor, D., and Stroup, S. C. (1999) “ΦΘΟΝΟΣ Δ' ΑΠΕΣΤΩ: the translation of transgression in Aiskhylos' Agamemnon,” ClAnt 18: 153–82.Google Scholar
Sansone, D. (1978) “The Bacchae as Satyr-Play?ICS 3: 40–6.Google Scholar
Sauzeau, P. (1998) “‘La Grèce entière est le tombeau d'Euripides.’ Vie, mort et immortalité des poètes tragiques: quelques réflexions sur l'imaginaire biographique et sur la caverne d'Euripide,” CGITA 11: 59–101.Google Scholar
Schadewalt, W. (1926) Monolog und Selbstgespräch. Untersuchungen zur Formgeschichte der griechischen Tragödie. Neue Philologische Untersuchungen 2. Berlin.Google Scholar
Schaps, D. M. (1977) “The woman least mentioned: etiquette and women's names,” CQ 27: 323–30.CrossRefGoogle Scholar
Schaps, D. M. (1979) Economic Rights of Women in Ancient Greece. Edinburgh.Google Scholar
Schlegel, A. W. (1809) Vorlesungen über dramatische Kunst und Literature. Heidelberg. (Eng. trans.: A Course of Lectures on Dramatic Art and Literature, 1815).Google Scholar
Schlegel, F. (1794a) Von den Schulen der griechischen Poesie.
Schlegel, F. (1794b) Über die weiblichen Charaktere in den griechischen Dichtern.
Schlegel, F. (1795–97) Über das Studium der griechischen Poesie (Eng. trans.: On the Study of Greek Poetry, trans. Barnett, Stuart. Albany, N.Y. 2001).Google Scholar
Schlegel, F. (1798) Geschichte der Poesie der Griechen und Römer. Berlin.Google Scholar
Schlegel, F. (1815) Geschichte der alten und neuen Literatur. Vorlesungen, gehalten zu Wien im Jahre 1812. Vienna. (Eng. trans.: Lectures on the History of Literature, Ancient and Modern, partial (J. G. Lockhart) 1818, complete 1859).Google Scholar
Schlesinger, E. (1966) “Zu Euripides' Medea,” Hermes 94: 26–53 (abbreviated English trans. “On Euripides' Medea” in Segal 1968: 70–89).Google Scholar
Schmidt, W. (1964) Der Deus ex machina bei Euripides. Tubingen.Google Scholar
Schmitt, J. (1921) Freiwilliger Opfertod bei Euripides. Ein Beitrag zu seiner dramatischen Technik. Religionsgeschichtliche Versuche und Vorarbeiten 17(2). Giessen.Google Scholar
Schorn, S. (2004) Satyros aus Kallatis: Sammlung der Fragmente mit Kommentar. Basel.Google Scholar
Schnurr-Redford, C. (1996) Frauen im klassischen Athen: sozialer Raum und reale Bewegungsfreiheit. Berlin.Google Scholar
Schwering, W. (1916–17) “Die Entstehung des Wortes tragicomoedia,” IF 37: 139–41.Google Scholar
Schwinge, E.-R. (1968) Die Verwendung des Stichomythie in den Dramen des Euripides. Biblothek der klassischen Altertumswissenschaft, 2. Reihe 27. Heidelberg.Google Scholar
Scodel, R. (1980) The Trojan Trilogy of Euripides. Hypomnemata 60. Gottingen.CrossRefGoogle Scholar
Scodel, R. (1996) “Δόμων ἄγαλμα: virgin sacrifice and aesthetic object,” TAPhA 126: 111–28.Google Scholar
Scodel, R. (1999–2000) “Verbal performance and Euripidean rhetoric,” in Cropp, et al. 1999–2000: 129–44.
Scodel, R. (2007) “Lycurgus and the state text of tragedy,” in Politics of Orality, ed. Cooper, C. R.. Orality and literacy in ancient Greece 6 = Mnemosyne Suppl. 280. Leiden: 129–54.Google Scholar
Scullion, S. (1999–2000) “Tradition and invention in Euripidean aitiology,” in Cropp, et al. 1999–2000: 217–33.
Scullion, S. (2002) “‘Nothing to do with Dionysus’: tragedy misconceived as ritual,” CQ 52: 102–37.CrossRefGoogle Scholar
Seaford, R. (1981) “Dionysiac drama and the Dionysiac mysteries,” CQ 31: 252–75.CrossRefGoogle Scholar
Seaford, R. (1984) Euripides. Cyclops. Oxford.Google Scholar
Seaford, R. (1987) “The tragic wedding,” JHS 107: 106–30.CrossRefGoogle Scholar
Seaford, R. (1994) Reciprocity and Ritual. Homer and Tragedy in the Developing City-State. Oxford.Google Scholar
Seaford, R. (1996) “Something to do with Dionysos – tragedy and the Dionysiac: response to Friedrich,” in Silk, 1996: 284.
Seaford, R. (2000) “The social function of Attic tragedy: a response to Griffin,” CQ 50: 30–44.CrossRefGoogle Scholar
Seaford, R. (2001) Euripides. Bacchae. Rev. edn. Warminster.Google Scholar
Seaford, R. (2007) “From ritual to drama: a concluding statement,” in Csapo, and Miller, 2007a: 379–401.
Seaford, R. (2009) “Aitiologies of cult in Euripides: a response to Scott Scullion,” in Cousland, and Hume, 2009: 221–34.CrossRef
Segal, C. (1965) “The tragedy of the Hippolytus. The waters of ocean and the untouched meadow,” HSPh 70: 117–69 (reprinted in his Interpreting Greek Tragedy. Myth, Poetry, Text. Ithaca, N.Y.: 1986).Google Scholar
Segal, C. (1970) “Shame and purity in Euripides' Hippolytus,” Hermes 98: 278–99.Google Scholar
Segal, C. (1971) “The two worlds of Euripides' Helen,” TAPhA 102: 553–614.Google Scholar
Segal, C. (1982) Dionysiac Poetics and Euripides'Bacchae. Princeton.Google Scholar
Segal, C. (1991) “Euripides' Alcestis: female death and male tears,” ClAnt 11: 142–57.Google Scholar
Segal, C. (1992) “Admetus' divided house: spatial dichotomies and gender roles in Euripides,” MD 28 (1992) 9–26.Google Scholar
Segal, C. (1993) Euripides and the Poetics of Sorrow. Art, Gender, and Commemoration in Alcestis, Hippolytus, and Hecuba. Durham, N.C.CrossRefGoogle Scholar
Segal, C. (ed.) (2001) Euripides. Bakkhai, trans. Gibbons, R.. Oxford.
Segal, E. (ed.) (1968) Euripides. A Collection of Critical Essays. Englewood Cliffs, N.J.
Seidensticker, B. (1982) Palintonos Harmonia. Studien zu komischen Elementen in der griechischen Tragödie. Hypomnemata 72. Gottingen.CrossRefGoogle Scholar
Seidensticker, B. (1995) “Women on the tragic stage,” in History, Tragedy, Theory. Dialogues on Athenian Drama, ed. Goff, B.. Austin, Tex.: 151–73.Google Scholar
Selden, D. (1994) “Genre of genre,” in The Search for the Ancient Novel, ed. Tatum, J.. Baltimore: 39–64.Google Scholar
Sharp, W. (1992) “Structure of melodrama,” in Redmond, 1992: 269–80.
Sheppard, J. T. (1916) “The formal beauty of the Hercules Furens,” CQ 10: 72–9.CrossRefGoogle Scholar
Silk, M. S. (ed.) (1996) Tragedy and the Tragic. Greek Theatre and Beyond. Oxford.
Silk, M. S., and Stern, J. P. (1980) Nietzsche on Tragedy. Cambridge.Google Scholar
Smith, W. D. (1966) “Expressive form in Euripides' Suppliants,” HSPh 71: 151–70.Google Scholar
Snell, B. (1953) “Aristophanes and aesthetic criticism,” in Snell, B., The Discovery of the Mind. Greek Origins of European Thought, trans. Rosenmeyer, T. G.. Oxford: 113–35.Google Scholar
Solmsen, F. (1934) “Onoma and Pragma in Euripides' Helen,” CR 48: 119–21.Google Scholar
Sommerstein, A. H. (2002) “Comic elements in tragic language: the case of Aeschylus' Oresteia,” in The Language of Greek Comedy, ed. Willi, A.. Oxford: 151–68.CrossRefGoogle Scholar
Sommerstein, A. H. (ed.) (2003a) Shards from Kolonos. Studies in Sophoclean Fragments. Le Rane: Collana di Studi e Testi 34. Bari.
Sommerstein, A. H. (2003b) “The anger of Achilles, mark one: Sophocles' Syndeipnoi,” in Sommerstein, 2003a: 355–71.
Sourvinou-Inwood, C. (1997) “Tragedy and religion: constructs and readings,” in Pelling, 1997: 161–86.
Sourvinou-Inwood, C. (2003) Tragedy and Athenian Religion. Lanham, Md.Google Scholar
Spira, A. (1960) Untersuchungen zum Deus ex machina bei Sophokles und Euripides. Kallmünz.Google Scholar
Stevens, P. T. (1956) “Euripides and the Athenians,” JHS 76: 87–94.CrossRefGoogle Scholar
Stevens, P. T. (ed.) (1971) Euripides. Andromache. Oxford.
Stewart, A. F. (1997) Art, Desire, and the Body in Ancient Greece. Cambridge.Google Scholar
Stinton, T. C. W. (1990) Collected Papers on Greek Tragedy. Oxford.Google Scholar
Stockert, W. (ed.) (1992) Euripides. Iphigenie in Aulis. 2 vols. Wiener Studien, Beiheft 16(1–2). Vienna.
Strohm, H. (1949) Euripides. Iphigenie im Taurerlande. Munich.Google Scholar
Strohm, H. (1957) Euripides: Interpretationen zur dramatischen Form. Zetemata 15. Munich.Google Scholar
Sutton, D. F. (1973) “Supposed evidence that Euripides' Orestes and Sophocles' Electra were prosatyric,” RSC 21: 117–21.Google Scholar
Taplin, O. (1977) The Stagecraft of Aeschylus. The Dramatic Use of Exits and Entrances in Greek Tragedy. Oxford.Google Scholar
Taplin, O. (1978) Greek Tragedy in Action. London.CrossRefGoogle Scholar
Taplin, O. (1984–85) “Lyric dialogue and dramatic construction,” Dioniso 55: 115–22.Google Scholar
Taplin, O. (1986) “Fifth-century tragedy and comedy: a synkrisis,” JHS 106, 163–74.CrossRefGoogle Scholar
Taplin, O. (1993) Comic Angels and Other Approaches to Greek Drama through Vase-Paintings. Oxford.Google Scholar
Taplin, O. (2007) Pots and Plays: Interactions between Tragedy and Greek Vase-Painting of the Fourth Century B.C. Los Angeles.Google Scholar
Thalmann, W. G. (1993) “Euripides and Aeschylus: the case of the Hekabe,” ClAnt 12: 126–59.Google Scholar
Thummer, E. (1986) “Griechische ‘Erlösungsdramen,’” in Im Bannkreis des Alten Orients. Studien zur Sprach- und Kulturgeschicthe des Alten Orients und seines Ausstrahlungsraumes Karl Oberhuber zum 70. Geburtstag gewidmet, ed. Meid, W. and Trenkwalder, H.. Innsbrucker Beiträge zur Kulturwissenschaft, Bd. 24: 237–59.Google Scholar
Trenkner, S. (1958) The Greek Novella in the Classical Period. Cambridge.Google Scholar
Verrall, A. W. (1895) Euripides the Rationalist. A Study in the History of Arts and Religion. Cambridge.Google Scholar
Verrall, A. W. (1905) Essays on Four Plays of Euripides. Andromache, Helen, Heracles, Orestes. Cambridge.Google Scholar
Versnel, H. (1990) Inconsistencies in Greek and Roman Religion I. Ter Unus. Isis, Dionysos, Hermes. Three Studies in Henotheism. Studies in Greek and Roman Religion 6(1). Leiden.Google Scholar
Vidal-Naquet, P. (1968) “The black hunter and the origin of the Athenian ephebeia,” PCPhS 14: 49–64.Google Scholar
Vidal-Naquet, P. (1986) The Black Hunter. Forms of Thought and Forms of Society in the Greek World. Baltimore, Md.Google Scholar
Vietor, K. (1986) “L'histoire des genres littéraires,” in Genette, and Todorov, 1986: 9–35.
Voelke, P. (2001) Un Théâtre de la marge. Aspects figuratifs et configurationnels du drame satyrique dans l'Athènes classique. (Le Rane: Collana di Studi e Testi 31). Bari.Google Scholar
Fritz, K. (1959) “Die Entwicklung der Iason-Medea-Sage und die Medea des Euripides,” Antike und Abendland 8: 33–106 (repr. in his Antike und moderne Tragödie: neun Abhandlungen. Berlin 1962: 322–429).Google Scholar
Walsh, G. B. (1977) “The first stasimon of Euripides' Electra,” YClS 25: 277–89.Google Scholar
Wasserstein, F. M. (1940) “Divine violence and providence in Euripides' Ion,” TAPhA 71: 587–604.Google Scholar
Waszink, J. H. (ed.) (1969) Euripidis Hecuba et Iphigenia in Aulide, ed. Erasmus, D. (1506 and 1507), in Opera Omnia Desiderii Erasmi Roterodami I:1. Amsterdam. 193–359.
Webster, T. B. L. (1967) The Tragedies of Euripides. London.Google Scholar
Weinberg, B. (1961) A History of Literary Criticism in the Italian Renaissance. 2 vols. Chicago.Google Scholar
West, M. L. (1987) Euripides. Orestes. Warminster.Google Scholar
West, M. L. (1989) “The early chronology of Attic tragedy,” CQ 39: 251–4.CrossRefGoogle Scholar
Whitman, C. (1951) Sophocles. A Study in Heroic Humanism. Cambridge, Mass.CrossRefGoogle Scholar
Whitman, C. (1974) Euripides and the Full Circle of Myth. Cambridge, Mass.CrossRefGoogle Scholar
Wilamowitz-Moellendorff, U. (ed.) (1891) Euripides. Hippolytos. Berlin.
Wilamowitz-Moellendorff, U. (1895) Euripides Herakles. 3 vols. 2nd edn. Berlin.Google Scholar
Wilamowitz-Moellendorff, U. (1899) Griechische Tragoedien. Bd I. Berlin.Google Scholar
Wildberg, C. (1999–2000) “Piety as service, epiphany as reciprocity: two observations on the religious meaning of the gods in Euripides,” in Cropp, et al. 1999–2000: 235–56.
Wildberg, C. (2002) Hyperesie und Epiphanie: ein Versuch über die Bedeutung der Götter in den Dramen des Euripides. Zetemata 109. Munich.Google Scholar
Wiles, D. (1997) Tragedy in Athens: Performance Space and Theatrical Meaning. Cambridge.CrossRefGoogle Scholar
Wilkins, J. (1993) Euripides. Heraclidae. Oxford.Google Scholar
Williams, B. (1993) Shame and Necessity. Berkeley and Los Angeles.Google Scholar
Willink, C. W. (1986) Euripides. Orestes. Oxford.Google Scholar
Wilson, P. J. (1996) “Tragic rhetoric: the use of tragedy and the tragic in the fourth century,” in Silk, 1996: 310–31.
Wilson, P. J. (1999) “The aulos at Athens,” in Goldhill, and Osborne, 1999: 58–95.
Wilson, P. J. (2000) The Athenian Institution of the Khoregia. The Chorus, the City and the Stage. Cambridge.Google Scholar
Wilson, P. J. (2003) “The sound of cultural conflict: Kritias and the culture of mousike in Athens,” in The Cultures within Ancient Greek Culture. Contact, Conflict, and Collaboration, ed. Kurke, L. and Dougherty, C.. Cambridge: 181–206.Google Scholar
Winkler, J. J. (1990) “The ephebes' song: tragoidia and polis.” in Winkler, and Zeitlin, 1990: 20–62.
Winkler, J. J., and Zeitlin, F. (eds.) (1990) Nothing to Do with Dionysos?: Athenian Drama in its Social Context. Princeton.
Wohl, V. (1998) Intimate Commerce. Exchange, Gender, and Subjectivity in Greek Tragedy. Austin, Tex.Google Scholar
Wolff, C. (1968) “Orestes,” in Segal, 1968: 132–49.
Wolff, C. (1973) “On Euripides' Helen,” HSPh 77: 61–84.Google Scholar
Wolff, C. (1992) “Euripides' Iphigenia among the Taurians: aetiology, ritual, and myth,” ClAnt 11: 308–34.Google Scholar
Worman, N. (1999) The Cast of Character. Style in Greek Literature. Austin, Tex.Google Scholar
Wright, M. (2005) Euripides' Escape Tragedies. A Study of Helen, Andromeda and Iphigenia among the Taurians. Oxford.CrossRefGoogle Scholar
Young, D. C. C. (1970) “Pindaric criticism,” in Pindaros und Bakchylides, ed. Calder III, W. M. and Stern, J.. Wege der Forschung 134. Darmstadt: 1–95.Google Scholar
Yunis, H. (1988) A New Creed. Fundamental Religious Beliefs in the Athenian Polis and Euripidean Drama. Hypomnemata 91. Gottingen.CrossRefGoogle Scholar
Zacharia, K. (1995) “The marriage of tragedy and comedy in Euripides' Ion,” in Laughter Down the Centuries, vol. II. Annales Universitatis Turkuensis, ser. B, tom. 213. Turku: 45–63.Google Scholar
Zacharia, K. (2003) Converging Truths: Euripides' Ion and the Athenian Quest for Self-Definition. Mnemosyne Suppl. 242. Leiden.CrossRefGoogle Scholar
Zeitlin, F. (1970) “The Argive festival of Hera and Euripides' Electra,” TAPhA 101: 645–69.Google Scholar
Zeitlin, F. (1985) “The power of Aphrodite. Eros and the boundaries of the self in the Hippolytus,” in Burian, 1985a: 52–111.
Zeitlin, F. (1989) “Mysteries of identity and designs of the self in Euripides' Ion,” PCPhS 35: 144–97.Google Scholar
Zeitlin, F. (1990) “Thebes: theater of self and society in Athenian drama,” in Winkler, and Zeitlin, 1990: 130–67.
Zeitlin, F. (1991) “Euripides' Hekabe and the somatics of Dionysiac drama,” Ramus 20: 53–94 (revised in Zeitlin 1996: 172–216).CrossRefGoogle Scholar
Zeitlin, F. (1996) Playing the Other. Gender and Society in Classical Greek Literature. Princeton.Google Scholar
Zeitlin, F. (2003) “The closet of masks: role-playing and myth-making in the Orestes of Euripides,” in Mossman, 2003: 309–41 (reprint of Ramus 9 (1980): 51–77).
Zimmermann, B. (1992) Dithyrambos: Geschichte einer Gattung. Hypomnemata 98. Gottingen.CrossRefGoogle Scholar
Zuntz, G. (1955) The Political Plays of Euripides. Manchester.Google Scholar
Zuntz, G. (1958) “Contemporary politics in the plays of Euripides,” Acta Congressus Madvigiani. International Congress of Classical Studies, Proceedings II: I.155–62 (reprinted in Opuscula Selecta. Manchester 1972: 54–61).Google Scholar
Zuntz, G. (1960) “On Euripides' Helena: theology and irony,” in Euripide, ed. Reverdin, O.. Entretiens Hardt 6. Geneva: 201–41.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Donald J. Mastronarde, University of California, Berkeley
  • Book: The Art of Euripides
  • Online publication: 04 May 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511676437.011
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Donald J. Mastronarde, University of California, Berkeley
  • Book: The Art of Euripides
  • Online publication: 04 May 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511676437.011
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Donald J. Mastronarde, University of California, Berkeley
  • Book: The Art of Euripides
  • Online publication: 04 May 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511676437.011
Available formats
×